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Musee De Cluny

Musee de Cluny

The Musée de Cluny, officially known as Musée National du Moyen Âge, is a museum in Paris, France, at 6 Place Paul Painlevé, south of the Blvd St. Germain, between the Blvd St. Michel and the Rue St. Jacques. The structure, first started in 1334 combines Gothic and Renaissance elements and was formerly the town house of the abbots of Cluny; it was made into a public museum in 1833 and apart from the name it no longer possesses anything originally connected with the abbey. It is perhaps the most outstanding example still extant of civic architecture in medieval Paris. Over the centuries the structure has been many things. Most recently, in 1843, Alexandre du Sommerard, an avid collector of medieval artifacts, bought the property and had it converted into a museum. However, the building he purchased had in turn been partially constructed on the remains of Gallo-Roman baths dating from the 3rd century (known as the "Thermes de Cluny"), which are famous in their own right and which may still be visited. In fact, the museum itself actually consists of two buildings: the frigidarium ("cooling room"), where the remains of the Thermes de Cluny are, and the Hôtel de Cluny itself, wherein reside its impressive collections. This museum houses a variety of important artifacts dating to the Middle Ages. In particular, it is renowned for its tapestry collection, which includes La Dame à la Licorne (The Lady and the Unicorn) from the so-called tapestry cycle of the same name, consisting of a series of six. Other notable works stored there include Gothic sculptures from the 7th and 8th centuries. There are also works of gold, ivory, antique furnishings, and illuminated manuscripts. North of the museum there is a garden ("Forêt de la Licorne") inspired by the tapestries.

Mistaken Notions

The Hôtel Cluny Sorbonne, at 8 Rue Victor Cousin, 5e, famously haunted by Verlaine and Rimbaud in the early 1870's, is something else entirely.

References in Literature

Herman Melville visited Paris in 1849, and the Hôtel de Cluny evidently fired his imagination. The structure figures prominently in Chapter 41 of Moby Dick (also called "Moby Dick"), when Ishmael, probing Ahab's "darker, deeper" motives, invokes the building as a symbol of man's noble but buried psyche.

External links


- Official website, in French: [http://www.musee-moyenage.fr/]
- Official website, in English: [http://www.musee-moyenage.fr/ang/index.html] Category:Art museums and galleries in Paris

Paris

Paris is the capital and largest city of France. Located on the river Seine in the country's north, it is a major cultural and political centre of Europe and the world's most visited city. The area's first inhabitants, a Celtic tribe named the "Parisii" give Paris its name. Its eponym, "the City of Lights" (la Ville Lumière), dates from 1828 when it became the first city in Europe to light its main boulevards with gas street lamps along its Champs-Élysées. The city of Paris is also widely referred to as the "most romantic city in the world." As a cultural and political centre for Europe since the early Middle Ages, Paris preserves many vestiges of its past. While hosting numerous art galleries, museums and theatres, it has grown into a significant centre of international trade with ever-growing modern business districts, including La Défense, the de facto city centre built for the purpose. In addition to the head offices of nearly half of all France's companies and the offices of many major international firms, Paris hosts the headquarters of many international trade and social organisations, including the OECD and UNESCO. The city of Paris proper has 2.1 million inhabitants , but its centre of influence extends to cover a "Greater Paris" metropolitan area that has a population of 11.1 million , over one sixth of the French population. Paris is the third largest metropolitan area in Europe (after Moscow and London), and approximately the 22nd most populous metropolitan area in the world. Paris is also the centre of an economic network that, within the limits of its Île-de-France région (of which it is also the capital), with a GDP of nearly €450 billion , is alone the producer of over one quarter of France's wealth. Because of its financial, business, political, and tourism activities, Paris today is one of the world's major transport destinations. Along with New York, London and Tokyo, it is often listed as one of the four major global cities.
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Name of Paris and its Inhabitants

Paris is pronounced (RP) or in English, and Image:ltspkr.png in French. The original Latin name of Paris was Lutetia (), or Lutetia Parisiorum, known in French as Lutèce (). Lutetia was later dropped in favor of only Paris, based on the name of the Gallic Parisi tribe, whose name perhaps comes from the Celtic Gallic word parios, meaning "caldron", but this is not certain. Traditionally, Paris was known as Paname () in French slang, but this vulgar appellation is gradually losing currency. (.) The inhabitants of Paris are known as Parisians in English, as Parisiens (Image:ltspkr.png) in French. The pejorative term Parigot (Image:ltspkr.png) is sometimes used in French slang. Locally, inhabitants of the Paris suburbs are known as banlieusards (Image:ltspkr.png). Inhabitants of the whole Paris metropolitan area are known as Franciliens (Image:ltspkr.png), i.e. from Île-de-France.

