:: wikimiki.org ::
| Robert "Bucket" Hingley |
Robert "Bucket" HingleyLead singer/guitar player for the ska band the Toasters. In 1983 he formed Moon Ska Records, and independent all ska record label, which failed in 2000. In 2003 he formed Megalith Records. He currently is still playing and touring with the Toasters.
See also
- Megalith Records
- Ska
- Ska Satellite Records
- The Toasters
Category:Record labels
SkaThis page is about the musical style. For Square Kilometre Array, see SKA.
Ska is a form of Jamaican music which began in the late 1950s. Combining elements of traditional mento and calypso with an American jazz and rhythm and blues sound, it was a precursor in Jamaica to rocksteady and later reggae. It is the predominant form of music listened to by the Rudeboy, Mod, and Skinhead movements, amongst others, with artists such as Symarip, Laurel Aitken, The Charmers and The Pioneers aiming songs at these groups as far back as the 1960s.
Musical historians typically divide the history of ska into three waves. Ska's popularity has waxed and waned since its original inception, and has had revivals of note in England in the 1980s and another wave of popularity in the 1990s.
The Waves
First Wave
After World War II, Jamaicans purchased radios in increasing numbers and were able to hear American R&B from southern cities like New Orleans, Louisiana, whose artists (such as Fats Domino) had the most influence on early ska. To meet the demand for such music, entrepreneurs like Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems, portable discotheques which appeared at dances and other gatherings. Sound system operators were able to obtain records from Miami and New Orleans, and these records were hot commodities in Jamaica. Often, these sound system operators removed labels from the most popular records in order to enjoy a monopoly on the best-liked tunes and draw the most customers.
When New Orleans-style R&B fell out of favor by 1960, Jamaican artists began recording their own version of it. The music of ska is known for the placement of the accented guitar and piano rhythms on the upbeats. The word "ska" may have onomatopoeic origins in a tradition of poetic or possibly even musical rhythms. Guitarist Ernest Ranglin said that "the offbeat guitar scratching that he and other musicians played was referred to as 'skat! skat! skat!'" Some believe that Cluet Johnson coined the term. Bassist Johnson and the Blues Blasters were Coxsonne Dodd's house band in the 50s and earliest 60s before the rise of the mighty Skatalites. In explaining the 'ya-ya' sound of the music & rhythm being made, the word 'ska' popped out. This may be because he greeted all his friends as 'skavoovee', perhaps imitating American hipsters of the era.
Cluet Johnson
Some believe that the early jazz and rock 'n' roll broadcasts from American radio stations were misinterpreted by an eager Jamaican music audience, hence the off-beat rhythms that almost mimicked the break up of weak radio signals that hit the West Indian shores. Others consider ska not a misinterpretation but its own response to American music. The sound of ska was created at facilities like Studio One and WIRL Records in Kingston, Jamaica, by producers like Dodd, Reid, Prince Buster, and Edward Seaga (later Jamaica's prime minister). The upbeat sound of ska coincided with the celebratory feelings surrounding Jamaica's independence from the U.K. in 1962, an event commemorated by ska songs such as Derrick Morgan's "Forward March" and the Skatalites' "Freedom Sound".
As music changed in America, so did ska. For example, ska was influenced by jazz and rock. Ska groups like Clement Dodd's house band, The Skatalites often did instrumental ska versions of popular American and British music, such as Beatles tunes, movie themes, or surf instrumentals. In 1966 and 1967, when American soul became slower and smoother, ska changed its sound accordingly and resulted in rocksteady, a style of music with the bass playing more varied rhythms, more emphasis on the downbeat, and soulful vocals. Some historians suggest that the popularity of rocksteady's slowed tempo was a result of an exceptionally warm summer of 1966, during which dancers were physically too hot to dance to the uptempo numbers. Some notable rocksteady musicians are the Melodians, who scored a hit with 'Rivers of Babylon', The Ethiopians, and Desmond Dekker, who did a number of rocksteady songs during the late sixties. Rocksteady lasted until the emergence of reggae in 1968.
Ska was showcased at the 1964 New York World's Fair. Byron Lee & the Dragonaires were selected over the Skatalites as the band for the occasion, and Prince Buster, Eric "Monty" Morris, and Peter Tosh performed with them, presenting ska music to the world. Prince Buster and U-Roy of Jamaica brought Ska to the U.K. in the early 1960s where it has been a major inspiration to many bands, such as the Specials, Madness, UB40 and many other underground music acts from dance to reggae.
