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Inspector Morse

Inspector Morse

Detective Chief Inspector Endeavour Morse is a fictional character, who features in a series of thirteen detective novels by British author Colin Dexter, though he is better known for the TV series produced by Central Independent Television from 1987–2000. Morse is a senior CID (Criminal Investigation Department) officer with the Thames Valley Police in Oxford, England.

Novels

It is primarily the personality of the main character that makes the Inspector Morse novels so successful. With his beautiful vintage Mark 2 Jaguar car (originally a Lancia), thirst for beer, intellectual snobbery, and penchant for Wagner, he is a likeable person despite his sullen temperament. Dexter is a fan of cryptic crosswords, and Inspector Morse is named after champion solver Sir Jeremy Morse. In every novel the surname of the killer is taken from those of winners of the weekly Azed solving competition that appears in The Observer. Indeed, Dexter now writes a weekly how to solve cryptic crosswords column in the Observer's sister paper The Guardian. Morse's first name was kept a secret until the end of Death is Now My Neighbour (traditionally Morse claimed that he should be called 'Morse' or jokingly that his first name was 'Inspector'). The origin of his name is the vessel HM Bark Endeavour, as Morse's father was a Quaker (Quakers have a tradition of "virtue names") and a fan of Captain James Cook. The titles of the books are: Captain James Cook
- Last Bus to Woodstock, 1975
- Last Seen Wearing, 1976
- Silent World of Nicholas Quinn, 1977
- Service of All the Dead, 1979
- The Dead of Jericho, 1981
- The Riddle of the Third Mile, 1983
- The Secret of Annexe 3, 1986
- The Wench is Dead, 1989
- The Jewel That Was Ours, 1991
- The Way Through the Woods, 1992
- The Daughters of Cain, 1994
- Death is Now My Neighbour, 1996
- The Remorseful Day: The Final Inspector Morse Novel, 2000 Inspector Morse also appears in several stories in Dexter's short story collection, Morse's Greatest Mystery and Other Stories (1993, expanded edition 1994). Dexter killed Morse in his last book, and has thus far shown no sign of resurrecting him—unlike Arthur Conan Doyle, who killed his main character only to bring him back to life. Morse dies in a hospital bed from complications of his neglected type 2 diabetes—his diabetes is mentioned repeatedly in the later books, and is one of the more realistic treatments of this disease in fiction.

Television series

The Inspector Morse novels have been made into a very successful TV series (also called Inspector Morse) for the British TV channel ITV. The series was made by Zenith Productions for Central (a company later acquired by Carlton). The series comprises 33 two-hour episodes (100 minutes excluding commercials)—twenty more episodes than there are novels—produced between 1987 and 2000. The final episode was adapted from the final novel. 2000 The Inspector himself was played by John Thaw and the faithful Detective Sergeant Lewis by Kevin Whately. Dexter makes a cameo appearance in all but three of the episodes. The series remains popular and is frequently repeated on ITV1 and ITV3 in Britain; in the United States, reruns (often edited to allow additional commercials) regularly appear on a cable network, The Biography Channel, while the uncut versions have been shown on the PBS show Mystery!. The series has been issued as cut-price video cassettes and DVDs containing one episode each, together with magazine-size booklets giving background information on each episode, and as a series of 17 double DVDs containing two episodes each (the last disc contains one episode and a two-hour retrospective). John Thaw had a special appreciation of the fact that Morse was different from classic characters such as James Bond and Sherlock Holmes. Morse was brilliant but he wasn't always right. He often arrested the wrong person or came to the wrong conclusion. As a result, unlike many classic sleuths, Morse does not always simply "bust" his culprit; ironic circumstances have the case end and the crime brought to him. Also, Morse was a romantic but had little success in meeting women.

List

The titles of the television episodes are:
- 1st Series, 1987:
- 1. The Dead of Jericho
- 2. The Silent World of Nicholas Quinn
- 3. Service of All the Dead
- 2nd Series, 1988:
- 4. The Wolvercote Tongue
- 5. Last Seen Wearing
- 6. The Settling of the Sun
- 7. Last Bus to Woodstock
- 3rd Series, 1989:
- 8. Ghost in the Machine
- 9. The Last Enemy
- 10. Deceived by Flight
- 11. The Secret of Bay 5B
- 4th Series, 1990:
- 12. The Infernal Serpent
- 13. The Sins of the Fathers
- 14. Driven to Distraction
- 15. Masonic Mysteries
- 5th Series, 1991:
- 16. Second Time Around
- 17. Fat Chance
- 18. Who Killed Harry Field?
- 19. Greeks Bearing Gifts
- 20. Promised Land, also known as Inspector Morse in Australia
- 6th Series, 1992:
- 21. Dead on Time
- 22. Happy Families
- 23. The Death of the Self
- 24. Absolute Conviction
- 25. Cherubim and Seraphim
- 7th Series, 1993:
- 26. Deadly Slumber
- 27. The Day of the Devil
- 28. Twilight of the Gods
- Specials, 1995–2000:
- 29. The Way Through the Woods
- 30. The Daughters of Cain
- 31. Death Is Now My Neighbour
- 32. The Wench Is Dead
- 33. The Remorseful Day

Music

The theme and incidental music for the series was written by Barrington Pheloung and utilises a motif based on the Morse code for "M.O.R.S.E." (-- --- ·-· ··· ·). According to Pheloung, he had spelled out the name of the killer in Morse code to tell you who did it, and has purposely spelled out someone else to throw you off. That the makers of the series took great care in the choice of classical music excerpts as additional incidental music, reflects in the fact that several collections of "music from the Morse series" recordings were published successfully. The TV series and the CD's play some of Morse's favorites, Mozart, Schubert, and of course Wagner.

Spinoff series

A pilot episode, Lewis, starring Kevin Whately as the now-promoted Inspector Lewis went into production in July 2005. This pilot is scheduled to be broadcast on ITV on 15 January 2006.

Trivia

In November 2005, the Jaguar Mark 2 car used in the television series sold for more than GBP 100,000 [http://news.bbc.co.uk/1/hi/entertainment/4485816.stm].

