:: wikimiki.org ::

Locked Room

Locked room

__NOTOC__ In crime fiction, a locked room mystery (or cosy) is a particular kind of mystery story, where a murder is apparently committed under impossible circumstances: no one could have entered or left the scene of the crime, and it could not have been a suicide. Such stories normally follows other conventions of detective fiction, in that the reader is presented with the puzzle and all of the clues, and so encouraged to solve it before finishing the story and being told the solution. The invention of this genre is credited to French journalist/author, Gaston Leroux with Le Mystère de la chambre jaune (The Mystery of the Yellow Room ) (1908). Another early example in the genre is "The Murders in the Rue Morgue" (1841) by Edgar Allan Poe. Even though the genre wasn't established until the 19th and 20th centuries the apocalyptic Biblical story of Bel and the Dragon has elements of the genre in it. This sub-genre of detective fiction flourished with the popularity of writers like John Dickson Carr, Clayton Rawson, and Agatha Christie. Typically, a "locked room" in this narrow meaning of the word—also referred to as a "hermetically sealed chamber"—is a room in which a murder is committed. There are a limited number of suspects, some of them possibly even without a watertight alibi. But on closer inspection, it turns out that no one could possibly have perpetrated the murder, because at the time the murder was committed, there was definitely no way of entering and/or leaving the room unseen or without leaving a trace. The prima facie impression, almost invariably would be that the perpetrator has vanished into thin air. (See "The Murders in the Rue Morgue" for Poe's statement of the "rules" of the locked-room mystery.)

Examples

The following are examples of "impossible" or "locked-room" crimes:
- The only door, locked from the inside, has to be forced open (and the position of the body clearly suggests that the victim could not have locked it after being struck down by the killer).
- There is no fireplace or chimney through which the murderer might have escaped.
- The only window is barred from the inside, or there is virgin snow on the window sill outside.
- There is no secret passage leading to, or trapdoor anywhere in, the room.
- The murder weapon is nowhere to be found although the victim has clearly been poisoned, stabbed, shot or strangled (with the cause of death established beyond doubt in an autopsy some time later).
- If the victim has been electrocuted, no live wires can be found anywhere near the corpse; if they have been shot, no one within usual hearing distance remembers hearing a report. These "facts" strain the interest of the reader, and build up a palpitating curiosity to crack the truth, and explains the huge popularity of such novels. In many locked room mysteries, plausibility was neglected in favour of ingenuity and maximum reader involvement to appeal to this sense of curious suspense. Among avid readers, heated discussions ensued after the publication of a particular novel on whether it is really possible to commit the perfect murder the way it is described in the book. Some example loopholes that a reader may find:
- If the victim is found stabbed in a locked room on one of the upper floors of a building, no murder weapon is found and a window giving onto a backyard has been left open, could they have been killed by a professional knife-thrower from the building across the yard by means of a knife to which a long cord was attached? (This is a variation on the "dagger with wings" idea.)
- Can eye-witnesses be deluded into thinking they have seen a particular person enter or leave a room when in fact what they saw was just an image in a mirror?
- Can people gain access to a house by posing as someone else, wearing clothes made of paper, and then getting rid of them—as they would be evidence if they did not—by burning them in the open fire?
- The "polar poniard", a dagger made of ice that melts before the murder is discovered.

Authors and works

One of the masters of the locked-room subgenre is John Dickson Carr. His novel The Hollow Man is considered by many to be the finest locked room mystery novel of all time—although Carr himself names Gaston Leroux's The Mystery of the Yellow Room as his favourite. The Hollow Man gives an explicatory recipe for crime writers. Chapter 17 of the book, consists of a theoretical digression entitled "The Locked-Room Lecture". In it, Dr Gideon Fell (the detective) gives an extensive explanation of how the murderer is able to deceive everyone else (at least until the riddle is finally solved). How, for example, Fell asks, can the perpetrator create the impression of a hermetically sealed chamber when in fact it is not? What means are there of tampering with a door so that it seems to be locked on the inside? This is just one of the answers -- and, as it happens, a most simple one -- given by Fell: :[...] An illusion, simple but effective. The murderer, after committing his crime, has locked the door from the outside and kept the key. It is assumed, however, that the key is still in the lock on the inside. The murderer, who is first to raise a scare and find the body, smashes the upper glass panel of the door, puts his hand through with the key concealed in it, and finds the key in the lock inside, by which he opens the door. This device has also been used with the breaking of a panel out of an ordinary wooden door. Many authors have tried their hand at new and far-fetched yet eventually plausible locked-room scenarios, with one of the underlying principles always being that supernatural powers or any form of magic must be ruled out from the start. American writer Anna Katharine Green (1846–1935) wrote Initials Only (1911), Margery Allingham (1904–1966) exploited the same motif in Flowers for the Judge (1936), and many more joined the ranks. Paul Auster's book, The Locked Room, takes its title from locked room mysteries. Classic specimens of the genre include:
- John Dickson Carr's The Hollow Man (1935), He Who Whispers (1946), The Case of the Constant Suicides (1941), The Problem of the Green Capsule (1937) and The Crooked Hinge (1938)
- Carter Dickson's The Judas Window and The White Priory Murders
- Clayton Rawson's four Merlini novels, the most celebrated of which is the first, Death from a Top Hat (1938)
- Agatha Christie's Death in the Clouds (1935), And Then There Were None (1939) and Hercule Poirot's Christmas (1938)
- Nicholas Blake's Thou Shell of Death (1935)
- Gaston Leroux's The Mystery of the Yellow Room
- Israel Zangwill's The Big Bow Mystery
- Edgar Allan Poe's "The Murders in the Rue Morgue" (1841)
- Ellery Queen's The Greek Coffin Mystery
- Hake Talbot's Rim of the Pit in which it appears the murderer has come back from the dead to take revenge on the living
- Melville Davisson Post's "The Doomdorf Mystery"
- Many of G. K. Chesterton's Father Brown stories, notably "The Secret Garden", "The Invisible Man," "The Wrong Shape," "The Oracle of the Dog," "The Dagger with Wings" and "The Miracle of Moon Crescent"
- French author Paul Halter (born in 1957) wrote over thirty locked room or impossible crime mysteries including La Malédiction de Barberousse, La Quatrième Porte, Le Brouillard Rouge, La Septième Hypothèseand Le Crime de Dédale. Strongly influenced by John Dickson Carr he is still much more than a copycat and developed a quite individual approach over the years. None of his books has been translated into English to date, but a short story of his, The Call of the Lorelei was published by Ellery Queen's Mystery Magazine in 2004.