Second Wave
The Two Tone (or 2 Tone) era was named after the similarly titled record label, formed by Jerry Dammers, keyboardist of The Specials. The band was formulated from the greatly diverse West Midlands region of England in the late 1970s, with bands such as The Beat and The Selecter in support of the scene.
Supplementing the lilting Jamaican rhythms of ska with punk rock's uncompromising lyrics and brutal guitar chords resulted in a hybrid that satisfied a thirst for a moshing groove, plenty of melody via the horns, and thoughtful, irreverent, or politically charged lyrics. The Two Tone movement pushed towards racial unity, and was symbolized by a black and white checkerboard pattern. The Specials keyboard player, Jerry Dammers, established a record label that he named “Two Tone Records”. The label’s name had a double meaning, the first was in honor of the two tone tonic suits that the original Jamaican ska musicians typically wore and the second was to signify the multi-racial membership of most of the British ska bands as racial tensions were reaching a high point in late 70’s UK. The british ska bands were very respectful to the original Jamaica artists and in many cases did them a service by remaking their songs and turning them into hits again. In one case, the Jamaican artist Prince Buster actually made more money off of royalties from cover artists than he ever made from his own records. Although Two Tone ska did not hide its musical roots and was not afraid to cover some of the great older songs, it definitely had a sound of its own. Two Tone recordings are characterized by faster tempos, fuller instrumentation and a harder edge than original 50's and 60’s ska. The branches that stem from the influence of some of these ska bands are long reaching, a number of bands like The Police, The Clash, and Elvis Costello mention ska music as being incredibly important in their musical background and the number of bands that were influenced by bands such as those goes on and on.
Third Wave
Beginning in the late 1980s and gaining popularity in the early 1990s, the third wave of ska moved across the Atlantic Ocean and became hugely popular in the United States. Combining elements of ska with rock, punk, hardcore, and jazz, musicians of the third wave created a new style of ska. Ska punk and skacore, sub-genres of the third wave, make up a majority of this genre.
Some of the most popular and long lasting third wave ska bands include The Mighty Mighty Bosstones, Reel Big Fish, The Aquabats, Catch 22, Know Talent,The Toasters, Less Than Jake, Mustard Plug, Buck-O-Nine, Operation Ivy, and Big D and the Kids Table.
While chronologically, bands like The Allstonians, The Slackers, Pressure Cooker, Let's Go Bowling, Sublime, and Hepcat can be classified as third wave groups, their sound is much more similar to that of the first wave. Their music is influenced by or strongly resembles the ska of 1960s Jamaica.
The third wave of ska also includes a number of Christian ska bands. It would not be accurate to describe Christian ska as being its own wave (as is often done), as it does not differ significantly in geography, occurrence in time, or overall sound. Two of the more popular and recognized Christian ska bands are Five Iron Frenzy and The O.C. Supertones who often wrote songs about life from a Christian perspective.
See also
List of ska musicians
Further reference
- Timothy White, Catch a Fire: The Life of Bob Marley, UK:Corgi Books, 1983
External links
- Lyrics:
- [http://69thlyriczone.skinhead.hu/ 69th Lyric Zone] Ska Reggae Dub Soul Rocksteady Dancehall Lyrics
- [http://lyric.uuxfer.net The Ska Lyric Archive - The most complete reference for ska lyrics]
- [http://www.skaponk.com Skaponk - A wide database of ska and punk lyrics]
- [http://www.jamaicalyrics.com.ar/index.php?mod=search Jamaica Lyrics - Ska Lyrics]
- [http://www.potentbrew.com/skaregdu.html The Origins of Ska, Reggae, and Dub Music]
- [http://www.bluejuice.dhs.org/skareggae/Boogie.php The Untold Story of Jamaican Popular Music] by Lloyd Dewar
- [http://web.fccj.edu/~ivanhoof/ska/ The History of Ska Music] by Ian Vanhoof
- [http://ska.about.com Ska.About.Com] Semi-Active Ska Community
- [http://edwardsbuzzer.com Edward's Buzzer] website
- [http://www.skahoo.com Skahoo] Ska International Search Engine
- [http://www.ocf.berkeley.edu/~jboo/ska/ska.html Ska for the Skeptical] Ska History, including downloads
- [http://www.ska-times.de ska-times] ska agenda international, concerts, festivals, blue dances and more
- [http://www.live365.com/stations/wannabepunk2 Ska, Punk & Other Junk – Online Ska Radio Station that features Ska and Ska-influenced styles]
- [http://www.faqs.org/faqs/music/ska-faq/ Ska FAQ]
- [http://www.skapalace.4t.com Ska Palace – includes list of ska bands, reviews]
Category:Ska
Category:Jamaican styles of music
Category:Musical genres
als:Ska
ms:Ska
ja:スカ
The Toastersright
The Toasters are a third-wave ska band formed in the early 1980s by Robert 'Bucket' Hingley. Many consider them the first true band of the third-wave era, as they were from the United States (as opposed to the British Two Tone movement) and had a sound much more influenced by the still-young punk music. They are quick to note they are named after toasting drinks and the term used for a type of rap popular in the Ska world, rather than the kitchen appliance.