External links

- [http://www.inspectormorse.co.uk/ Official Inspector Morse Website]
- [http://www.chem.ox.ac.uk/oxfordtour/morses%5Foxford/ Morse's Oxford Online Tour (created by Oxford University)]
- [http://www.morsemania.co.uk/ Morse Mania]
- [http://epguides.com/InspectorMorse/guide.shtml Morse episode guide]
- [http://www.detective-fiction.com/ Detective Fiction Books]
- [http://www.museum.tv/archives/etv/I/htmlI/inspectormor/inspectormor.htm Encyclopedia of Television]
- [http://www.screenonline.org.uk/tv/id/523493/index.html British Film Institute Screen Online] Morse Morse, Endeavour Category:ITV television programmes Category:Series of books Category:Television programs based on novels Morse, Endeavour

Fictional character

A fictional character is any person who appears in a work of fiction. More accurately, a fictional character is the person or conscious entity we imagine to exist within the world of such a work. In addition to people, characters can be aliens, animals, gods or, occasionally, inanimate objects. Characters are almost always at the center of fictional texts, especially novels and plays. It is, in fact, hard to imagine a novel or play without characters, though such texts have been attempted (James Joyce's Finnegans Wake is one of the most famous examples). In poetry, there is almost always some sort of person present, but often only in the form of a narrator or an imagined listener. In various forms of theatre, performance arts and cinema (except for animation and CGI movies), fictional characters are performed by actors, dancers and singers. In animations and puppetry, they are voiced by voice actors, though there have been several examples, particularly, in machinima, where characters are voiced by computer generated voices. The process of setting up characters for a work of fiction is called characterization.

Names of characters

The names of fictional characters are often quite important. The conventions of naming have changed over time. In many Restoration comedies, for example, characters are given emblematic names that sound nothing like real life names: "Sir Fidget", "Mr. Pinchwife" and "Mrs. Squeamish" are some typical examples (all from The Country Wife by William Wycherley). Some 18th and 19th century texts, on the other hand, represent characters' names by the use of a single letter and a long dash (this convention is also used for other proper nouns, such as place names). This has the effect of suggesting that the author had a real person in mind but omitted the full name for propriety's sake. Les Misérables by Victor Hugo uses this technique. One reason for this dash is that, in Britain and in other countries with a feudal heritage, the names of counties and places might be the names of the feudal lords over those places. One cannot arbitrarily give someone the name "Earl of Manchester" because someone may either have or be elevated to such a title, so it may be grounds for a lawsuit. Hence fictitious names are based on disparaged historical characters, or tend to be re-used. For example, "Lady de Winter" is a character in Dumas pères Three Musketeers, and the family name was used in Du Maurier's Rebecca. (The same holds true for the names of houses: in the latter book, "Windermere" is named after a lake, not a feudal holding). The 19th century movements of sentimentalism, realism and naturalism all encouraged readers to imagine characters as real people by giving them realistic names, names that were often the titles of books, such as Charlotte Brontë's Jane Eyre or Charles Dickens' David Copperfield. These conventions were followed by the majority of subsequent literature, including most contemporary literature. However, there are few characters with names that are completely arbitrary. At the very least, names tend to indicate nationality and status. Often, the literal meaning or origin of a name is of some symbolic importance.
Some ways of reading characters
Readers vary enormously in how they understand fictional characters. The most extreme ways of reading fictional characters would be to think of them exactly as real people or to think of them as purely artistic creations that have everything to do with craft and nothing to do with real life. Most styles of reading fall somewhere in between. Here are some typical ways of reading fictional characters in literary criticism:
Character as symbol
In some readings, certain characters are understood to represent a given quality or abstraction. Rather than simply being people, these characters stand for something larger. Many characters in Western literature have been read as Christ symbols, for example. Other characters have been read as symbolizing capitalist greed (as in F. Scott Fitzgerald's The Great Gatsby), the futility of fulfilling the American Dream, or quixotic romanticism (Don Quixote).
Character as representative
Another way of reading characters symbolically is to understand each character as a representative of a certain group of people. For example, Bigger Thomas of Native Son by Richard Wright is often seen as representative of young black men in the 1930s, doomed to a life of poverty and exploitation. Dagny Taggart and other characters from Atlas Shrugged by Ayn Rand are seen as representative of American's hard-nosed, hard-working class. Many practitioners of cultural criticism and feminist criticism focus their analysis of characters on cultural stereotypes. In particular, they consider the ways in which authors rely on and/or work against stereotypes when they create their characters. Such critics, for example, would read Native Son in relation to racist stereotypes of African American men as sexually violent (especially against white women). In reading Bigger Thomas' character, one could ask in what ways Richard Wright relied on these stereotypes to create a violent African-American male character and in what ways he fought against it by making that character the protagonist of the novel rather than an anonymous villain. Often, readings that focus on stereotypes demand that we focus our attention on seemingly unimportant characters, such as the ubiquitous sambo characters in early cinema. Minor characters, or stock characters, are often the focus of this kind of analysis since they tend to rely more heavily on stereotypes than more central characters.
Characters as historical or biographical references
Sometimes characters obviously represent important historical figures. For example, Nazi-hunter Yakov Liebermann in The Boys from Brazil by Ira Levin is often compared to real life Nazi-hunter Simon Wiesenthal, and corrupted populist politician Willie Stark from All the King's Men by Robert Penn Warren is often compared to Louisiana governor Huey P. Long. Other times, authors base characters on people from their own personal lives. Glenarvon by Lady Caroline Lamb chronicles her love affair with Lord Byron, who is thinly disguised as the title character. Nicole, a destructive, mentally ill woman in Tender is the Night by F. Scott Fitzgerald, is often seen as a fictionalized version of Fitzgerald's wife Zelda. Perhaps because so many people enjoy imagining characters as real people, many critics devote their time to seeking out real people on whom literary figures were likely based. Frequently authors base stories on themselves or their loved ones.
Character as words
Some language- or text-oriented critics emphasize that characters are nothing more than certain conventional uses of words on a page: names or even just pronouns repeated throughout a text. They refer to characters as functions of the text. Some critics go so far as to suggest that even authors do not exist outside the texts that construct them.
Character as patient: psychoanalytic readings
Psychoanalytic criticism usually treats characters as real people possessing complex psyches. Psychoanalytic critics approach literary characters as an analyst would treat a patient, searching their dreams, past, and behavior for explanations of their fictional situations. Alternatively, some psychoanalytic critics read characters as mirrors for the audience's psychological fears and desires. Rather than representing realistic psyches then, fictional characters offer us a way to act out psychological dramas of our own in symbolic and often hyperbolic form. The classic example of this would be Freud's reading of Oedipus (and Hamlet, for that matter) as emblematizing every child's fantasy of murdering his father to possess his mother. This form of reading persists today in much film criticism. The feminist critic Laura Mulvey is considered a pioneer in the field. Her groundbreaking 1975 article, "Visual Pleasure and Narrative Cinema"[http://www.jahsonic.com/VPNC.html], analyzed the role of the male viewer of conventional narrative cinema as fetishist, using psychoanalysis "as a political weapon, demonstrating the way the unconscious of patriarchal society has structured film form."
Round characters vs. flat characters
Some critics distinguish between "round characters" and "flat characters" or types. The former are made up of many personality traits and tend to be complex and both more life-like and believable, while the latter consist of only a few personality traits and tend to be simple and less believable. The protagonist (main character, sometimes known as the "hero" or the "heroine") of a novel is certain to be a round character; a minor, supporting character in the same novel may be a flat character. Scarlett O'Hara, of Gone with the Wind, is a good example of a round character, whereas her servant Prissy exemplifies the flat character. Likewise, many antagonists (characters in conflict with protagonists, sometimes known as "villains") are round characters. An example of an antagonist who is a round character is Gone with the Wind's Rhett Butler. A number of stereotypical or "stock" characters have developed throughout the history of drama. Some of these characters include the country bumpkin, the con artist, and the city slicker. Often, these characters are the basis of "flat characters", though elements of stock characters can also be present in round characters as well.
Unusual uses
Postmodern fiction frequently incorporates real characters into fictional and even realistic surroundings. In film, the appearance of a real person as himself inside of a fictional story is a type of cameo. For instance, Woody Allen's Annie Hall has Allen's character call in Marshall McLuhan to resolve a disagreement. In some experimental fiction, the author acts as a character within his own text. One of the earliest examples of this is Niebla ("Fog") by Miguel de Unamuno (1907), in which the main character visits Unamuno in his office to discuss his fate in the novel. Paul Auster also employs this device in his novel City of Glass (1985), which opens with the main character getting a phone call for Paul Auster. At first the main character explains that the caller has reached a wrong number, but eventually he decides to pretend to be Auster and see where it leads him. In Immortality by Milan Kundera, the author references himself in a storyline seemingly separate from that of his fictional characters, but at the end of the novel, Kundera meets his own characters. With the rise of the "star" system in Hollywood, many famous actors are so familiar that it can be hard to limit our reading of their character to a single film. In some sense, Bruce Lee is always Bruce Lee, Woody Allen is always Woody Allen, and Harrison Ford is always Harrison Ford; all often portray characters that are very alike, so audiences fuse the star persona with the characters they tend to play, a principle explored in the Arnold Schwarzeneggar vehicle, Last Action Hero. Some fiction and drama make constant reference to a character who is never seen. This often becomes a sort of joke with the audience. This device is the centrepoint of one of the most unusual and original plays of the 20th century, Samuel Beckett's Waiting for Godot, in which Godot of the title never arrives.
Iconic fictional characters
Some fictional characters are so famous that they can be references easily outside of the work from which they came, often because they have come to symbolize some archetype or ideal.
Lists of fictional characters