Television

- Jonathan Creek, the UK television series, combines this theme with that of magic.
- Banacek was an American television series whose investigator hero specialized in locked-room thefts and other "impossible" mysteries. Typical examples were the theft of valuable paintings from a moving truck that was being watched by guards in a trailing vehicle; the vanishing of a rocket engine from a display stage when the lights momentarily went out; and the disappearance of a football player while beneath a pile of tacklers, in view of thousands of spectators and a live TV audience.

External link

- [http://www.classiccrimefiction.com Detective Fiction Resource Site] Category:Detective fiction

Crime fiction

; together these characters popularized the genre.]] Crime fiction is the genre of fiction that deals with crimes, their detection, criminals, and their motives. It is usually distinguished from mainstream fiction and other genres such as science fiction or historical fiction, but boundaries can be, and indeed are, blurred. It has several sub-genres, including detective fiction (including the whodunnit), legal thriller, courtroom drama, and hard-boiled fiction.

History of crime fiction

hard-boiled genre.]] Main article: History of crime fiction Crime fiction began to be considered as a serious genre only around 1900. The earliest inspiration for books and novels from this genre came from earlier dark works of Edgar Allan Poe (eg. "The Murders in the Rue Morgue" (1841), "The Mystery of Marie Roget" (1842) and "The Purloined Letter" (1844)). The evolution of locked room mysteries was one of the landmarks in the history of crime fiction. The Sherlock Holmes mysteries, probably based upon Auguste Dupin, are said to have been singularly responsible for the huge popularity in this genre. The evolution of the print mass media in Britain and America in the latter half of the 19th century was crucial in popularising crime fiction and related genres. Literary 'variety' magazines like Strand, McClure's, and Harper's quickly became central to the overall structure and function of popular fiction in society, providing a mass-produced medium that offered cheap, illustrated publications that were essentially disposable. Like the works of many other important fiction writers of his day — Wilkie Collins, Charles Dickens — Arthur Conan Doyle's Sherlock Holmes stories first appeared in serial form in the monthly Strand magazine in Britain. The series quickly attracted a wide and passionate following on both sides of the Atlantic, and when Doyle killed off Holmes in The Final Problem, the public outcry was so great and the publishing offers for more stories so attractive that he was reluctantly forced to resurrect him. Later a set of stereotypic formulae began to appear to cater to various tastes.

Crime fiction and mainstream fiction

When trying to pigeon-hole fiction, it is extraordinarily difficult to tell where crime fiction starts and where it ends. This is largely attributed to the fact that love, danger and death are central motifs in fiction. A less obvious reason is that the classification of a work may very well be related to the author's reputation. For example, William Somerset Maugham's (1874–1966) novella Up at the Villa (1941) could very well be classified as crime fiction. This short novel revolves around a woman having a one-night stand with a total stranger who suddenly and unexpectedly commits suicide in her bedroom, and the woman's attempts at disposing of the body so as not to cause a scandal about herself or be suspected of killing the man. As Maugham is not usually rated as a writer of crime novels, Up at the Villa is hardly ever considered to be a crime novel and accordingly can be found in bookshops among his other, "mainstream" novels. A more recent example is Bret Easton Ellis's (born 1964) seminal novel American Psycho (1991) about the double life of Patrick Bateman, a Wall Street yuppie and serial killer in the New York of the 1980s. Even though in American Psycho the most heinous crimes are depicted in minute detail, the novel has never been labelled a "crime novel", maybe due to the fact that the police are conspicuously absent and Bateman is never tracked down and brought to justice. On the other hand, U.S. author James M. Cain is normally seen as a writer belonging to the "hard-boiled" school of crime fiction. However, his novel Mildred Pierce (1941) is really about the rise to success of an ordinary housewife developing her entrepreneurial skills and — legally — outsmarting her business rivals, and the domestic trouble caused by her success, with, in turn, her husband, her daughter and her lover turning against her. Although no crime is committed anywhere in the book, the novel was reprinted in 1989 by Random House, alongside Cain's thriller The Postman Always Rings Twice (1934), under the heading "Vintage Crime". When film director Michael Curtiz adapted Mildred Pierce for the big screen in 1945, he lived up to the cinemagoers' and the producers' expectations by adding a murder which is absent from the novel. As potential cinemagoers had been associating Cain with hard-boiled crime fiction only, this trick — exploited in advertisements and trailers —, in combination with the casting of then Hollywood star Joan Crawford in the title role, made sure that the film was going to be a box office hit even before it was released. Seen from a practical point of view, one could argue that a crime novel is simply a novel that can be found in a bookshop on the shelf or shelves labelled "Crime". (This suggestion has actually been made about science fiction, but it can be applied here as well.) Penguin Books have had a long-standing tradition of publishing crime novels in cheap paperbacks with green covers and spines (as opposed to the orange spines of mainstream literature), thus attracting the eyes of potential buyers already when they enter the shop. But again, this clever marketing strategy does not tell the casual browser what they are really in for when they buy a particular book.

"High art" versus "popular art"

The discrepancy between taste and acclaim

Up to the 1960s or so, reading the paperback edition of a crime novel was usually considered a cheap thrill — with the word "cheap" used in both meanings: "inexpensive" and "of minor quality". The educated and civilized world was often interested, or at least pretended to be, in the "high art" categorised by classical music, paintings by renowned artists, in famous classical plays and novels like those of William Shakespeare. The term "popular art" referred to folk music, jazz, or rock 'n' roll, photography, the design of everyday objects, comics, science fiction, detective stories or erotic fiction (the latter circulating in private prints only to beat the censor) to quote a few examples. The idea of a "main stream" of literary output suggested that any book deviating, in either content or form or both, from the established norm of "high art" was "cheap", and anyone interested in that kind of stuff weird and/or uneducated. The universities and the other institutions of higher learning also looked down on artists producing "popular art" and categorically refused to critically assess it. This often did not correlate with the immense popularity of popular art on both sides of the Atlantic, sometimes due to sensationalism. For example, the British had been fascinated by Edgar Wallace's (1875–1932) crime novels ever since the author set up a competition offering a reward to any reader who could figure out and describe just how the murder in his first book, The Four Just Men (1906), was committed.