The Toasters have been around for over 20 years now, with Hingley the only original member left. They have released many albums, most of them on the now-defunct Moon Ska record label, at one time the world's largest ska-only record label, founded and owned by Hingley. Since the death of Moon Ska in the early 2000s, Hingley has founded a new label, Megalith Records.
Their first full length album, Skaboom, is considered one of the classics of third-wave ska music, and they enjoyed a small degree of commercial success in the late 1990s due to the third-wave ska explosion, being the music for the Nickelodeon show 'Kablaam!' (listed as the "moon ska allstars") and background music in countless TV commercials, most notably a line of America Online ads. They are also the official TO Band.
Discography
- Skaboom (Moving Target) 1987
- Talk is Cheap (Moon Ska) 1987
- Thrill Me Up (Skaloid) 1988
- This Gun For Hire (Relativity) 1990
- T-Time (Pork Pie) 1991
- New York Fever (Moon Ska) 1992
- Dub 56 (Moon Ska) 1994
- Ska Killers (M.I.L. Multimedia)
- Hard Band Fe Dead (Moon Ska) 1996
- 2-Tone Army (Pork Pie) 1996
- Don't Let the Bastards Grind You Down (D.L.T.B.G.Y.D.) (Moon Ska) 1997
- Live in London (Moon Ska) 1998
- Enemy of the System (Asian Man) 2002
External link
- [http://www.toasters.org Official Toasters Website]
Category:Third-wave ska groups
Moon Ska RecordsEasily one of the most influential ska record labels of the 80's and 90's. Moon Ska NYC or just Moon Ska, was started by lead singer/guitar player, and only remaining original member of ska band, The Toasters, Robert "Bucket" Hingley; it was a strictly ska label for the duration of its life from 1983 to 2000. Based in New York City, they operated a storefront in the East Village (10th St. between 3rd & 4th ave) selling their wares, which was also unsuccessful. Amidst the bust of the ska boom of the mid nineties, sales went down and too many records were returned to the small label for them to stay afloat.
Robert "Bucket" Hingley began yet another label sometime in 2003, Megalith Records, ostensibly to try his hand again at running an independent record label.
Bands On Moon Ska Label
- The Adjusters
- Laurel Aitken
- The Allstonians
- The Articles
- The Bluebeats
- Lloyd Brevett
- The Busters
- Bad Manners
- Critical Mass
- Dr. Ring Ding & the Senior Allstars
- Easy Big Fella
- Edna's Goldfish
- Hepcat
- Let's Go Bowling
- Los Hooligans
- Magadog
- Tommy McCook and Friends
- Mento Buru
- Mobtown
- Mr. Review
- Mustard Plug
- New York Ska-Jazz Ensemble
- One Groovy Coconut
- The Pietasters
- Regatta 69
- Rude Bones
- Ruder Than You
- The Scofflaws
- The Skalars
- Skanic
- Skavoovie And the Epitones
- Skinnerbox
- The Skoidats
- Skunks
- The Slackers
- Spring Heeled Jack U.S.A.
- The Toasters
- The Trojans
- Venice Shoreline Chris
See also
- List of record labels
- Megalith Records
- Moon Ska Europpe
- Ska
- Ska Satellite Records
Category:American record labels
Category:Defunct record labels
The Toastersright
The Toasters are a third-wave ska band formed in the early 1980s by Robert 'Bucket' Hingley. Many consider them the first true band of the third-wave era, as they were from the United States (as opposed to the British Two Tone movement) and had a sound much more influenced by the still-young punk music. They are quick to note they are named after toasting drinks and the term used for a type of rap popular in the Ska world, rather than the kitchen appliance.