Geography

Coordinates

Paris is located at (48.866667, 2.333056). The city straddles a north-bending arc of the river Seine. This waterway is dotted with a few islands along its path through the city, and the largest and most central of these, the Île de la Cité, is the Capital's heart and origin.

Area

The city (commune) of Paris proper has an area of 105.398 km² (40.69 mi², or 26,044 acres). Excluding the outlying parks of Bois de Boulogne and Bois de Vincennes, the actual area of the city is only 86.928 km² (33.56 mi², or 21,480 acres), being in the form of an almost regular oval, with a circumference of 35.5 km (22 miles). This oval extends 9.5 km (6 miles) from north to south, and 11 km (7 miles) from east to west. circumference This is not a very large area, and in fact the commune of Paris is only the 113th largest commune of France (out of 36,782 communes). By comparison, Greater London has an area of 1,572 km² (607 mi²), and New York City has an area of 786 km² (303 mi²). This peculiar fact arises because, unlike other large western cities such as New York, London, or Berlin, whose territories were enlarged in the 20th century, the borders of Paris have not been changed since 1860 when Napoleon III and the prefect Haussmann annexed the then suburban communes surrounding Paris, such as Montmartre and Auteuil, more than doubling the the city's area to 78 km² (30.1 mi²), and creating the 20 arrondissements of Paris. Since 1860, the limits of Paris have only marginally changed, reaching the 86.9 km² figure indicated above. In 1929, the Bois de Boulogne and Bois de Vincennes were officially incorporated into the city of Paris. Thus, the Brooklyn, Greenwich, or Charlottenburg of Paris are still outside the city of Paris proper, and it can be more accurately compared to the borough of Manhattan (59.5 km²/23 mi²) or to Inner London (319 km²/123 mi²). Even the largest business and financial district of Paris, known as La Défense, is outside the city boundary. The urban area (unité urbaine) of Paris, i.e. the contiguous built-up area, extends past the administrative city limits to cover 2,723 km² (1,051.4 mi²) (INSEE 1999), or an area about 26 times larger than the city itself. The metropolitan area (aire urbaine) of Paris, i.e. the built-up area plus the commuter belt, reaches in part beyond the surrounding Île-de-France administative région to cover 14,518 km² (5,605.5 mi²) (INSEE 1999), or an area 138 times larger than the city of Paris. région]]

Altitude

The altitude of Paris varies, with several prominent hills, of which the highest is Montmartre at 130m about sea level. The highest elevation in the urban area of Paris is in the Forest of Montmorency (Val-d'Oise département), 19.5 km. (12 miles) north-northwest of the center of Paris as the crow flies, at 195 metres (640 ft) above sea-level.

Temperatures

The lowest temperature recorded in central Paris (since 1873) was –23.9 °C (–11.0 °F) and –25.6 °C (–14.1 °F) in the southeastern suburb of Saint-Maur-des-Fossés on December 10, 1879 . The highest temperature was recorded on July 28, 1947 when the temperature in central Paris (Parc Montsouris) reached 40.4 °C (104.7 °F). During the European heat wave of 2003, which caused the death of many elderly people in France, the temperature in central Paris reached 38.1 °C (100.6 °F) (Parc Montsouris) and 40.2 °C (104.4 °F) at Le Bourget Airport in the northern suburbs. A record high night-time minimum of 25.5 °C (77.9 °F) in Parc Montsouris was set on August 11 and August 12, 2003.