General

- List of advertising characters
- List of aliens in fiction
- List of comic and cartoon pairs
- Comic and cartoon characters named after people
- List of notable female fictional characters
- List of dead fictional characters
- List of fictional characters with one eye
- List of fictional clergy and religious figures
- List of mad scientists
- List of mythological pairs
- List of real-life characters
- List of fictional robots and androids
- List of Greek mythological characters
- List of heroic fictional scientists and engineers
- List of unseen characters
- List of video game mascots
- List of fictional witches
- List of fictional television sitcom characters
- List of fictional people known for their names
- List of horror film killers
Stock characters

- Damsel in distress
- Femme fatale
- Butch and femme
- Hero
- Mad scientist
- Villain
Fictional animals

- list of fictional apes (and other non-human primates, excluding Monkeys)
- list of fictional monkeys
- list of fictional bears
- list of fictional birds
- list of fictional cats
- list of fictional dinosaurs
- list of fictional dogs
- list of fictional dragons
- list of fictional elephants
- list of fictional horses
- list of fictional mice and rats
- list of fictional pigs
- list of fictional rabbits
- list of fictional sheep
- List of fictional animals of other species
Lists of fictional characters in specific works or series

- List of X-Men
- List of Digimon
- List of Pokémon
- Characters from Dune
- Characters of The Sandman
- Characters in Atlas Shrugged
- List of DC Comics characters
- List of Dickens characters
- List of Disney characters
- List of Dragon Ball characters
- List of Middle-earth peoples
- List of Middle-earth characters
- Characters from The Lord of the Rings
- List of Characters in Grand Theft Auto Vice City
- List of characters in Beavis and Butt-head
- List of Hercules and Xena characters
- List of Mortal Kombat characters
- List of Archie Comics characters
- List of Characters in The Chronicles of Narnia
- List of characters from Family Guy
- List of characters from The Simpsons
- Fictional characters within The Simpsons
- List of celebrities on The Simpsons
- List of recurring characters from The Simpsons
- One-time characters from The Simpsons
- List of characters from The Sopranos
- List of the Legend of Zelda characters
- List of Hanna-Barbera characters
- Invader Zim characters
- List of Mario series characters
- List of Marvel Comics characters
- List of Nintendo characters
- List of Final Fantasy characters
- List of Characters from Grand Theft Auto: San Andreas
- List of Mega Man characters (original series)
- List of Mega Man characters (X series)
- List of Mega Man characters (Zero series)
- List of Mega Man characters (Legends series)
- List of Mega Man characters (Battle Network series)
- List of Metroid characters
- List of Tekken characters
- List of the Adventures of Tintin characters
- List of Carmen Sandiego characters
- List of characters in translations of Harry Potter
- List of characters in the Harry Potter books
- Characters in the Wheel of Time series
- List of Soul Calibur characters
- List of Star Trek characters
- List of Star Wars characters
- List of Sesame Street characters
- Minor characters from The Hitchhiker's Guide to the Galaxy
- List of characters from Alias
- List of characters in the Oz books
- List of Robert Heinlein characters
- Love Hina main characters
- Love Hina minor characters
Heroes and villains

- List of fictional heroes
- List of anti-heroes
- List of black superheroes
- List of female superheroes
- List of male superheroes
- List of literary works with eponymous heroines
- List of supervillains
See also

- Archive of fictional things
- Fictional realm
- Grand argument
- Mary Sue
- The 100 Greatest Movie Characters of All Time Category:Fiction Category:Lists of fictional characters
- ja:架空の人名一覧

Detective novel

Detective fiction is a branch of crime fiction that centres upon the investigation of a crime, usually murder, by a detective, either professional or amateur. It is closely related to mystery fiction but generally contains more of a puzzle element that must be solved, generally by a single protagonist, either male or female. A common feature of detective fiction is an investigator who is unmarried, with some source of income other than a regular job, and who generally has some pleasing eccentricities or striking characteristics. He or she frequently has a less intelligent assistant, or foil, who is asked to make apparently irrelevant inquiries and acts as an audience surrogate for the explanation of the mystery at the end of the story.

Whodunit?