The Toasters have been around for over 20 years now, with Hingley the only original member left. They have released many albums, most of them on the now-defunct Moon Ska record label, at one time the world's largest ska-only record label, founded and owned by Hingley. Since the death of Moon Ska in the early 2000s, Hingley has founded a new label, Megalith Records.
Their first full length album, Skaboom, is considered one of the classics of third-wave ska music, and they enjoyed a small degree of commercial success in the late 1990s due to the third-wave ska explosion, being the music for the Nickelodeon show 'Kablaam!' (listed as the "moon ska allstars") and background music in countless TV commercials, most notably a line of America Online ads. They are also the official TO Band.
Discography
- Skaboom (Moving Target) 1987
- Talk is Cheap (Moon Ska) 1987
- Thrill Me Up (Skaloid) 1988
- This Gun For Hire (Relativity) 1990
- T-Time (Pork Pie) 1991
- New York Fever (Moon Ska) 1992
- Dub 56 (Moon Ska) 1994
- Ska Killers (M.I.L. Multimedia)
- Hard Band Fe Dead (Moon Ska) 1996
- 2-Tone Army (Pork Pie) 1996
- Don't Let the Bastards Grind You Down (D.L.T.B.G.Y.D.) (Moon Ska) 1997
- Live in London (Moon Ska) 1998
- Enemy of the System (Asian Man) 2002
External link
- [http://www.toasters.org Official Toasters Website]
Category:Third-wave ska groups
SkaThis page is about the musical style. For Square Kilometre Array, see SKA.
Ska is a form of Jamaican music which began in the late 1950s. Combining elements of traditional mento and calypso with an American jazz and rhythm and blues sound, it was a precursor in Jamaica to rocksteady and later reggae. It is the predominant form of music listened to by the Rudeboy, Mod, and Skinhead movements, amongst others, with artists such as Symarip, Laurel Aitken, The Charmers and The Pioneers aiming songs at these groups as far back as the 1960s.
Musical historians typically divide the history of ska into three waves. Ska's popularity has waxed and waned since its original inception, and has had revivals of note in England in the 1980s and another wave of popularity in the 1990s.
The Waves
First Wave
After World War II, Jamaicans purchased radios in increasing numbers and were able to hear American R&B from southern cities like New Orleans, Louisiana, whose artists (such as Fats Domino) had the most influence on early ska. To meet the demand for such music, entrepreneurs like Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems, portable discotheques which appeared at dances and other gatherings. Sound system operators were able to obtain records from Miami and New Orleans, and these records were hot commodities in Jamaica. Often, these sound system operators removed labels from the most popular records in order to enjoy a monopoly on the best-liked tunes and draw the most customers.
When New Orleans-style R&B fell out of favor by 1960, Jamaican artists began recording their own version of it. The music of ska is known for the placement of the accented guitar and piano rhythms on the upbeats. The word "ska" may have onomatopoeic origins in a tradition of poetic or possibly even musical rhythms. Guitarist Ernest Ranglin said that "the offbeat guitar scratching that he and other musicians played was referred to as 'skat! skat! skat!'" Some believe that Cluet Johnson coined the term. Bassist Johnson and the Blues Blasters were Coxsonne Dodd's house band in the 50s and earliest 60s before the rise of the mighty Skatalites. In explaining the 'ya-ya' sound of the music & rhythm being made, the word 'ska' popped out. This may be because he greeted all his friends as 'skavoovee', perhaps imitating American hipsters of the era.
Cluet Johnson
Some believe that the early jazz and rock 'n' roll broadcasts from American radio stations were misinterpreted by an eager Jamaican music audience, hence the off-beat rhythms that almost mimicked the break up of weak radio signals that hit the West Indian shores. Others consider ska not a misinterpretation but its own response to American music. The sound of ska was created at facilities like Studio One and WIRL Records in Kingston, Jamaica, by producers like Dodd, Reid, Prince Buster, and Edward Seaga (later Jamaica's prime minister). The upbeat sound of ska coincided with the celebratory feelings surrounding Jamaica's independence from the U.K. in 1962, an event commemorated by ska songs such as Derrick Morgan's "Forward March" and the Skatalites' "Freedom Sound".