History

Paris was occupied by a Gallic tribe until the Romans arrived in 52 BC. The invaders referred to the previous occupants as the Parisii, but called their new city Lutetia, meaning "marshy place". About 50 years later the city had spread to the left bank of the Seine, now known as the Latin Quarter (Le Quartier latin), and was renamed "Paris". Roman rule had ceased by 508, when Clovis the Frank made the city the capital of the Merovingian dynasty of the Franks. In 845, Paris was sacked by Viking raiders, probably under Ragnar Lodbrok, who collected a huge ransom in exchange for leaving. Thereafter the weakness of the late Carolingian kings of France led to the gradual rise in power of the Counts of Paris; Odo, Count of Paris was elected king of France by feudal lords while Charles III was also claiming the throne. Finally, in 987 Hugh Capet, count of Paris, was elected king of France by the great feudal lords after the last Carolingian king died. Hugh Capet, 1789]] In the 12th and 13th centuries the city grew strongly. Main thoroughfares were paved, the first Louvre was built as a fortress, and several churches, including the Cathedral of Notre-Dame, were constructed or begun. Several schools on the Left Bank were grouped together into the Sorbonne, which counts Albertus Magnus and St. Thomas Aquinas among its early scholars. In the Middle Ages, Paris prospered as a trading and intellectual nucleus, interrupted temporarily when the Black Death struck in the 14th century, and again in the 15th century when urban revolts drove the royal court to abandon the city for almost 100 years. In the 18th century, the royal residence was moved from Paris to nearby Versailles. The French Revolution began with the storming of the Bastille on July 14, 1789. From the establishment of the French Second Empire in 1852 until 1914, Paris experienced the largest development in its history. The famous Parisian Haussmann Style dates back to this period, during which much of the Paris known today was planned and constructed. For the World's Fair of 1889 which commemorated the 100th anniversary of the French Revolution, the Eiffel Tower was built, the best-known landmark in Paris and tallest structure in the world until 1930. The large scale display of electricity and light bulbs at the world's fairs of 1889 and 1900, which was a first in the world, earned Paris the nickname "City of Lights". During World War I, Paris was at the forefront of the war effort, having been spared invasion by the German Army due to the French and English victory at the First Battle of the Marne in 1914. In the Interwar period, Paris was famed for its cultural and artistic life, as well as its nightlife. From Russian exiled artists fleeing the Bolsheviks (such as composer Igor Stravinsky), to Spanish painters (such as Picasso or Dalí), to US writers (such as Hemingway), Paris became a melting pot of artists from all around the world. In June 1940, five weeks after the start of the German attack on France, a partially-evauated Paris fell to German occupation forces, who remained there until late August 1944. Paris was fortunate to be the one of the few large cities in Europe that suffered almost no destruction from the war, preserving its 19th century architecture intact. In the post-war period, Paris experienced its largest development since the end of the Belle Époque in 1914. The suburbs around the city proper (commune) of Paris began to expand considerably, with the construction of large social estates known as cités and the beginning of the business district La Défense. In the late 1960s, the Tour Montparnasse, a large, modern skyscraper, was built just south of the Jardin du Luxembourg. Its controversial height and location sparked immediate changes in zoning and administrative rules that now restrict skyscrapers to La Défense. Since the mid-1980s, there has been periodic unrest, sometimes degenerating into riots, in the poor immigrant neighbourhoods of the outer suburbs of Paris, especially in the cités, which have gradually become ghettos. In late 2005 a wave of riots erupted in the Paris suburbs, with thousands of cars and tens of public buildings burnt.

Demographics

wave of riots erupted in the Paris suburbs.]]

Density

At the 1999 French census the population density in the city of Paris was 20,164 inh. per km² (52,225 inh. per sq. mile). Excluding the outlying parks of Bois de Boulogne and Bois de Vincennes, the density in the city was actually 24,448 inh. per km² (63,321 inh. per sq. mile). As a matter of comparison, the density in Manhattan at the 2000 US census was 25,846 inh. per km² (66,940 inh. per sq. mile), and the density in Inner London at the 2001 UK census was 8,663 inh. per km² (22,438 inh. per sq. mile). The population density in the city of Paris is very high compared to those of most western cities, which are rarely as crowded as Paris (except for Manhattan). The density in Paris is comparable to the densities met within Asian cities. In many western cities, people have left the city center in the 20th century to relocate to the distant suburbs, leaving the city center as a business district dead at night. Although the city of Paris has also experienced a decline in population since the 1920s, it has nonetheless seen fewer inhabitants relocating to the suburbs than has occurred in other western cities. More precisely, people relocating to the suburbs were for the most part replaced by new people attracted to an urban lifestyle, and buildings were not converted into offices as systematically as has happened elsewhere, such as in London where the inhabitants have left the city center since the Second World War, and the density of Inner London is now much lower than that of Paris. This is most striking in the medieval heart of both metropolises: the City of London and the four first arrondissements of Paris were the medieval heart of each metropolis, with densities reaching 75,000 to 100,000 inh. per km² before the Industrial Revolution. Today, the City of London is almost empty, with a population density of only 2,478 inh. per km² (6,417 inh. per sq. mile) in 2001, whereas the four first arrondissements of Paris still have a density of 18,139 inh. per km² (46,979 inh. per sq. mile) in 1999, seven times more dense than in the City of London. Today, the most crowded arrondissement in the city of Paris is the 11th arrondissement, with a density reaching 40,672 inh. per km² (105,339 inh. per sq. mile) in 1999. Some neighborhoods in the east of this arrondissement are known to have densities of almost 100,000 inh. per km² (260,000 inh. per sq. mile).