A re-assessment of critical ideals

In the long run, the vast output of popular fiction could not be ignored any longer, and literary critics — gradually, carefully and tentatively — started questioning the whole idea of a gap between "high art" (or "serious literature") on the one hand and "popular art" (in America often referred to as "pulp fiction", often verging on "smut and filth") on the other. One of the first scholars to do so was American critic Leslie Fiedler. In his book Cross the Border — Close the Gap (1972), he advocates a thorough reassessment of science fiction, the western, pornographic literature and all the other subgenres that so far had not been considered as "high art", and their inclusion in the literary canon: :The notion of one art for the 'cultural,' i.e., the favored few in any given society and of another subart for the 'uncultured,' i.e., an excluded majority as deficient in Gutenberg skills as they are untutored in 'taste,' in fact represents the last survival in mass industrial societies (capitalist, socialist, communist — it makes no difference in this regard) of an invidious distinction proper only to a class-structured community. Precisely because it carries on, as it has carried on ever since the middle of the eighteenth century, a war against that anachronistic survival, Pop Art is, whatever its overt politics, subversive: a threat to all hierarchies insofar as it is hostile to order and ordering in its own realm. What the final intrusion of Pop into the citadels of High Art provides, therefore, for the critic is the exhilarating new possibility of making judgments about the 'goodness' and 'badness' of art quite separated from distinctions between 'high' and 'low' with their concealed class bias. In other words, it was now up to the literary critics to devise criteria with which they would then be able to assess any new literature along the lines of "good or "bad" rather than "high" versus "low". Accordingly,
- A conventionally written and dull novel about, say, a "fallen woman" could be ranked lower than a terrifying vision of the future full of action and suspense.
- A story about industrial relations in early 20th century-Britain — a novel about shocking working conditions, trade unionists, strikers and scabs — need not be more acceptable subject-matter per se than a well-crafted and fast-paced thriller about modern life. But, according to Fiedler, it was also up to the critics to reassess already existing literature. In the case of U.S. crime fiction, writers that so far had been regarded as the authors of nothing but "pulp fiction" — Raymond Chandler, Dashiell Hammett, James M. Cain, and others — were gradually seen in a new light. Today, Chandler's creation, private eye Philip Marlowe — who appears, for example, in his novels The Big Sleep (1939) and Farewell, My Lovely (1940) — has achieved cult status and has also been made the topic of literary seminars at universities round the world, whereas on first publication Chandler's novels were seen as little more than cheap entertainment for the uneducated masses. Nonetheless, "murder stories" such as Dostoyevsky's Crime and Punishment or Shakespeare's Macbeth are not dependent on their honorary membership in this genre for their acclaim.

Pseudonymous authors

As far as the history of crime fiction is concerned, it is an astonishing fact that many authors have been reluctant to this very day to publish their crime novels under their real names — as if they were ashamed of doing something "improper". In the late 1930s and 40s, British County Court judge Arthur Alexander Gordon Clark (1900–1958) published a number of detective novels under the nom de plume Cyril Hare in which he made use of his profound knowledge of the English legal system, for instance in Tragedy at Law (1942). When he was still young and unknown, award-winning British novelist Julian Barnes (born 1946) published some crime novels under the assumed name of Dan Kavanagh. Other authors take delight in cherishing their alter egos: Ruth Rendell (born 1930) writes one sort of crime novels as Ruth Rendell and another type as Barbara Vine; John Dickson Carr also used the pseudonym Carter Dickson.

Contemporary critical views

At the beginning of the new millennium the output of crime novels in both the United Kingdom and the United States is enormous. As far as many authors writing today are concerned, crime fiction is still seen as a distinct literary subgenre, but it is no longer regarded as automatically inferior to "mainstream" fiction. However, there is a certain amount of overlap. Many novels cannot be accurately categorized, a fact which is gradually being recognized. For example, Patrick Redmond's (born 1966) first novel The Wishing Game (1999) certainly deals with both capital and petty crime, and has been advertised as "a powerful psychological thriller of haunting suspense", but it could just as well be subsumed under mainstream literature. Similarly, Helen Zahavi's novel Dirty Weekend (1991) about a frustrated woman on a three-day killing spree can either be seen as a fresh voice in radical feminism or as a thriller, or as both.

Film and literature: The case of crime fiction

feminism (2001). Here, David Suchet (foreground) plays Poirot in the film.]] Crime fiction and the motion picture industry have complemented each other well over the years. Both cater to the need of the average audience to escape into an idealist world, where the good reaps the rewards, and the bad incur their punishment. Adaptations of crime fiction into films have been hugely successful. For a detailed explication of the history of the relationship between crime fiction and the film industry, see the main article crime film.

Availability of crime novels

Quality and availability

As with any other entity, quality of a crime fiction book is not in any meaningful proportion to its availability. Some of the crime novels generally regarded as the finest, including those which are regularly chosen by experts as belonging to the best 100 crime novels ever written (see bibliography), have been out of print ever since their first publication, which often dates back to the 1920s or 30s. The bulk of books that can be found today on the shelves labelled "Crime" consists of recent first publications usually no older than a few years — books which may or may not some day become "classics"; books which will either be remembered (and reprinted) for a long time to come or forgotten (and not available) tomorrow.

Classic bestsellers

In other words, the books which are most readily available are those published over the last few years, whether they are selling well or not. In addition, a handful of authors have achieved the status of "classics", which means that all or at least most of their novels can be had anywhere anytime. A case in point is Agatha Christie, whose mysteries, originally published between 1920 and her death in 1976, are available in both British and U.S. editions practically wherever you go. But also lesser known authors who are still producing books have seen reprints of their earlier works. One example is Val McDermid, whose first book appeared as far back as 1987; another is Florida-based author Carl Hiaasen, who has been publishing books since 1981, all of which are readily available.

Forgotten classics

On the other hand, English crime writer Edgar Wallace, who was immensely popular with the English readership during the early decades of the 20th century (and who achieved fame in German-speaking countries due to the many B movies made in the 1950s, 60s, and 70s which were based on his novels), had almost been forgotten in his home country until [http://houseofstratus.com House of Stratus] eventually started republishing many of his 170 books around the turn of the millennium. Similarly, the books by the equally successful American author Erle Stanley Gardner (1889–1970), creator of the lawyer Perry Mason, which have frequently been adapted for film, radio, and TV, were only recently republished in the United Kingdom — books such as The Case of the Stuttering Bishop (1937), The Case of the Green-Eyed Sister (1953), etc. Even television adaptations are not enough to save some authors. Gladys Mitchell rivalled Agatha Christie for UK sales in the 1930s and 1940s but only one of her 66 novels remains in print despite a BBC television series of the Mrs. Bradley Mysteries in 1999.