As music changed in America, so did ska. For example, ska was influenced by jazz and rock. Ska groups like Clement Dodd's house band, The Skatalites often did instrumental ska versions of popular American and British music, such as Beatles tunes, movie themes, or surf instrumentals. In 1966 and 1967, when American soul became slower and smoother, ska changed its sound accordingly and resulted in rocksteady, a style of music with the bass playing more varied rhythms, more emphasis on the downbeat, and soulful vocals. Some historians suggest that the popularity of rocksteady's slowed tempo was a result of an exceptionally warm summer of 1966, during which dancers were physically too hot to dance to the uptempo numbers. Some notable rocksteady musicians are the Melodians, who scored a hit with 'Rivers of Babylon', The Ethiopians, and Desmond Dekker, who did a number of rocksteady songs during the late sixties. Rocksteady lasted until the emergence of reggae in 1968.
Ska was showcased at the 1964 New York World's Fair. Byron Lee & the Dragonaires were selected over the Skatalites as the band for the occasion, and Prince Buster, Eric "Monty" Morris, and Peter Tosh performed with them, presenting ska music to the world. Prince Buster and U-Roy of Jamaica brought Ska to the U.K. in the early 1960s where it has been a major inspiration to many bands, such as the Specials, Madness, UB40 and many other underground music acts from dance to reggae.
Second Wave
The Two Tone (or 2 Tone) era was named after the similarly titled record label, formed by Jerry Dammers, keyboardist of The Specials. The band was formulated from the greatly diverse West Midlands region of England in the late 1970s, with bands such as The Beat and The Selecter in support of the scene.
Supplementing the lilting Jamaican rhythms of ska with punk rock's uncompromising lyrics and brutal guitar chords resulted in a hybrid that satisfied a thirst for a moshing groove, plenty of melody via the horns, and thoughtful, irreverent, or politically charged lyrics. The Two Tone movement pushed towards racial unity, and was symbolized by a black and white checkerboard pattern. The Specials keyboard player, Jerry Dammers, established a record label that he named “Two Tone Records”. The label’s name had a double meaning, the first was in honor of the two tone tonic suits that the original Jamaican ska musicians typically wore and the second was to signify the multi-racial membership of most of the British ska bands as racial tensions were reaching a high point in late 70’s UK. The british ska bands were very respectful to the original Jamaica artists and in many cases did them a service by remaking their songs and turning them into hits again. In one case, the Jamaican artist Prince Buster actually made more money off of royalties from cover artists than he ever made from his own records. Although Two Tone ska did not hide its musical roots and was not afraid to cover some of the great older songs, it definitely had a sound of its own. Two Tone recordings are characterized by faster tempos, fuller instrumentation and a harder edge than original 50's and 60’s ska. The branches that stem from the influence of some of these ska bands are long reaching, a number of bands like The Police, The Clash, and Elvis Costello mention ska music as being incredibly important in their musical background and the number of bands that were influenced by bands such as those goes on and on.
Third Wave
Beginning in the late 1980s and gaining popularity in the early 1990s, the third wave of ska moved across the Atlantic Ocean and became hugely popular in the United States. Combining elements of ska with rock, punk, hardcore, and jazz, musicians of the third wave created a new style of ska. Ska punk and skacore, sub-genres of the third wave, make up a majority of this genre.
Some of the most popular and long lasting third wave ska bands include The Mighty Mighty Bosstones, Reel Big Fish, The Aquabats, Catch 22, Know Talent,The Toasters, Less Than Jake, Mustard Plug, Buck-O-Nine, Operation Ivy, and Big D and the Kids Table.
While chronologically, bands like The Allstonians, The Slackers, Pressure Cooker, Let's Go Bowling, Sublime, and Hepcat can be classified as third wave groups, their sound is much more similar to that of the first wave. Their music is influenced by or strongly resembles the ska of 1960s Jamaica.
The third wave of ska also includes a number of Christian ska bands. It would not be accurate to describe Christian ska as being its own wave (as is often done), as it does not differ significantly in geography, occurrence in time, or overall sound. Two of the more popular and recognized Christian ska bands are Five Iron Frenzy and The O.C. Supertones who often wrote songs about life from a Christian perspective.