Population Growth

At the 1999 census, the population of the city of Paris (excluding suburbs) was 2,125,246. The population of the metropolitan area of Paris was 11,174,743. Historically, the population of the city of Paris peaked in 1921, when it reached 2.9 million. However, there has been since then a movement toward living in suburbs, as well as the gentrification of many areas of inner Paris, and the use of available space for offices rather than dwellings, although this phenomenon was not as massive as happened in London or in American cities. These tendencies are controversial, and the current city administration is trying to reverse them. As a matter of fact, as of February 2004 estimates, the population of the city reached 2,142,800 inhabitants, increasing for the first time since 1954. As for the metropolitan area, it reached approximately 11.5 million inhabitants in 2004, growing twice as fast in the 2000s as it did in the 1990s. The metropolitan area of Paris has been in continuous expansion since the end of the French Wars of Religion at the end of the 16th century (with only brief setbacks during the French Revolution and World War II). As can be seen from the figures, only 18.5% of the inhabitants of the metropolitan area of Paris live inside the city of Paris, while 81.5% live in the suburbs. Visitors to Paris, who mostly stay inside the city, are usually not aware that 81.5% of "Parisians" actually live outside of the city itself, in its very extended suburbs. A majority of Parisians also work outside of the city proper: at the 1999 census, there were 5,089,179 jobs in the metropolitan area of Paris, 32.5% of which were located in the city of Paris proper, while 67.5% were located outside of the city. These peculiar facts are due to the conservativeness of French administrative limits (see Geography section above). For comparisons, in the metropolitan area of London, approximately 60% of people live inside Greater London proper (2001 census), while in the New York-Newark-Bridgeport metropolitan area, 37.8% of people live inside New York City (2000 census). Even in the Los Angeles-Riverside-Orange County metropolitan area, 22.6% of people live inside the city of Los Angeles proper. Paris can be more rightly compared to the San Francisco Bay Area, where only 11% of inhabitants live inside the city of San Francisco proper. However, unlike in the San Francisco Bay Area, there is no city inside the metropolitan area of Paris that rivals Paris, the largest city (commune) after Paris being Boulogne-Billancourt, with only 108,300 inhabitants in 2004. :See also: Historical population tables

Muséification

As a result, a so-called "muséification" (museumification) of the city of Paris is feared. Already, all airports, the largest financial and business district (La Défense), the main food wholesale market (Rungis), major renowned schools (École Polytechnique, HEC, ESSEC, INSEAD, etc.), research laboratories (in Saclay or Évry), the largest sport stadium (Stade de France), and even some ministries (Ministry of Transportation) are now located outside of the city of Paris. Similarly, the National Archives of France are due to relocate to the northern suburbs before 2010. It is feared that the city of Paris is turning into a museum for tourists and Amélie nostalgists, while the real economic activity and 21st century development take place elsewhere in the metropolitan area. With some of the most stringent protection laws in the world, it is virtually impossible to build new buildings inside the city. Recent proposals by Paris' new mayor, Bertrand Delanoë to gather renowned architects to build skyscrapers on the outskirts of the city center, have been met with strong opposition on all sides. Delanoë wished to scrap the building height limit dating back to Haussmann in the 19th century, and build upwards to compensate for the lack of space on the ground, as was done in Manhattan. The project also aimed to revitalise Paris in the 21st century, rivaling world cities like Shanghai, or even London where city planners have started building aesthetically acclaimed skyscrapers inside the City. The probable failure of the project may be seen as another sign of the "muséification" of the city of Paris.

Immigration

The metropolitan area of Paris is one of the most multi-cultural in Europe. At the 1999 census, 19.4% of the total population of the metropolitan area were born outside of metropolitan France. As a comparison: at the 2001 UK census, 19.5% of the total population of the metropolitan area of London was born outside of the (metropolitan) United Kingdom, while at the 2000 US census 27.5% of the total population of the New York-Newark-Bridgeport metropolitan area was born outside of the United States (50 states), and 31.9% of the total population of the Los Angeles-Riverside-Orange County metropolitan area was born outside of the United States (50 states). Still at the 1999 French census, 4.2% of the total population of the metropolitan area of Paris were recent migrants (i.e. people who were not living in France in 1990). The most recent immigrants to Paris come essentially from mainland China and from Africa.