Revival of past classics

From time to time publishing houses decide, seemingly at random, to revive long-forgotten authors and reissue one or two of their better-known novels. Apart from Penguin Books, who for this purpose have resorted to their old green cover and dug out some of their vintage authors, Pan started a series in 1999 entitled "Pan Classic Crime", which includes a handful of novels by Eric Ambler, but also American Hillary Waugh's Last Seen Wearing .... In 2000, Edinburgh-based [http://www.canongate.net Canongate Books] started a series called "Canongate Crime Classics", in which they published John Franklin Bardin's The Deadly Percheron (1946) — both a whodunnit and a roman noir about amnesia and insanity — and other novels. For some strange reason, however, books brought out by smaller publishers like Canongate Books are usually not stocked by the larger bookshops and overseas booksellers. Sometimes older crime novels are revived by screenwriters and directors rather than publishing houses. In many such cases, publishers then follow suit and release a so-called "film tie-in" edition showing a still from the movie on the front cover and the film credits on the back cover of the book — yet another marketing strategy aimed at those cinemagoers who may want to do both: first read the book and then watch the film (or vice versa). Recent examples include Patricia Highsmith's The Talented Mr. Ripley (originally published in 1955), Ira Levin's Sliver (1991), with the cover photograph depicting a steamy sex scene between Sharon Stone and William Baldwin straight from the 1993 movie, and, again, Bret Easton Ellis's American Psycho (1991). [http://www.bloomsbury.com Bloomsbury Books] on the other hand have launched what they call "Bloomsbury Film Classics" — a series of original novels on which feature films were based. This series includes, for example, Ethel Lina White's novel The Wheel Spins (1936), which Alfred Hitchcock — before he went to Hollywood — turned into a much-loved movie entitled The Lady Vanishes (1938), and Ira Levin's (born 1929) science fiction thriller The Boys from Brazil (1976), which was filmed in 1978. Older novels can often be retrieved from the ever-growing Project Gutenberg database.

External links

- [http://www.classiccrimefiction.com/ Classic Crime Fiction Website ] Category:Fiction
- [http://book.awardannals.com/genre/mystery/ Most Honored Mystery Books]
- [http://www.macavitys.co.uk/ Macavity's - Crime Fiction, True Crime and Crime Reference] ja:%E6%8E%A8%E7%90%86%E5%B0%8F%E8%AA%AC

Gaston Leroux

Gaston Leroux (May 6, 1868, Paris – April 15, 1927, Nice) was a French journalist, detective and novelist. In the English-speaking world, he is best known for writing The Phantom of the Opera (Le Fantôme de l'opéra, 1910) which has been made into several film and stage productions, such as The Phantom of the Opera, starring Lon Chaney and a novel by Susan Kay called "Phantom", based solely on his work. Leroux went to school in Normandy and studied law in Paris, graduating in 1889. He lived wildly with millions of inherited francs until the money was gone. Then he began working as a court reporter and theater critic for L'Echo de Paris in 1890. His most important journalism came, however, when he began working as an international correspondent for the Paris newspaper Le Matin. In 1905 he was present at and covered the Russian Revolution. Another case he was present at involved the investigation and deep coverage of an ex-opera house in Paris. Suddenly, he left journalism in 1907 and began writing fiction, but in 1919 he made his own film company, Cinéromans. He first wrote a mystery novel entitled Le Mystère de la chambre jaune (1908; The Mystery of the Yellow Room), starring the amateur detective Joseph Rouletabille. The Mystery of the Yellow Room is an important work in the history of detective fiction as it was the first "locked-room puzzle," which has become a staple in the genre. Leroux's contribution to French detective fiction is considered parallel to Edgar Allan Poe's in America and Sir Arthur Conan Doyle's in the UK. Leroux died in Nice on April 15, 1927 of a urinary tract infection.

Leroux's novels

These include:
- The Mystery of the Yellow Room (1908)
- The Perfume of the Lady in Black (1908)
- The Phantom of the Opera (1910)
- The Secret of the Night (1914)
- The Bride of the Sun (1915)
- The Man Who Came Back From the Dead (1916)
- The Veiled Prisoner (1923)

External link

-
- [http://www.readprint.com/author-41/Leroux-Gaston Books and Biography of Leroux, Gaston]
- [http://www.rouletabille.perso.cegetel.net L'univers de Joseph Rouletabille] (in french) Leroux, Gaston Leroux, Gaston Leroux, Gaston Leroux, Gaston Leroux, Gaston ja:ガストン・ルルー The Vase of Camelry (1922)

The Murders in the Rue Morgue

:Murders in the Rue Morgue (song) is also the name of a song by Iron Maiden As well as being the origins for the popular Horror Culture magazine Rue Morgue Magazine "The Murders in the Rue Morgue" is a short story from 1841 by Edgar Allan Poe. It features the brilliant deductions of Auguste Dupin and is one of the first detective stories. "The Murders in the Rue Morgue" is almost certainly the first locked room mystery. It first appeared in Graham's Magazine in April, 1841.
Plot
The detective Auguste Dupin investigates a series of baffling murders, whose victims are brutally killed in apparently inaccessible rooms along the Rue Morgue, a street in Paris. Dupin reaches the astounding conclusion that killings were not murder per se but were carried out by a wild "Ourang-Outang," (orangutan) the escaped pet of a sailor.
Quotation: Poe's rules for the locked room
From the story: :Let us now transport ourselves, in fancy, to this chamber. What shall we first seek here? The means of egress employed by the murderers. It is not too much to say that neither of us believe in praeternatural events. Madame and Mademoiselle L'Espanaye were not destroyed by spirits. The doers of the deed were material, and escaped materially. Then how? Fortunately, there is but one mode of reasoning upon the point, and that mode must lead us to a definite decision. --Let us examine, each by each, the possible means of egress. It is clear that the assassins were in the room where Mademoiselle L'Espanaye was found, or at least in the room adjoining, when the party ascended the stairs. It is then only from these two apartments that we have to seek issues. The police have laid bare the floors, the ceilings, and the masonry of the walls, in every direction. No secret issues could have escaped their vigilance. But, not trusting to their eyes, I examined with my own. There were, then, no secret issues. Both doors leading from the rooms into the passage were securely locked, with the keys inside. Let us turn to the chimneys. These, although of ordinary width for some eight or ten feet above the hearths, will not admit, throughout their extent, the body of a large cat. The impossibility of egress, by means already stated, being thus absolute, we are reduced to the windows. Through those of the front room no one could have escaped without notice from the crowd in the street. The murderers must have passed, then, through those of the back room. Now, brought to this conclusion in so unequivocal a manner as we are, it is not our part, as reasoners, to reject it on account of apparent impossibilities. It is only left for us to prove that these apparent 'impossibilities' are, in reality, not such.
External links

- Wikisource:The Murders in the Rue Morgue
- [http://poestories.com/text.php?file=murders Full text on PoeStories.com] with hyperlinked vocabulary words.
- [http://www.classiccrimefiction.com/historydf.htm The Origins of Detective Fiction] Murders in the Rue Morgue, The Murders in the Rue Morgue, The Murders in the Rue Morgue, The

19th century

:Alternative meaning: Nineteenth Century (periodical) The 19th century lasted from 1801 to 1900 in the Gregorian calendar (using the Common Era system of year numbering). Historians sometimes define a "Nineteenth Century" historical era stretching from 1815 (The Congress of Vienna) to 1914 (The outbreak of the First World War).