The most widespread subgenre of the detective novel is the whodunit (or whodunnit), where great ingenuity may be exercised in narrating the events of the crime and of the subsequent investigation in such a manner as to conceal the identity of the criminal from the reader until the end of the book, when the method and culprit are revealed. Early archetypes of these stories were the three Auguste Dupin tales by Edgar Allan Poe: "The Murders in the Rue Morgue" (1841), "The Mystery of Marie Roget" (1843), and "The Purloined Letter" (1844). Poe's detective stories have been described as ratiocinative tales. In stories such as these, the primary concern of the plot is ascertaining truth, and the usual means of obtaining the truth is through a complex and mysterious process combining intuitive logic, astute observation, and perspicacious inference. As a consequence, the crime itself sometimes becomes secondary to the efforts taken to solve it. "The Mystery of Marie Roget" is particularly interesting, as it is a barely fictionalized analysis of the circumstances of the real-life discovery of the body of a young woman named Mary Cecilia Rogers, in which Poe expounds his theory of what actually happened. The style of the analysis, with its attention to forensic detail, makes it a precursor if not the inspiration of the stories about the most famous of all fictional detectives, Arthur Conan Doyle's Sherlock Holmes, who in turn set the style for many others in later years, including Holmesian pastiches such as August Derleth's Solar Pons. Another early archetype of the whodunit is found as a sub-plot in the vast novel Bleak House (1853) by Charles Dickens. The conniving lawyer Tulkinghorn is killed in his office late one night, and the crime is investigated by Inspector Bucket of the Metropolitan force. Numerous characters appeared on the staircase leading to Tulkinghorn's office that night, some of them in disguise, and Inspector Bucket must penetrate these mysteries to identify the culprit. Dickens's protégé, Wilkie Collins (1824-1889), is credited with the first great mystery novel, The Woman in White. He is sometimes referred to as the "grandfather of English detective fiction." His novel The Moonstone (1868) was described by T. S. Eliot as "the first and greatest of English detective novels" and by Dorothy L. Sayers as "probably the very finest detective story ever written". Although technically preceded by Charles Felix's The Notting Hill Mystery (1865), The Moonstone can claim to have established the genre with several classic features of the twentieth-century detective story:
- A country house robbery
- An 'inside job'
- A celebrated investigator
- Bungling local constabulary
- Detective enquiries
- False suspects
- The 'least likely suspect'
- A rudimentary 'locked room' murder
- A reconstruction of the crime
- A final twist in the plot Some readers have suggested even earlier prototypes for the whodunit, most notably the Old Testament story of Susanna and the Elders (Daniel 13; in the Protestant Bible this story is found in the apocrypha) and the story of the dog and the horse related in the third chapter of Voltaire's Zadig (1747). However, popularity of this genre has only grown in time and even has made it into the [http://privatedick.blogspot.com online community].

The Private Eye Novel

Although the British private eye Martin Hewitt (by Arthur Morrison) had already appeared by 1894, the genre was adopted wholeheartedly by the likes of Dashiell Hammett, and were considered novels of the proletariat, exploring "mean streets" and the underbelly of corruption within the United States. Several movies have been based on his work, including three versions of The Maltese Falcon and a series of movies based on The Thin Man. Raymond Chandler updated the form with his private detective Philip Marlowe, who brought a more intimate voice to the detective than Hammett's distant-third viewpoint. His cadenced dialog and cryptic narrations were musical, evoking the alleys and tough thugs, rich women and powerful men about whom he wrote. Laced with commentary, his books still hold up. Several feature and television movies have been made about the Phillip Marlowe character. Ross Macdonald, pseudonym of Ken Millar, updated the form again with his detective Lew Archer, while still writing in what is considered the PI's Golden Age, begun by Hammett. Archer, like Hammett's fictional heroes, was a camera eye, with hardly any known past. "Turn Archer sideways, and he disappears," one reviewer wrote. Two of Macdonald's strengths were his use of psychology and his beautiful prose, which was full of imagery. Like other 'hardboiled' writers, Macdonald aimed to give an impression of realism in his work through violence, sex and confrontation; this is illusory, however, and any real private eye undergoing a typical fictional investigation would soon be dead or incapacitated. The movie Harper starring Paul Newman was based on the Lew Archer character. Michael Collins, pseudonym of Dennis Lynds, is generally considered the author who led the form into the Modern Age. His PI, Dan Fortune, was consistently involved in the same sort of David-and-Goliath stories that Hammett, Chandler, and Macdonald wrote, but he took a sociological bent, exploring the meaning of his characters' places in society and the impact society had on people. Full of commentary and clipped prose, his books were more intimate than his predecessors, dramatizing that crime can happen in one's own living room. The PI novel was a male-dominated field in which female authors seldom found publication until Marcia Muller, Sara Paretsky, and Sue Grafton were finally published in the late 1970s and early 1980s. Each author's detective was brainy, physical, and could hold her own. Their acceptance then success caused publishers to seek out other fine female authors. The PI today is rich in variety. The strongest characteristic that binds them is that the detective now has a past and a life, while solving cases. The premier authors' organization of PI writers is the Private Eye Writers of America.

Cosies

English readers between the wars generally preferred a different, but equally implausible, type of detective story in which an outsider - sometimes a salaried investigator or a police officer, but more often a gifted amateur - investigates a murder committed in a closed environment by one of a limited number of suspects. These have become known as 'cosies' to distinguish them from the 'hard-boiled' type preferred in the USA. The most popular writer of cosies, and one of the most popular writers of all time, was Agatha Christie, who produced a long series of books featuring her detectives Hercule Poirot and Miss Marple, amongst others, and usually including a complex puzzle for the baffled and misdirected reader to try and unravel. The 'puzzle' approach was carried even further into ingenious and seemingly impossible plots by John Dickson Carr, who also wrote as Carter Dickson, and John Rhode, whose detective Dr. Priestley specialised in elaborate technical devices, while in the US the 'cosy' was adopted and extended by Rex Stout and Erle Stanley Gardner. The popularity of cosies has declined in the last four decades, perhaps partly due to attacks on their 'unrealistic' approach; although given that their primary goal is to present a puzzle, one might as well attack a crossword or a chess problem for its unrealism. This subgenre is also known by many critics as the "Golden Age" of detective fiction. This does not mean that the writing in this subgenre is considered to be the best but it was used to describe the way in which writers in this era approached the writing of detective fiction. The most typical characteristic of this subgenre is the strict adherence to conventions of detective fiction. The "Golden Age" also displayed many elements typical of escapist writing and this was attributed to its popularity at the time as many wished to escape the depressing state brought about by World War..