Economy

. See main article for references concerning the figures cited here.

Size

Africa The metropolitan area of Paris is one of the engines of the global economy. In 2003 the GDP of the metropolitan area of Paris as calculated by INSEE and Eurostat was €448,933 million, or US$506.7 billion (at real exchange rates, not at PPP). If it were a country, the metropolitan area of Paris would be the 15th largest economy in the world (as of 2003), above Brazil (US$492.3 billion) and Russia (US$432.9 billion). Year in, year out, the metropolitan area of Paris accounts for about 29% of the total GDP of metropolitan France, although its population is only 18.7% of the total population of metropolitan France (as of 2004). In 2002, according to Eurostat, the GDP of the metropolitan area of Paris accounted alone for 4.5% of the total GDP of the European Union (of 25 members), although its population is only 2.45% of the total population of the EU25. Although in terms of population the Paris metropolitan area is only approximately the 20th largest metropolitan area in the world, its GDP is the sixth largest in the world after the metropolitan areas of Tokyo, New York, Los Angeles, London and Osaka. At the 1999 census there were 5,089,170 persons employed in the metropolitan area of Paris, 31.5% of whom worked inside the city of Paris proper and 16% in the Hauts-de-Seine (92) département, home of the new La Défense business district, to the west of the city proper, while the remaining 52.5% worked in the suburbs.

Economic sectors

The economy of Paris is extremely diverse and has not yet adopted a specialization inside the global economy (unlike Los Angeles with the entertainment industry, or London with financial services). The tourism industry, for instance, employs only 3.6% of the total workforce of the metropolitan area (as of 1999) and is by no means a major component of the economy. The Paris economy is essentially a service economy. Its manufacturing base is still important, the Paris metropolitan area remaining one of the manufacturing powerhouses of Europe, but it is declining, while there is a clear shift of the Paris economy towards high value-added services, in particular services. Reflecting the diversity of the Paris economy, at the 1999 census 16.5% of the 5,089,170 persons employed in the metropolitan area worked in business services, 13.0% in commerce (retail and wholesale trade), 12.3% in manufacturing, 10.0% in public administrations and defense, 8.7% in health services, 8.2% in transportation and communications, 6.6% in education, and the remaining 24.7% in many other economic sectors. Among the manufacturing sector, the largest employers were the electronic and electrical industry (17.9% of the total manufacturing workforce in 1999) and the publishing and printing industry (14.0% of the total manufacturing workforce), the remaining 68.1% of the manufacturing workforce being distributed among many other industries.

Administration

printing Paris is divided into twenty arrondissements, numbered in a clockwise spiral outwards from the Ier arrondissement at the center of the city. Two parks on the edge of the city proper, Bois de Boulogne on the west and Bois de Vincennes on the east, belong to the 16th and 12th arrondissements respectively. Citizens of each arrondissement elect a local council, which in turn elects the mayor of the arrondissement. A selection of members from each arrondissement council form the Council of Paris, which itself has the dual function of being council for the Paris municipality and for Paris as a départment. The Council of Paris elects the mayor of Paris. mayor of Paris mayor of Paris has been the Mayor of Paris since March 18, 2001]] It must be noted that modern Paris had no Mayor before 1977. Paris in fact has yet to completely emerge from the "prefecture" administrative system created by Bonaparte in 1800; its laws are still governed by its State-appointed Prefecture of Police (as is its Fire Brigade) and has no municipal police force, although it does have its own traffic wardens. The city of Paris also has other jurisdictional titles: it is a commune and also a département. As a département, until 1968 it stretched beyond its city limits as a Département 75 (or Seine département) to include its immediate suburbs, but that year it was split into four: Paris proper (75) became a smaller département, and in a ring around it three others were created: (Hauts-de-Seine (92), Seine-Saint-Denis (93) and Val-de-Marne (94)). Returning to the Prefecture of Police jurisdiction, it still governs Paris and its closest départements as a unique "Prefecture de Paris". From 1986 Paris became the capital of an Île-de-France région of eight départements: itself as a département, the three abovementioned départements and a yet larger concentric circle of four much larger départements. The three inner département are generally called "la petite couronne", or "small crown", and the outer and larger four "la grande couronne". The Île-de-France région has its own administration, as well as each of the départements in the petite couronne and grande couronne. : See also: Paris mayors (comprehensive list)