Europe

For Europe, the period is marked with revolution, social upheaval, and the emergence of a united conservatism from the monarchs of Europe in response to the emerging republican firestorm spreading from revolutionary France. There were many revolutions in Europe in 1848. Furthermore, the later end of the century was dominated by what many call the New Imperialism, which was the rapid aquisition of colonies worldwide by European powers, most noteworthy is the Scramble for Africa. Many countries in Europe underwent an Industrial Revolution, especially Britain and Germany, that spread elsewhere by the end of the century, with factories and railway lines built all over the continent. The start of the 19th century there was a struggle between France and Britain and their allies for control of Europe and the world during the Napoleonic Wars, with Napoleon being finally defeated at Waterloo in 1815. During the rest of the century, the British empire became the largest and most powerful empire in history, during the period known as the Pax Britannica.

Americas

In the Americas, the United States slowly grew economically, militarily, and politically, but nevertheless faced dramatic changes domestically, best seen in the Civil War, the end of slavery, and the expansion across the American continent known as Manifest Destiny. Industrially, America will explode following the Civil War, and would eventually begin expansion outward across the Pacific Ocean and in Latin America.

Other countries

For the rest of the world, there were few places not influenced by the West in some fashion, whether through colonialism, imperialism, or war. European powers gained increasing influence in China, where Qing control had weakened, and wars were fought by the western powers against China, such as the first and the second Opium wars and Sino-French War. Japan, which was forcibly opened to Western trade, began a rapid industrialisation. Africa which was largely free from European control at the start of the century, was almost completely dominated by Europe at the end of it, with the Scramble for Africa in the 1880s and 1890s. Large European settlement, especially British, of colonies such as Australia, New Zealand and the Cape Colony continued during the nineteenth century.

Events

- 1801: The Kingdom of Great Britain and the Kingdom of Ireland merge to form the United Kingdom of Great Britain and Ireland.
- 1803: The United States buys out France's territorial claims in North America via the Louisiana Purchase.
- 1804-06: Americans Meriwether Lewis and William Clark lead an expedition to the Pacific Coast and back.
- 1805-48: Muhammad Ali modernizes Egypt.
- 1806: Holy Roman Empire dissolved as a consequence of the Treaty of Lunéville.
- 1809: Napoleon strips the Teutonic Knights of their last holdings in Bad Mergentheim.
- 1813-1917: The contest between the British Empire and Imperial Russia for control of Central Asia is referred to as the Great Game.
- 1815: Congress of Vienna redraws the European map.
- 1815: Napoleon's defeat at Waterloo brings a conclusion to the Napoleonic Wars and marks the beginning of a Pax Britannica which lasts until 1870.
- 1816: Year Without a Summer
- 1816-28: Shaka's Zulu kingdom becomes the largest in Southern Africa.
- 1819: The modern city of Singapore is established by the British East India Company.
- 1820: Liberia founded by the American Colonization Society for freed American slaves.
- 1830: France invades and occupies Algeria.
- 1830: The Belgian Revolution in the United Kingdom of the Netherlands led to the creation of Belgium.
- 1833: Slavery Abolition Act bans slavery throughout the British Empire.
- 1834: Spanish Inquisition officially ends.
- 1835-36: The Texas Revolution in Mexico resulted in the short-lived Republic of Texas.
- 1837-1901: Queen Victoria's reign is considered the apex of the British Empire and is referred to as the Victorian era.
- 1845-49: Irish Potato Famine
- 1848: The Communist Manifesto published.
- 1848: Revolutions of 1848 in Europe
- 1848-58: California Gold Rush
- 1850: The Little Ice Age ends around this time.
- 1851-60s: Victorian gold rush in Australia
- 1851-64: The Taiping Rebellion in China
- 1854: The Convention of Kanagawa formally ends Japan's policy of Sakoku.
- 1855: Bessemer process enables steel to be mass produced.
- 1856: World's first oil refinery in Romania
- 1857-58: Indian rebellion of 1857
- 1859: The Origin of Species published.
- 1864-67: French intervention in Mexico
- 1865-77: Reconstruction in the United States
- 1866: Successful transatlantic telegraph cable follows an earlier attempt in 1858.
- 1866: Creation of the North German Confederation and the Austrian-Hungarian Dual Monarchy.
- 1866-69: Meiji Restoration in Japan
- 1867: The United States purchased Alaska from Russia.
- 1867: Canadian Confederation formed.
- 1869: First Transcontinental Railroad completed in United States.
- 1869: The Suez Canal opens linking the Mediterranean Sea to the Red Sea.
- 1870-71: Unifications of Germany and Italy.
- 1871-1914: Second Industrial Revolution
- 1870s-90s: Long Depression in Western Europe and North America
- 1872: Yellowstone National Park created.
- 1874: The British East India Company is dissolved.
- 1877: Great Railroad Strike in the United States may have been the world's first nationwide labor strike.
- 1877-78: The Balkans are freed from the Ottoman Empire after another Russo-Turkish War.
- 1878: First commercial telephone exchange in New Haven, Connecticut.
- 1880-1902: Great Britain conquers Dutch settlers in South Africa in two Boer Wars.
- 1882: First electrical power plant and grid in Manhattan.
- 1884-85: The Berlin Conference signals the start of the European Scramble for Africa. Attending nations also agree to ban trade in slaves.
- 1885: Unification of Bulgaria
- 1890: The Wounded Knee Massacre is the last battle in the American Indian Wars.
- 1894-95: After the First Sino-Japanese War, China cedes Taiwan to Japan and grants Japan a free hand in Korea.
- 1895-1896: Ethiopia defeated Italy in the First Italo-Abyssinian War.
- 1896: Olympic games revived in Athens.
- 1896: Klondike Gold Rush in Canada
- 1898: The United States gains control of Cuba, Puerto Rico, and the Philippines after the Spanish-American War.
- 1898-1900: The Boxer Rebellion in China is suppressed by an Eight-Nation Alliance.