Police procedural

Many detective stories have police officers as the main characters. Of course these stories may take many forms, but many authors try to go for a realistic depiction of a police officer's routine. A good deal are whodunits; in others the criminal is well known, and it is a case of getting enough evidence. Some typical features of these are:
- The detective is rarely the first on the crime scene - it will be milling with uniform, paramedics and possibly members of the public.
- Forensic reports - and the wait for them.
- Rules and regulations to follow - or not.
- Suspects arrested and kept in custody - sometimes wrongly.
- Pressure from senior officers to show progress.
- A large investigating team - two, three or four main characters, plus other officers to order about.
- Pubs - places to discuss or think about the case - especially in the Inspector Morse mysteries.
- Informants - to lean on.
- Political pressure when the suspects are prominent figures
- Internal hostility from comrades when the suspects are fellow police officers
- Pressure from the media (tv, newspapers) to come up with an answer
- Interesting and unusual cars driven by the principal detective

Other subgenres

There is also a subgenre of historical detectives. See historical whodunnit for an overview.

Suspense - the core tenet of detective fiction

A beginner to detective fiction would generally be advised against reading anything about a piece of detective fiction (such as a blurb or an introduction) before reading the text itself. Even if they do not mean to, advertisers, reviewers, scholars and aficionados usually have a habit of giving away details or parts of the plot, and sometimes -- for example in the case of Mickey Spillane's novel I, the Jury -- even the solution. (After the credits of Billy Wilder's film Witness for the Prosecution, the cinemagoers are asked not to talk to anyone about the plot so that future viewers will also be able to fully enjoy the unravelling of the mystery.)

The unresolved problem of plausibility and coincidence

Up to the present, some of the problems inherent in crime fiction have remained unsolved (and possibly also insoluble). Some of them can be dismissed with a shrug: Why bother at all, even if it is obvious to everyone that an ordinary person is not likely to keep stumbling across corpses? After all, this is just part of the game of crime fiction. Still the fact that an old spinster like Miss Marple meets with an estimated two bodies per year does raise a few doubts as to the plausibility of the Miss Marple mysteries. De Andrea has described the quiet little village of St. Mary Mead as having "put on a pageant of human depravity rivaled only by that of Sodom and Gomorrah". Similarly, TV heroine Jessica Fletcher is confronted with bodies wherever she goes, but over the years people who have met violent deaths have also piled up in the streets of Cabot Cove, Maine, the cosy little village where she lives. Generally, therefore, it is much more convincing if a policeman, private eye, forensic expert or similar professional is made the hero or heroine of a series of crime novels. On the other hand, who cares for authenticity? Also, the role and legitimacy of coincidence has frequently been the topic of heated arguments ever since Knox categorically stated that "no accident must ever help the detective" (Commandment No.6). Technological progress has also rendered many of plots implausible and antiquated. For example, the use of mobile phones by practically everyone these days has significantly altered the dangerous situations that investigators traditionally find themselves in. Some authors have not succeeded in adapting to the changes brought about by modern technology; others, among them Carl Hiaasen (born 1953), have.

Famous fictional detectives

The full list of fictional detectives would be immense. The format is well suited to dramatic presentation, and so there are also many television and film detectives, besides those appearing in adaptations of novels in this genre. Fictional detectives generally fall within one of four domains:
- the amateur or dilettante detective (Marple, Jessica Fletcher);
- the private investigator (Holmes, Marlowe, Spade, Rockford);
- the police detective (Ironside, Kojak, Morse);
- more recently, the medical examiner, criminal psychologist, forensic evidence expert or other specialists (Scarpetta, Quincy, Cracker, CSI). Notable fictional detectives and their creators include:

Medical examiners, etc.

- Dr Thorndyke — R Austin Freeman
- Dr Priestley — John Rhode
- Reggie Fortune — H. C. Bailey
- Craig Kennedy — Arthur B. Reeve
- Dr Basil Willing — Helen McCloy
- Dr. Temperance Brennan — Kathy Reichs
- Dr. Eddie "Fitz" Fitzgerald (a criminal psychologist) — Jimmy McGovern: Cracker (TV)
- Gil Grissom, Ph.D. et al. — Anthony Zuiker: C.S.I.: Crime Scene Investigation
- Horatio "H." Caine et al. — Ann Donahue, Carol Mendelsohn & Anthony Zuiker: CSI: Miami (TV)
- Det. Mac Taylor et al. — Andrew Lipsitz & Janet Tamaro:CSI: NY (TV)
- Dr. Jane Halifax (a forensic psychologist) — Halifax f.p. (TV)
- Daphne Matthews, forensic psychologist — Ridley Pearson
- Dr. R. Quincy, M.E. — Glen A. Larson & Lou Shaw: Quincy, M.E. (TV)
- Dr. Kay Scarpetta — Patricia Cornwell
- Dr. John H. Watson — Sir Arthur Conan Doyle
- Dr. Joseph Bell

Others

- Anthony Blake (Anthony Dorian in pilot episode) (magician) — Larry Brody: The Magician (TV)
- Jonathan Creek (designer of illusions for a magician) — David Renwick: Jonathan Creek (TV)
- Insp. J. Auguste Dupin, from short stories by Edgar Allan Poe. One of the earliest fictional detectives.
- Perry Mason (lawyer) — Erle Stanley Gardner
- Ben Matlock (lawyer) — Dean Hargrove: Matlock (TV)
- Tony Petrocelli (lawyer) — Harold Buchman & Sidney J. Furie: Petrocelli (TV)
- Tarot (magician) — Trevor Preston: Ace of Wands (TV)
- Arsène Lupin (gentleman-thief) Maurice Leblanc
- Batman (vigilante/superhero) — Bob Kane and Bill Finger, first appearance in 1939 comic book Detective Comics #27 (Comics, TV, Movies)
- Robert Langdon (Professor of Religious Symbology) — Dan Brown
- Takeshi Kovacs (Ultraviolent soldier turned investigator) — Richard Morgan

And for younger readers

- Encyclopedia Brown — Donald J. Sobol
- Nancy Drew — Carolyn Keene and others
- The Famous Five — Enid Blyton
- The Hardy Boys — Franklin W. Dixon and others
- The Secret Seven — Enid Blyton
- The Three Investigators — Robert Arthur and others

Historical

:In chronological order.
- Gordianus the Finder (Roman Republic of the 1st century BCE) — Steven Saylor: Roma sub Rosa series
- Senator Decius Caecilius Metellus the Younger (Roman Republic of the 1st century BCE) — John Maddox Roberts: SPQR series
- Marcus Didius Falco (the Roman Empire of the 1st century CE) — Lindsey Davis
- Judge Dee (7th-century China) — Robert van Gulik
- Sister Fidelma (7th-century Ireland) — Peter Tremayne
- Li Kao (7th-century China) — Barry Hughart
- Brother Cadfael (12th-century England and Wales) — Ellis Peters
- Brother William of Baskerville (1327) — Umberto Eco: The Name of the Rose
- Brother Athelstan (late 14th century London) — P. C. Doherty (as Paul Harding)