Transport

Paris mayors Paris mayors Paris is served by two principal airports: Orly Airport, which is south of Paris, and the Charles De Gaulle International Airport in nearby Roissy-en-France. A third and much smaller airport, at the town of Beauvais, 70 km (45 mi) to the north of the city, is used by charter and low-cost airlines. Le Bourget airport nowadays only hosts business jets, air trade shows and the aerospace museum. Paris is a central hub of the national rail network of very fast (TGV) and normal (Corail) trains, which interconnects with a high-speed regional network, the RER. Six major railway stations, Gare du Nord, Gare Montparnasse, Gare de l'Est, Gare de Lyon, Gare d'Austerlitz, and Gare Saint-Lazare connect this train network to the world famous and highly efficient underground metro system, the Métro. This latter is a network of 380 stations (more than the London Underground) connected by 221.6km of rails There are two tangential tramway lines in the suburbs: Line T1 runs from Saint-Denis to Noisy-le-Sec, line T2 runs from La Défense to Issy. A third line along the southern inner orbital road is currently under construction. Administratively speaking, the public transportation networks of the Paris region are coordinated by the Syndicat des transports d'Île-de-France (STIF), formerly Syndicat des transports parisiens (STP). [http://www.stif-idf.fr/ official site] Members of the syndicate include the RATP, which operates the Parisian and some suburban busses, the Métro, and sections of the RER; the SNCF, which operates the rest of the RER and the suburban train lines; and other operators. The city is also the hub of France's motorway network, and is surrounded by an orbital road, the Périphérique, which roughly follows the path of final, 19th-century fortifications around Paris. On/off ramps of the Périphérique are called 'Portes', as they correspond to the former city gates in these fortifications. Most of these 'Portes' have parking areas and a metro station, where non-residents are advised to leave cars. Traffic in Paris is notoriously heavy, slow and tiresome. :See also: Transport in France

Cultural Centres and Organisations

Transport in France Transport in France basilica on Montmartre.]]

Monuments and Landmarks

The three most famous landmarks of Paris are almost certainly the Eiffel Tower, originally a "temporary" construction for the 1889 Universal Expositon, the Arc de Triomphe, commissioned by Napoleon Bonaparte and the cathedral Notre Dame de Paris, a 12th-century ecclesiastical masterpiece. Other than the Eiffel Tower, the lone skyscraper Tour Montparnasse and Basilica of the Sacré Cœur on the hill Montmartre are easily visible from many locations around the city, while the window-shaped Grande Arche in La Défense marks the west.

Museums

Paris landmarks's most famous treasures.]]
- Louvre - a huge museum housing many works of art, including the Mona Lisa (La Joconde) and the Venus de Milo statue.
- Musée d'Orsay - an art museum housed in a converted 19th century railway station, which contains mainly Impressionist works.
- Centre Georges Pompidou, also known as Beaubourg - houses the Musée National d'Art Moderne and a cultural center with a large public library. Famous for its external skeleton of service pipes.
- Musée Rodin - a large collection of works by France's most famous sculptor
- Musée du Montparnasse in the former residence of artist Marie Vassilieff at 21 Avenue du Maine, details the history of the great artistic community of Montparnasse.
- Musée Cluny, also known as the Musée National du Moyen-Age, houses a large collection of art and artifacts from the Middle Ages, including the tapestry cycle The Lady and the Unicorn.
- Musée Picasso, exhibits nearly 3000 pieces of art by Pablo Picasso as well as art from his own personal collection including works by Cézanne and Matisse.

Historical Centres


- Montmartre - historic area on the Butte, home to the Basilica of the Sacré Coeur and also famous for the studios and cafés of many great artists.
- Champs-Élysées - a 17th-century garden promenade turned Avenue connection between the Concorde and Arc de Triomphe.
- Place de la Concorde - at the foot of the Champs-Élysées, built as the "Place Louis XV" site of the infamous guillotine. The Egyptian obleisk it holds today can be considered Paris's "oldest monument".
- Place de la Bastille - Former eastern stronghold and gate of Paris.
- Montparnasse - historic area on the Left Bank, famous for the its artists studios, music-halls, and café life.
- Quartier Latin - Paris's scholastic center from the 12th century, formerly stretching between the Left Bank's place Maubert and the Sorbonne university. Sorbonne in Paris. Given to the city in 1885, it faces west, toward the original Liberty in New York City.]]