See also
List of ska musicians
Further reference
- Timothy White, Catch a Fire: The Life of Bob Marley, UK:Corgi Books, 1983
External links
- Lyrics:
- [http://69thlyriczone.skinhead.hu/ 69th Lyric Zone] Ska Reggae Dub Soul Rocksteady Dancehall Lyrics
- [http://lyric.uuxfer.net The Ska Lyric Archive - The most complete reference for ska lyrics]
- [http://www.skaponk.com Skaponk - A wide database of ska and punk lyrics]
- [http://www.jamaicalyrics.com.ar/index.php?mod=search Jamaica Lyrics - Ska Lyrics]
- [http://www.potentbrew.com/skaregdu.html The Origins of Ska, Reggae, and Dub Music]
- [http://www.bluejuice.dhs.org/skareggae/Boogie.php The Untold Story of Jamaican Popular Music] by Lloyd Dewar
- [http://web.fccj.edu/~ivanhoof/ska/ The History of Ska Music] by Ian Vanhoof
- [http://ska.about.com Ska.About.Com] Semi-Active Ska Community
- [http://edwardsbuzzer.com Edward's Buzzer] website
- [http://www.skahoo.com Skahoo] Ska International Search Engine
- [http://www.ocf.berkeley.edu/~jboo/ska/ska.html Ska for the Skeptical] Ska History, including downloads
- [http://www.ska-times.de ska-times] ska agenda international, concerts, festivals, blue dances and more
- [http://www.live365.com/stations/wannabepunk2 Ska, Punk & Other Junk – Online Ska Radio Station that features Ska and Ska-influenced styles]
- [http://www.faqs.org/faqs/music/ska-faq/ Ska FAQ]
- [http://www.skapalace.4t.com Ska Palace – includes list of ska bands, reviews]
Category:Ska
Category:Jamaican styles of music
Category:Musical genres
als:Ska
ms:Ska
ja:スカ
Ska Satellite RecordsSka Satellite was started by Moon Ska Records as a way to produce smaller acts on a lower budget.
Bands on Ska Satellite Label
- Army of Juan
- Can't Say
- The Checkered Cabs
- Highball Holiday
- Johnny Too Bad and the Strikeouts
- The Robustos
- The Strangeways
See also
- List of record labels
- Moon Ska Europe
- Moon Ska Records
- Ska
Category:Record labels
Category:Record labelsSee also: List of record labels, list of independent record labels
Category:Music industry
Category:Media companies
Александър Гиргинов
Александър Ангелов Гиргинов е български политик от Демократическата партия. Той е вътрешен министър в правителствата на Народния блок (1931-1934) и един от водачите на опозицията срещу комунистическото управление след Втората световна война.
Александър Гиргинов е народен представител в XIV (1908-1911), XVI (1913), XVII (1914-1919), XVIII (1919-1920), XIX (1920-1923), XX (1923), XXI (1923-1927), XXII (1927-1931) и XXIII (1931-1934) Обикновено Народно събрание.
Биография
Александър Гиргинов е роден в Търново на 11 май (29 април стар стил) 1879. Завършва право в Лайпциг, след което e адвокат и активен участник в Демократическата партия. След Дветоюнския преврат през 1923 е сред основните противници на вливането на партията в Демократическия сговор.
Гиргинов е вътрешен министър в кабинетите на Народния блок, водени от Никола Мушанов (1931-1934). След Деветнадесетомайския преврат през 1934 е в опозиция и се обявява за запазване на неутралитета на България във Втората световна война.
През 1944 Александър Гиргинов се включва в кабинета на Константин Муравиев, заради което след Деветосептемврийския преврат е осъден на една година затвор от т.нар. „Народен съд“. След излизането си от затвора е сред активните участници във възстановената Демократическа партия и е изпратен от комунистическото правителство в концентрационния лагер Белене, където умира. Присъдата на Народния съд е отменена с Решение №172 на Върховния съд от 1996.
Библиография
- 1907 - „Парламентаризъм и поемането на властта“
- 1919 - „Отговорностите в навечерието на войната и становището на Демократическата партия“
- 1921 - „Държавното устройство на България“
- 1922 - „Кабинетът на Малинов-Костурков в 1918 г.“
- 1923 - „България пред Великата война“
- 1926 - „Народната катастрофа. Войната 1912-1913“
- 1936 - „Изпитанията във войната 1915-1918“
Източници
-
Гиргинов, Александър
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