In science fiction and fantasy

- Basil Argyros — Harry Turtledove (Byzantine Empire)
- Marty Burns — Jay Russell (writer)
- Elijah Baley and R. Daneel Olivaw — Isaac Asimov
- Lord Darcy — Randall Garrett
- Hawk and Fisher — Simon Green
- Dirk Gently — Douglas Adams
- Gil "the ARM" Hamilton (of the Amalgated Regional Militia [UN police] in the early known space history — Larry Niven
- Jonas, der letzte Detektiv — well done funny & hardboiled radio play in Germany
- Kline Maxwell — S. Andrew Swann (a journalist in Dragons of the Cuyahoga)
- Tex Murphy — Aaron Conners
- Nohar Rajasthan — S. Andrew Swann
- Sam Space — William Nolan
- Wendell Urth — Isaac Asimov
- His Grace Commander Sir Samuel Vimes — Terry Pratchett's Discworld series

Other notable authors

- Leigh Brackett
- Alan Gordon
- Jack Vance

Detective debuts and swansongs

Many detectives appear in more than one novel or story. Here is a list of a few debut and swansong stories:

Books

- Bloody Murder: From the Detective Story to the Crime Novel - A History by Julian Symons ISBN 0571094651
See also

- List of detective fiction authors
- Crime fiction
- Mystery fiction
- List of crime writers
- Whodunit
External resources

- [http://www.classiccrimefiction.com/ Classic Crime Fiction Website]
- [http://members.aol.com/rrandisi/myhomepage/writing.html Private Eye Writers of America website]
- [http://book.awardannals.com/genre/mystery/ Most Honored Mystery Books] Category:Fiction
- ja:%E6%8E%A8%E7%90%86%E5%B0%8F%E8%AA%AC

United Kingdom

:For other meanings of the terms "United Kingdom" and "UK" , see United Kingdom (disambiguation) and UK (disambiguation). :For an explanation of terms like England, (Great) Britain and United Kingdom see British Isles (terminology). The United Kingdom of Great Britain and Northern Ireland (usually shortened to the United Kingdom or the UK) is a country located off the north-western coast of continental Europe, surrounded by the North Sea, the English Channel, the Celtic Sea, the Irish Sea, and the Atlantic Ocean. It is composed of four constituent parts: three constituent countries—England, Scotland, and Wales—on the island of Great Britain, and the province of Northern Ireland on the island of Ireland. The border between Northern Ireland and the Republic of Ireland forms the United Kingdom's principal international land border, although there is a nominal frontier with France in the middle of the Channel Tunnel. The UK has several overseas territories and the Crown dependencies of the Isle of Man and the Channel Islands come under the UK's sovereignty. The UK also has close relationships with the fifteen other Commonwealth Realms, as they all share the same head of state. The UK is also one of the largest member states of the European Union and a founding partner of both the UN and NATO.
Terminology