Wars

List of wars 1800–1899
- 1799-1815: Napoleonic Wars.
- 1801-15: Barbary Wars between the United States and the Barbary States of North Africa.
- 1806-12: Russo-Turkish War
- 1810-21: Mexican War of Independence.
- 1810s-20s: South American Wars of Independence.
- 1812-15: War of 1812 between the United States and Great Britain.
- 1821-32: Greek War of Independence.
- 1828-29: Russo-Turkish War, 1828-1829
- 1833-76: Carlist Wars in Spain.
- 1839-60: After two Opium Wars, Great Britain, France, the United States and Russia gain many concessions from China.
- 1854-56: Crimean War between Great Britain, France, the Ottoman Empire and Russia.
- 1861-65: American Civil War between the Union and seceding Confederacy.
- 1866: Austro-Prussian War.
- 1877-78: Russo-Turkish War.
- 1879: Anglo-Zulu War in South Africa.
- 1879-84: War of the Pacific between Peru, Bolivia and Chile.
- 1880-81: First Boer War.
- 1894-95: First Sino-Japanese War.
- 1895-96: First Italo-Abyssinian War.
- 1899-13: The Philippine-American War.

Significant people

- Gilbert and Sullivan, playwright, composer
- William Gilbert Grace, English cricketer
- Baron Haussmann, civic planner
- Sándor Körösi Csoma, explorer of the Tibetan culture
- Fitz Hugh Ludlow, writer and explorer
- Florence Nightingale, nursing pioneer
- Ignaz Semmelweis, founder of hygiene
- Dr. John Snow, the founder of epidemiology
- F R Spofforth, Australian cricketer

Science

- Henri Becquerel, physicist
- Charles Darwin, biologist
- Thomas Alva Edison, inventor
- Michael Faraday, scientist
- Gottlob Frege, mathematician, logician and philosopher
- Carl Friedrich Gauss, mathematician, physicist, astronomer
- James Clerk Maxwell, Scottish physicist
- Gregor Mendel, biologist
- Louis Pasteur, biologist
- Nikola Tesla, inventor
- Amedeo Avogadro, physicist
- Johann Jakob Balmer, mathematician, physicist
- Pierre Curie, physicist
- Christian Doppler, physicist, mathematician

Philosophy and Religion

- Bahá'u'lláh, Persian religious leader and founder of Bahá'í Faith
- Báb, Persian prophet and founder of Bábísm
- Nikolai of Japan, religious leader who introduced Eastern Orthodoxy into Japan.
- Mikhail Bakunin, anarchist
- Georg Wilhelm Friedrich Hegel, philosopher
- Søren Kierkegaard, philosopher
- Karl Marx, political philosopher and economist
- John Stuart Mill, philosopher
- Friedrich Nietzsche, philosopher
- Joseph Smith, Jr., religious leader, founder of Mormonism
- Ramakrishna Paramahamsa, Hindu mystic
- Arthur Schopenhauer, philosopher
- Claude Henri de Rouvroy, Comte de Saint-Simon, founder of French socialism
- Brigham Young, Mormon religious leader
- William Morris, social reformer

Politics

- Otto von Bismarck, German chancellor
- Napoleon Bonaparte, French general, first consul and emperor
- Guiseppe Garibaldi, unifier of Italy and Piedmontese soldier
- Ulysses S. Grant, U.S. general and president
- Theodor Herzl, founder of modern political Zionism
- Andrew Jackson, U.S. general and president
- Thomas Jefferson, American statesman, philosopher, and president
- Lajos Kossuth, Hungarian governor; leader of the war of independence
- Hong Xiuquan, revolutionary, self-proclaimed Son of God
- Benjamin Disraeli, novelist and politician
- Libertadores, Latin American liberators
- Robert E. Lee, Confederate general
- Abraham Lincoln, U.S. president; led the nation during the Civil War
- Mutsuhito, Japanese emperor
- István Széchenyi, aristocrat, leader of the Hungarian reform movement
- Queen Victoria, British monarch
- Klemens von Metternich, Austrian Chancellor

Inventions, discoveries, introductions

List of 19th century inventions
- Department stores
- Electromagnetism
- Epidemiology
- Mail order businesses
- Philology
- Postage stamps
- Public busses
- Subway
- The invention of the telegraph connected the world like never before, leading to quicker communication and interaction.
- One of the more devestating technologies emerging from this period is the machine gun, first used during the Civil War (considered the first modern war)

Decades and years

Category:19th century Category:Centuries Category:Romanticism als:19. Jahrhundert zh-min-nan:19 sè-kí ko:19세기 ja:19世紀 simple:19th century th:คริสต์ศตวรรษที่ 19

Bible

The Bible (sometimes The Book, Good Book, Word of God, The Word, or Scripture), from Greek (τα) βιβλια, (ta) biblia, "(the) books", plural of βιβλιον, biblion, "book", originally a diminutive of βιβλος, biblos, which in turn is derived from βυβλος—byblos, meaning "papyrus", from the ancient Phoenician city of Byblos which exported this writing material), is the classical name for the Hebrew Bible of Judaism or the combination of the Old Testament and New Testament of Christianity ("The Bible" therefore actually refers to at least two different Bibles). It is thus applied to sacred scriptures. Many Christian English speakers refer to the Christian Bible as "the good book" (Gospel means "good news"). For many people, their Bible is the revealed word of God or an authoritative record of the relationship between God, the world, and humankind. Both Bibles have been the most widely distributed of books. It has also been translated more times, and into more languages, than any other book. The complete Bible, or portions of it, have been translated into more than 2,100 languages. It is said that more than 5 billion copies of the Bible have been sold since 1815, making it the best-selling book of all-time. Because of Christian domination of Europe from the late Roman era to the Age of Enlightenment, the Christian Bible has influenced not only religion, but language, law and, until the modern era, the natural philosophy of mainstream Western Civilization. The Age of Enlightenment and the Scientific Revolution in Europe and America brought skepticism regarding the divine origin and historical accuracy of the Bible and Bible prophecy. Scholars such as Professor Peter Stoner and Dr. Hawley O. Taylor have argued that Bible prophecy is of a remarkable nature and did not happen by mere chance. Skeptics counter, however, that there have been notable figures like Porphyry of Tyros and the scholar Gustave Holscher who have made criticisms of Bible prophecy. With that being said, many still view the Bible as a great work of literature, including important reflections on morality, and dramatic love poetry such as the Song of Solomon. Although the term "Bible" is most often used to refer to Jewish and Christian scriptures, "Bible" is sometimes used to describe scriptures of other faiths. Thus the Guru Granth Sahib is often referred to as the "Sikh Bible". In the early years after the publication of the Book of Mormon in 1830, it was sometimes known as the "Golden Bible". The word "bible" (in lower case) is also used to refer to any tome which incorporates comprehensive and/or authoritative coverage of its subject. As the original meaning of the word indicates, the Jewish and Christian Bibles are actually collections of several books, considered to be inspired by God or to record God's relationship with humanity or a particular nation.