Cemeteries

Many of Paris's illustrious historical figures have found rest in Père Lachaise Cemetery. Other notable cemeteries include Cimetière de Montmartre, Cimetière du Montparnasse, Cimetière de Passy and the Catacombs of Paris

Parks and Gardens

. Two of Paris's most famous gardens are the Tuileries Garden on the banks of the Seine next to the Louvre and the centrally-located Luxembourg Garden, which used to belong to a château built for the Marie de' Medici. During the Second Empire, Napoleon III created three vast gardens on the outskirts of Paris: Montsouris, Buttes Chaumont in the northeast, and Parc Monceau, formerly known as the folie de Chartres, in the northwest. On the western and eastern perimeters respectively are the two "forests", the Bois de Boulogne and Bois de Vincennes.

Districts


- Les Halles - shopping precinct around an important metro connection station.
- Le Marais - trendy district on the Right Bank with large gay and Jewish populations
- l'Opéra - Shopping area with department stores such as Printemps and Galeries Lafayette

Boutiques, Department Stores and Hotels

Paris is famous for gastronomical establishments like Fauchon (delicatessen), near the Église de la Madeleine, or Berthillon (ice cream) on Île-Saint-Louis. Its department stores, e.g. Galeries Lafayette, Samaritaine (currently closed) or Printemps, are remarkable not only for the wide range of items they sell but also for their 19th-century or Art Nouveau architecture. Paris also hosts a number of famous hotels. The most prestigious are probably the Hôtel de Crillon on Place de la Concorde, and the nearby Hôtel Ritz Paris on Place Vendôme.

Nightlife


- Le Lido - cabaret on the Champs-Élysées famous for its exotic shows and where, as an American GI on leave with some army friends, Elvis Presley gave an impromptu concert.
- Moulin Rouge, Le Crazy Horse Saloon, Folies Bergères - other famous cabarets
- the Paris Olympia, le Zenith, Bercy, Bobino - concert halls
- The Buddha Bar, Barfly, Hotel Costes, Georges - trendy upscale restaurant / bars to see and be seen.
- Les Bains-Douches, le Man Ray, l'Elysée Montmartre, le Queen - famous and trendy nightclubs.
- The Rex Club, Le Tryptique, Le Batofar- good places for electro music (techno, electro-rock, D&B).

Sports Clubs

Paris's main sports clubs are Paris Saint-Germain, Football (soccer) club, Paris Basket Racing, Basketball team and Stade Français, Rugby union club.

Suburban Areas of Interest


- Business district
  - La Défense - major office, cinema and shopping complex, west of Paris.
  - Grande Arche de la Défense - built in line with the Louvre, place du Concorde and Arc de Triomphe.
- Chateaux and churches
  - Palace of Versailles - the former royal palace of Louis XIV and later kings, in the town of Versailles to the southeast of Paris.
  - Vaux-le-Vicomte, near Melun, a smaller palace on which Versailles was modelled.
  - Saint Denis Basilica - ancient Gothic Cathedral and burial site for many French monarchs, located north of the city.
- Civil Constructions
  - Arcueil Aqueduct - built in the 17th century and raised in 1874, it channels water from sources 156km to the south of Paris to the Montsouris reservoirs.
- Recreation parks and areas
  - Parc Astérix
  - Disneyland Resort Paris

References

# INSEE. Recensement de la population 1999. Paris. [http://www.recensement.insee.fr/FR/ST_ANA/D75/POPALLPOP1POP1AD75FR.html "Population totale par sexe et âge"]. Retrieved December 1, 2005. # INSEE. Recensement de la population 1999. Île-de-France. [http://www.recensement.insee.fr/FR/ST_ANA/R11/POPALLPOP1POP1AR11FR.html "Population totale par sexe et âge"]. Retrieved December 1, 2005. # INSEE - Comptes régionaux - données 2003 semi-définitives en base 2 000. [http://www.insee.fr/fr/insee_regions/idf/rfc/chifcle_fiche.asp?ref_id=ecotc001&tab_id=1070 "Produit intérieur brut (PIB) à prix courants."]. Retrieved December 1, 2005.