- United Kingdom of Great Britain and Northern Ireland: The official name for the sovereign state
- United Kingdom: an abbreviation of United Kingdom of Great Britain and Northern Ireland
- Britain: an informal term that sometimes means United Kingdom of Great Britain and Northern Ireland and sometimes means Great Britain
- British: an informal term that sometimes means from the United Kingdom of Great Britain and Northern Ireland and sometimes means from Great Britain
- Great Britain (as a geographical term): the largest island of the British Isles
- Great Britain (as a political term): England + Wales + Scotland
- British Isles (as a geographical term): Great Britain + Ireland + many smaller surrounding islands. This term is disputed, please see below.
- Ireland (as a geographical term): the second largest island of the British Isles
- Ireland (as a political term): an abbreviation of the Republic of Ireland, a sovereign state on the island of Ireland
- Northern Ireland: a political region of the United Kingdom of Great Britain and Northern Ireland
- Ulster (as a geographical term): Often used to refer to Northern Ireland. It is derived from the Irish Language term 'Ulad.' It was one of the ancient Irish provinces (the others were Connaught, Leinster and Munster.). Although it is normally used to refer to Northern Ireland, Ulster also (traditionally) includes Counties Cavan, Monaghan and Donegal, which lie in the Republic of Ireland. The term Ulster is often favoured by the Protestant community.
History
Protestant Today's state is the latest of several unions formed over the last 1000 years. Scotland and England have existed as separate unified entities since the 10th century. Wales, under English control since the Statute of Rhuddlan in 1284, became part of the Kingdom of England by the Laws in Wales Act 1535. With the Act of Union 1707, the separate kingdoms of England and Scotland, having shared the same monarch since 1603, agreed to a permanent union as the Kingdom of Great Britain. The Act of Union 1800 united the Kingdom of Great Britain with the Kingdom of Ireland, which had been gradually brought under English control between 1169 and 1691, to form the United Kingdom of Great Britain and Ireland. The United Kingdom of Great Britain and Northern Ireland was formed in 1922, after bitter fighting which echoes down to the current political strife, the Anglo-Irish Treaty partitioned Ireland into the Irish Free State and Northern Ireland, with the latter remaining part of the United Kingdom. As provided for in the treaty, Northern Ireland, which consists of six of the nine counties of the Irish province of Ulster, immediately opted out of the Free State and to remain in the UK. The nomenclature of the UK was changed in 1927 to recognise the departure of most of Ireland, with the current name being adopted. 1927 The United Kingdom, the dominant industrial and maritime power of the 19th century, played a leading role in developing Western world ideas of property, liberty, capitalism and parliamentary democracy - to say nothing of its part in advancing world literature and science. At its zenith, the British Empire stretched over one quarter of the Earth's surface and encompassed a third of its population. The first half of the 20th century saw the UK's strength seriously depleted from the effects of World War I and World War II. The second half witnessed the dismantling of the Empire and the UK rebuilding itself into a modern and prosperous nation. The UK has been a member of the European Union since 1973. Its attitude towards further integration is conservative, and there is significant Euroscepticism in UK politics. It has not chosen to adopt the Euro, owing to internal political considerations and the government's judgement of the prevailing economic conditions.
Government and politics
The United Kingdom is a constitutional monarchy, with executive power exercised on behalf of the Queen by the Prime Minister and other cabinet ministers who head departments. The cabinet, including the Prime Minister, and other ministers collectively make up Her Majesty's Government. These ministers are drawn from and are responsible to Parliament, the legislative body, which is traditionally considered to be "supreme" (that is, able to legislate on any matter and not bound by decisions of its predecessors). The UK is one of the few countries in the world today that does not have a codified constitution, relying instead on customs and separate pieces of constitutional law. While the monarch is Head of State and holds all executive power, it is the Prime Minister who is the head of government. The government is answerable chiefly to the House of Commons and the Prime Minister is drawn from this chamber of Parliament by constitutional convention. The majority of cabinet members will be from the House of Commons, the rest from the House of Lords. Ministers do not, however, legally have to come from Parliament, though that is the modern day custom. The British system of government has been emulated around the world - a legacy of the United Kingdom's colonial past - most notably in the other Commonwealth Realms. The Prime Minister is chosen as the MP who can command a majority in the House of Commons - usually the leader of the largest party or, if there is no majority party, the largest coalition. The current Prime Minister is Tony Blair of the Labour Party, who has been in office since 1997. In the United Kingdom the monarch has extensive theoretical powers, but his or her role is mainly, though not exclusively, ceremonial. The monarch is an integral part of Parliament (as the "Crown-in-Parliament") and theoretically gives Parliament the power to meet and create legislation. An Act of Parliament does not become law until it has been signed by the Queen (being given Royal Assent), although no monarch has refused to assent to a bill that has been approved by Parliament since Queen Anne in 1708. Although the abolition of the monarchy has been suggested several times, the popularity of the monarchy remains strong in spite of recent controversies. Support for a British republic usually fluctuates between 15% and 25% of the population, with roughly 10% undecided or indifferent [http://www.mori.com/mrr/2000/c000616.shtml]. The current monarch is Queen Elizabeth II who acceded to the throne in 1952 and was crowned in 1953. Parliament is the national legislature of the United Kingdom. It is the ultimate legislative authority in the United Kingdom, according to the doctrine of parliamentary sovereignty. It is bicameral, composed of the elected House of Commons and the unelected House of Lords, whose members are mostly appointed. The House of Commons is the more powerful of the two houses. The House of Commons has 646 members who are directly elected from single-member constituencies based on population. The House of Lords has 724 members (though this number is not fixed): hereditary peers, life peers, and bishops of the Church of England. The Church of England is the established church of the state in England. established church]] The two largest political parties are the Labour Party and Conservative Party. The UK has long had a two-party system, but in the last 20 years the Liberal Democrats have re-emerged as a large third party. The electoral system used for general elections is first-past-the-post. The constitution of the United Kingdom is un-codified and partially unwritten, which means that no single document regulates how the government works, and unwritten constitutional conventions are used extensively. The constitution is based on the principle that Parliament is the ultimate sovereign body in the country. There has long been a widespread sense of national identity in the Celtic nations. Throughout the late 19th century the UK debated giving Ireland home rule. The Scottish National Party was founded in 1934, and Plaid Cymru (Party of Wales) in 1925. Referenda for devolution succeeded in 1997 for Scotland and Wales and in 1998 for Northern Ireland. In 1999, the Scottish Parliament and the National Assembly for Wales were established, the former having primary legislative power. Proportional representation is used for the elections, which has resulted in a Labour-Liberal Democrat coalition government in Scotland. Due to internal disagreements, the Northern Ireland Assembly has been suspended since 2002.
Subdivisions
The United Kingdom is a country that is divided into four constituent parts:
- England
- Scotland
- Northern Ireland
- Wales The constituent parts of the United Kingdom have administrative subdivisions as follows:
- The regions and administrative counties of England
- The council areas of Scotland
- The counties and county boroughs of Wales
- The districts of Northern Ireland The Laws in Wales Act 1535 incorporated Wales and England into England and Wales for legal purposes. Although all four have historically been divided into counties, England's population is an order of magnitude larger than the others so in recent years it has for some purposes been divided into nine intermediate-level Government Office Regions. Each region is made up of counties and unitary authorities, apart from London, which consists of London boroughs. Although at one point it was intended that each or some of these regions would be given its own regional assembly, the plan's future is uncertain, as of 2004, after the North East region rejected its proposed assembly in a referendum. Scotland consists of 32 Council Areas. Wales consists of 22 Unitary Authorities, styled as 10 County Boroughs, 9 Counties, and 3 Cities. Northern Ireland is divided into 26 Districts. Also sometimes associated with the United Kingdom, though not constitutionally part of the United Kingdom itself, are the Crown dependencies (the Bailiwicks of Jersey and Guernsey, and the Isle of Man) as self-governing possessions of the Crown, and a number of overseas territories under the sovereignty of the United Kingdom.
Military
The armed forces of the United Kingdom are known as the British Armed Forces or Her Majesty's Armed Forces, officially the Armed Forces of the Crown. Their Commander-in-Chief is the Queen and they are managed by the Ministry of Defence. Ministry of Defence The British Armed Forces are charged with protecting the United Kingdom and its overseas territories, promoting the United Kingdom's wider security interests, and supporting international peacekeeping efforts. They are active and regular participants in NATO and other coalition operations. The United Kingdom fields one of the most powerful and comprehensive military forces in the World. Its global power projection capabilities are second only to those of the United States Armed Forces. The British Army had a reported strength of 112,700 in 2004, including 7,600 women, and the Royal Air Force a strength of 53,400. The 40,900-member Royal Navy is in charge of the United Kingdom's independent strategic nuclear arm, which consists of four Trident Ballistic Missile Submarines, while the Royal Marines provide infantry units for amphibious assault and for specialist reinforcement forces in and beyond the NATO area. This puts total active duty military troops in the 210,000 range, currently deployed in over 80 countries. The UK's special forces, principally the SAS, provides elite commandos trained for quick, mobile, military responses; often where secrecy or covert operations are required. The Royal Navy is the second largest navy in the World in terms of gross tonnage. Despite the United Kingdom's wide ranging capabilities, recent pragmatic defence policy has a stated assumption that any large operation would be undertaken as part of a coalition. Bosnia, Kosovo, Afghanistan, Iraq (Granby, No-Fly-Zones, Desert Fox and Telic) may all be taken as precedent - indeed the last true war in which the British military fought alone was the Falklands War of 1982, in which military action was initiated by Argentina and the UK was fighting a defensive, rather than offensive, campaign. The British army has been actively involved in the Troubles in Northern Ireland. However, a programme of demilitarisation is being gradually implemented.
Geography
Troubles World Factbook Map of the United Kingdom]] Most of England consists of rolling lowland terrain, divided east from west by more mountainous terrain in the Northwest (Cumbrian Mountains of the Lake District) and north (the upland moors of the Pennines) and limestone hills of the Peak District by the Tees-Exe line. The lower limestone hills of the Isle of Purbeck, Cotswolds, Lincolnshire and chalk downs of the Southern England Chalk Formation. The main rivers and estuaries are the Thames, Severn and the Humber Estuary. The largest urban area is Greater London. Near Dover, the Channel Tunnel links the United Kingdom with France. There is no peak in England that is 1000 metres (3,300 ft) or greater. Wales is mostly mountainous, the highest peak being Snowdon at 1085 metres (3,560 ft) above sea level. North of the mainland is the island of Anglesey. The largest and capital city is Cardiff, located in South Wales. Scotland's geography is varied, with lowlands in the south and east and highlands in the north and west, including Ben Nevis, the UK's highest mountain at 1343 metres (4,406 ft). There are many long and deep-sea arms, firths, and lochs. A multitude of islands west and north of Scotland are also included, notably the Hebrides, Orkney Islands and Shetland Islands. The largest city is Glasgow. Northern Ireland, making up the north-eastern part of Ireland, is mostly hilly. The main cities are Belfast ('Beal Feirste' in Irish) and Londonderry / Derry ('Doire' in Irish). The province is home to one of the UK’s World Heritage Sites, the Giant's Causeway, which consists of more than 40,000 six-sided basalt columns up to 40 feett (12 m) high. In total it is estimated that the UK includes around 1098 small islands, some being natural and some being crannogs, a type of artificial island which was built in past times using stone and wood, gradually enlarged by natural waste building up over time.
Economy
artificial island The United Kingdom, a leading trading power and financial centre, has an essentially capitalist economy, the fourth largest in the world in terms of market exchange rates and the sixth largest by purchasing power parity (PPP) exchange rates. Over the past three decades, the government has greatly reduced public ownership by means of privatisation programmes, and has contained the growth of the Welfare State. Agriculture is intensive, highly mechanised, and efficient by European standards, producing about 60% of food needs with only 1% of the labour force. The UK has large coal, natural gas, and oil reserves; primary energy production accounts for 10% of GDP, one of the highest shares of any industrial state. Services, particularly banking, insurance and business services, account for by far the largest proportion of GDP. Industry continues to decline in importance, although the UK is still Europe's largest manufacturer of armaments, petroleum products, personal computers, televisions, and mobile telephones. Tourism is also important: with over 24 million tourists a year, between China (33) and Austria (19.1), the United Kingdom is ranked as the sixth major tourist destination in the world. The Blair government has put off the question of participation in the Euro system, citing five economic tests that would need to be met before they recommend that the UK adopts the Euro, and hold a referendum.
Society