The Hebrew Bible

God.]] The Hebrew Bible (also known as the Jewish Bible, or תנ"ך, Tanakh in Hebrew) consists of 24 books. Tanakh is an acronym for three parts of the Hebrew Bible: the Torah, Nevi'im, and Ketuvim.

Torah

The Torah, or "teaching" is also known as the five books of Moses, thus Chumash or Pentateuch (Hebrew and Greek for "five," respectively). The five books are:
- I Genesis (Bereishit בראשית),
- II Exodus (Shemot שמות),
- III Leviticus (Vayikra ויקרא),
- IV Numbers (Bemidbar במדבר) and
- V Deuteronomy (Devarim דברים) The Torah focuses on three moments in the changing relationship between God and people.
- The first eleven chapters of Genesis provide accounts of the creation (or ordering) of the world, and the history of God's early relationship with humanity.
- The remaining thirty-nine chapters of Genesis provide an account of God's covenant with the Hebrew patriarchs, Abraham, Isaac and Jacob (also called Israel), and Jacob's children (the "Children of Israel"), especially Joseph. It tells of how God commanded Abraham to leave his family and home in the city of Ur, eventually to settle in the land of Canaan, and how the Children of Israel later moved to Egypt
- The remaining four books of the Torah tell the story of Moses, the greatest Hebrew prophet, who lived hundreds of years after the patriarchs. His story coincides with the story of the liberation of the Children of Israel from slavery in Egypt, to the renewal of their covenant with God at Mount Sinai, and their wanderings in the desert until a new generation would be ready to enter the land of Canaan. The Torah ends with the death of Moses. Traditionally, the Torah contains 613 mitzvot, or commandments, of God, revealed during the passage from slavery in the land of Egypt to freedom in the land of Canaan. These commandments provide the basis for Jewish law Halakha and are elaborated in the Talmud. The Torah is divided into fifty four portions which are read in turn, from the beginning of Genesis to the end of Deuteronomy, each Sabbath. The cycle ends and recommences at the end of Sukkot.

The Two Torahs

By the Hellenistic period of Jewish history, Jews were divided over the nature of the Torah. Some (for example, the Sadducees) believed that the Chumash contained the entire Torah, that is, the entire contents of what God revealed to Moses at Sinai and in the desert. Others, principally the Pharisees, believed that the Chumash represented only that portion of the revelation that had been written down (i.e. the Written Torah or the Written Law), but that the rest of God's revelation had been passed down orally (thus composing the Oral Law or Oral Torah). Orthodox Jews today believe that the Talmud consists of the Oral Torah committed to writing.

The Four Sources

Although Orthodox Jews generally believe that the Torah was given to the Children of Israel at Sinai "Min Hashamayim", from the heavens — that is, that God actually dictated the words of Torah to Moses atop Mount Sinai — most Conservative, Reform and Reconstructionist Jews, as well as many liberal Christian scholars, now accept the Documentary hypothesis. This theory posits that the Written Torah has its origins in earlier sources who lived during the time of the monarchy, labeled J (Yahwists), E (Elohim), D (Deuteronomists), and P (Priests). These in turn may go back to oral traditions and/or drew on (and sometimes parodied) earlier ancient Near Eastern mythology. The documentary hypothesis posits that these four distinct traditions (or sources) are evident in the Torah. Julius Wellhausen, who in the late 1800s gave this hypothesis a definitive formulation, suggested that these sources were edited together or redacted during the time of Ezra, perhaps by Ezra himself. Jewish scholars who accept the documentary hypothesis differ as to whether these sources were or were not divinely inspired, and differ over the nature and extent of their obligation to the 613 commandments and the body of law represented in the Oral Torah, although each branch of Judaism recognizes both the Written and Oral Torahs as central to Jewish tradition, whether it be conceived of as sacred, national, or cultural. The documentary hypothesis has not been without its critics. For example, evangelical Egyptologist Kenneth Kitchen, and Gleason Archer, have sharply criticized and rejected the documentary hypothesis using various lines of argumentation, as has the critical scholar R. N. Whybray.[http://www.equip.org/free/DW035.htm][http://www.leaderu.com/orgs/probe/docs/moses.html][http://www.ankerberg.com/Articles/apologetics/AP0404W3.htm][http://answering-islam.org.uk/Campbell/s3c1.html]

Nevi'im

Nevi'im, or "Prophets," tells the story of the rise of the Hebrew monarchy, its division into two kingdoms, and the prophets who, in God's name, judged the kings and the Children of Israel. It ends with the conquest of the Kingdom of Israel by the Assyrians and the conquest of the Kingdom of Judea by the Babylonians, and the destruction of the Temple in Jerusalem. Portions of the prophetic books are read on the Sabbath (Shabbat). The Book of Jonah is read on Yom Kippor. According to Jewish tradition, Nevi'im is divided into eight books. Contemporary translations subdivide these into seventeen books. The eight books are:
- I. Joshua or Yehoshua [יהושע]
- II. Judges or Shoftim [שופטים]
- III. Samuel or Shmu'el [שמואל] (often divided into two books; Samuel may be considered the last of the judges (his sons were named judges, but rejected by the people) or the first of the prophets; it was he who negotiated on behalf of the Children of Israel with God to anoint a King)
- IV. Kings or Melakhim [מלכים] (often divided into two books)
- V. Isaiah or Yeshayahu [ישעיהו]
- VI. Jeremiah or Yirmiyahu [ירמיהו]
- VII. Ezekiel or Yehezq'el [יחזקאל]
- VIII. Trei Asar (The Twelve Minor Prophets) תרי עשר
- 1. Hosea or Hoshea [הושע]
- 2. Joel or Yo'el [יואל]
- 3. Amos [עמוס]
- 4. Obadiah or Ovadyah [עבדיה]
- 5. Jonah or Yonah [יונה]
- 6. Micah or Mikhah [מיכה]
- 7. Nahum or Nachum [נחום]
- 8. Habakkuk or Habaquq [חבקוק]
- 9. Zephaniah or Tsefania [צפניה]
- 10. Haggai or Haggai [חגי]
- 11. Zechariah Zekharia [זכריה]
- 12. Malachi or Malakhi [מלאכי] The Torah and the Nevi'im have an epical quality, although they have no human hero (Moses and David are, in many ways, anti-heros; one may consider the Children of Israel collectively to be the hero of the epic, or, if one must chose a single character, God)