Demographics
At the April 2001 census, the United Kingdom's population was 58,789,194, the third-largest in the European Union (behind Germany and metropolitan France) and the twenty-first largest in the world. Its overall population density is one of the highest in the world. Almost one-third of the population lives in England's prosperous south-east and is predominantly urban and suburban--with about 7.2 million in the capital of London. The United Kingdom's high literacy rate (99%) is attributable to universal public education introduced for the primary level in 1870 and secondary level in 1900 (except in Scotland where it was introduced in 1696). Education is mandatory from ages five through sixteen. referendum The Church of England and the Church of Scotland function as the official national religions in their respective countries, but most religions found in the world are represented in the United Kingdom. Anglicanism is the state religion that has been established in England since 1534 during the reign of King Henry VIII. During his reign, England broke ties with the Roman Catholic church and established the Church of England as the offical religion of England. Reforms to the nature of the church's relationship to the state have been ongoing, especially concerning the nature of the House of Lords and the appointment of a fixed amount of the lordships going to Lords Temporal, bishops of the Church of England. A group of islands close to continental Europe, the British Isles have been subject to many invasions and migrations, especially from Scandinavia and the continent, including Roman occupation for several centuries. Contemporary Britons are descended mainly from the varied ethnic stocks that settled there before the eleventh century. The pre-Celtic, Celtic, Roman, Anglo-Saxon, and Norse influences were blended on Great Britain under the Normans, Scandinavian Vikings who had lived in Northern France. Although Celtic languages persist in Wales, Scotland, and Northern Ireland, the predominant language is English, which is a West Germanic language descended from Old English, featuring a large amount of borrowings from Norman French.The other indigenous languages include the Celtic languages; Welsh, the closely related Irish and Scots Gaelic, and the Cornish language; as well as Lowland Scots, which is closely related to English; Romany; and British Sign Language (Northern Ireland Sign Language is also used in Northern Ireland). Celtic dialectal influences from Cumbric persisted in Northern England for many centuries, most famously in a unique set of numbers used for counting sheep. Recent immigrants, especially from the Commonwealth, speak many other languages, including Bengali, Cantonese, Hindi, Punjabi and Urdu. The United Kingdom has the largest number of Hindi speaking peoples outside of the Indian sub continent.
Culture
Urdu The United Kingdom contains many of the world's leading universities, including the University of Cambridge, the University of Oxford and the University of London (which incorporates, amongst others, Imperial College and University College London), and has produced many great scientists and engineers including Sir Isaac Newton, Charles Darwin and Isambard Kingdom Brunel; the nation is credited with many inventions including the locomotive, vaccination, television, vacuum, and both the internal combustion and the jet engine. The English language has spread to all corners of the world (primarily because of the country’s empire) and is referred to as a ‘global language’. It is now taught as a second language more than any other around the world. Over the next few decades, it is estimated that approximately half the world’s population will be proficient in the language. Playwright William Shakespeare is arguably the most famous writer in the history of the English language; other well-known writers from the United Kingdom include the Brontë sisters (Charlotte, Emily, and Anne), Jane Austen, William Thackeray, J. R. R. Tolkien, John Milton, H. G. Wells and Charles Dickens. Important poets include Lord By

Inspector Morse

Novels

Television series

List

Music

Spinoff series

Trivia

External links

Fictional character

Names of characters

Some ways of reading characters

Character as symbol

Character as representative

Characters as historical or biographical references

Character as words

Character as patient: psychoanalytic readings

Round characters vs. flat characters

Unusual uses

Iconic fictional characters

Lists of fictional characters

General

Stock characters

Fictional animals

Lists of fictional characters in specific works or series

Heroes and villains

See also

Detective novel

Whodunit?

The Private Eye Novel

Cosies

Police procedural

Other subgenres

Suspense - the core tenet of detective fiction

The unresolved problem of plausibility and coincidence

Famous fictional detectives

Amateurs

Private eyes

Police detectives

Medical examiners, etc.

Others

And for younger readers

Historical

In science fiction and fantasy

Other notable authors

Detective debuts and swansongs

Books

See also

External resources

United Kingdom

Terminology

History

Government and politics

Subdivisions

Military

Geography

Economy

Society

Demographics

Culture