Ketuvim

Ketuvim, or "Writings," were, according to critical scholars, mostly written during or after the Babylonian Exile and were among the last books to be canonized. According to Rabbinic tradition, many of the psalms in the book of Psalms are attributed to King David; King Solomon wrote three books: Song of Songs in his youth, Proverbs at the prime of his life, and Ecclesiastes at old age; and the prophet Jeremiah wrote Lamentations. The Book of Job is the only Biblical book that centers entirely on a non-Jew. The book of Ruth tells the story of a non-Jew (specifically, a Moabite) who married a Jew and, upon his death, the ways of the Jews; according to the Bible, she was the great-grandmother of King David. Five of the books, called "The Five Scrolls" (Megilot), are read on Jewish holidays: Song of Songs on Passover; the Book of Ruth on Shavuot; Lamentations on the Ninth of Av; Ecclesiastes on Sukkot; and the Book of Esther on Purim. Collectively, the Ketuvim contain lyrical poetry, philosophical reflections on life, and the stories of the prophets and other Jewish leaders during the Babylonian exile. It ends with the Persian decree allowing Jews to return to Judea to rebuild the Temple. Ketuvim contains eleven books:
- I. Tehillim (Psalms) תהלים
- II. Mishlei (Book of Proverbs) משלי
- III. `Iyyov (Book of Job) איוב
- IV. Shir ha-Shirim (Song of Songs) שיר השירים
- V. Ruth (Book of Ruth) רות
- VI. Eikhah (Lamentations) איכה [Also called Kinnot in Hebrew.]
- VII. Kohelet (Ecclesiastes) קהלת
- VIII. Esther (Book of Esther) אסתר
- IX. Daniel (Book of Daniel) דניאל
- X. Ezra (often divided into two books, Book of Ezra and Book of Nehemiah) עזרא
- XI. Divrei ha-Yamim (Chronicles, often divided into two books) דברי הימים

Translations and editions

The Tanakh was mainly written in Biblical Hebrew, with some portions (notably in Daniel and Ezra) in Aramaic. Some time in the 3rd century BC, the Torah was translated into Koine Greek, and over the next century other books were translated as well. This translation became known as the Septuagint and was widely used by Greek-speaking Jews and, later, by Christians. It differs somewhat from the Hebrew text as standardized later (Masoretic Text). From the 800s to the 1400s, Rabbinic Jewish scholars known as the Masoretes compared the text of all known Biblical manuscripts in an effort to create a unified standardized text; a series of highly similar texts eventually emerged, and any of these texts are known as Masoretic Texts (MT). The Masoretes also added vowel points (called niqqud) to the text, since the original text only contained consonants. This sometimes required the selection of an interpretation, since words can differ only in their vowels, and thus the meaning can vary in accordance with the choice of vowels to insert. In antiquity other variant readings existed, some of which have survived in the Samaritan Pentateuch, the Dead Sea scrolls, and other ancient fragments, as well as being attested in ancient versions in other languages. Versions of the Septuagint contain several passages and whole books additional to what was included in the Masoretic texts of the Tanakh. In some cases these additions were originally composed in Greek, while in other cases they are translations of Hebrew books or variants not present in the Masoretic texts. Recent discoveries have shown that more of the Septuagint additions have a Hebrew origin than was once thought. While there are no complete surviving manuscripts of the Hebrew texts on which the Septuagint was based, many scholars believe that they represent a different textual tradition from the one that eventually became the basis for the Masoretic texts. The Jews also produced non-literal translations or paraphrases known as targums, primarily in Aramaic. They frequently expanded on the text with additional details taken from Rabbinic oral tradition. See below for a partial list of contemporary English translations.

The Christian Bible

targum The Septuagint was generally abandoned in favour of the Masoretic text as the basis for translations into Western languages from Saint Jerome's Vulgate to the present day. In Eastern Christianity, translations based on the Septuagint still prevail. Some modern Western translations make use of the Septuagint to clarify passages in the Masoretic text that seem to have suffered corruption in transcription. They also sometimes adopt variants that appear in texts discovered among the Dead Sea Scrolls. (For more information, see the entry on Bible translations).

The Old Testament

The collection of books that the majority of Christians (including members of the Roman Catholic, Eastern Orthodox, and Oriental Orthodox Churches) call the Old Testament include not only the 24 books of the Jewish Tanakh, but also certain deuterocanonical books preserved in the Greek of the Septuagint. The Roman Catholic Church recognizes seven such books (Tobit, Judith, 1 Maccabees, 2 Maccabees, Wisdom of Solomon, Sirach (Ecclesiasticus), and Baruch), as well as some passages in Esther and Daniel, that are not included in the Jewish Scriptures. Various Orthodox Churches include a few others, typically 3 Maccabees, Psalm 151, 1 Esdras, Odes, Psalms of Solomon, and occasionally even 4 Maccabees. Protestants in general do not recognize these books as truly part of the Bible, though they may print them along with the books they do recognize.

The New Testament

The New Testament is a collection of 27 books with Jesus as its central figure, written in Koine Greek in the early Christian period, that almost all Christians recognize as Scripture. These can be grouped into:
- The Synoptic Gospels
- The Gospel of John
- The Acts of the Apostles
- The Pauline Epistles
- The General Epistles

Locked room

Examples

Authors and works

Television

See also

External link

Crime fiction

History of crime fiction

Categories of crime fiction

Crime fiction and mainstream fiction

"High art" versus "popular art"

The discrepancy between taste and acclaim

A re-assessment of critical ideals

Pseudonymous authors

Contemporary critical views

Film and literature: The case of crime fiction

Availability of crime novels

Quality and availability

Classic bestsellers

Forgotten classics

Revival of past classics

See also

Further reading

External links

Gaston Leroux

Leroux's novels

External link

The Murders in the Rue Morgue

Plot

Quotation: Poe's rules for the locked room

External links

19th century

Europe

Americas

Other countries

Events

Wars

Significant people

Philosophy and Religion

Inventions, discoveries, introductions

Decades and years

Bible

The Hebrew Bible

Torah

The Two Torahs

The Four Sources

Translations and editions

The Christian Bible

The Old Testament

The New Testament