External links


- [http://www.wikitravel.org/en/article/Paris Wikitravel:Guide to Paris]
- [http://www.paris.fr/en/ English version of official site]
  - [http://www.paris.fr/ Official Paris website]
- [http://en.parisinfo.com/ English version of official Paris tourist office website]
  - [http://fr.parisinfo.com/ Official Paris Tourist Office website]
- [http://maps.google.com/maps?q=paris,+france&spn=0.131836,0.176468&t=k&hl=en Google Maps satellite images of Paris] als:Paris (Stadt) ko:파리 시 ja:パリ simple:Paris th:ปารีส



Blvd St. Germain

The Boulevard Saint-Germain is a major street in Paris on the Left Bank (south side) of the Seine river. It curves in an arc from the Pont de Sully in the east (the bridge at the edge of the Ile Saint-Louis) to the Pont de la Concorde (the bridge to the Place de la Concorde) in the west and traverses the 5th, 6th and 7th arrondissements. At its midpoint, the Boulevard Saint-Germain is traversed by the north-south Boulevard Saint-Michel.

History

The Boulevard Saint-Germain derives its name from the former abbey of Saint-Germain-des-Prés which stood here in the Middle Ages. The area around the boulevard is also referred to as the Faubourg Saint-Germain, or "suburb" of Saint-Germain which developed to the west of the abbey. In the 17th Century, the Saint-Germain quarter became a major site for nobel town houses, or hôtels particuliers. This reputation continued throughout the nineteenth century, where the old aristocracy of the Saint-Germain quarter is frequently contrastrasted with the new upper bourgeoisie of the Right bank, having their homes on the Boulevard Saint-Honoré or on the Champs-Élysées (as noted, for example, in the novels of Honoré de Balzac.) From the 1930's on, Saint-Germain has been associated with its nightlife, cafés and students (the boulevard traverses the Quartier Latin (or "Latin quarter"). Home to a number of famous cafés, such as Les Deux Magots and Café de Flore, the Saint-Germain quarter was the center of the existentialism movement (associated with Jean-Paul Sartre and Simone de Beauvoir). The Boulevard Saint-Germain is today a thriving high-end shopping street with stores from Armani and Rykiel. Nearby is the Institut d'Etudes Politiques (or "Science-Po" for short), one of the finest political science schools in Europe. Saint-Germain

Gothic architecture

:See also Gothic art. Gothic architecture is a style of European architecture, particularly associated with cathedrals and other churches, in use during the high and late medieval period, from the 12th century onwards. It was succeeded by Renaissance architecture, a revival of Roman formulas, at varying times in Europe, beginning in Florence in the 15th century. A series of Gothic revivals began in mid-18th century England, triumphed in 19th century Europe and continued, largely for ecclesiastical and university structures, into the 20th century. The term Gothic was originally intended as a stylistic insult since Gothic equated with "barbarian" (ie. uncivilized), but the term has since matured to a neutral description.

Origins

The historical style originated at the abbey church of Saint-Denis in Saint-Denis, near Paris, where it exemplified the vision of Abbot Suger. Suger wanted to create a physical representation of the Heavenly Jerusalem, a building of a high degree of linearity that was suffused with light and color. The first truly Gothic construction was the choir of the church, consecrated in 1144. With thin columns, stained-glass windows, and a sense of verticality with an ethereal look, the choir of Saint-Denis established the elements that would later be elaborated upon during the Gothic period. This style was adopted first in northern France and by the English, and spread throughout France, the Low Countries and parts of Germany and also to Spain and northern Italy. Italy

The term "Gothic"

Gothic architecture has nothing to do with the historical Goths. It was a pejorative term that came to be used as early as the 1530s to describe culture that was considered rude and barbaric. François Rabelais imagines an inscription over the door of his Utopian Abbey of Thélème, "Here enter no hypocrites, bigots..." slipping in a slighting reference to 'Gotz' (rendered as 'Huns' in Thomas Urquhart's English translation) and 'Ostrogotz.' In English 17th century usage, 'Goth' was an equivalent of 'vandal,' a savage despoiler, with a sense of 'Germanic' and so came to be applied to the architectural styles of northern Europe before the revival of antiquity, thus 'Gothic' architecture. "There can be no doubt that the term 'Gothic' as applied to pointed styles of ecclesiastical architecture was used at first contemptuously, and in derision, by those who were ambitious to imitate and revive the Grecian orders of architecture, after the revival of classical literature. Authorities such as Christopher Wren lent their aid in deprecating the old mediæval style, which they termed Gothic, as synonymous with every thing that was barbarous and rude., according to a correspondent in Notes and Queries No. 9. December 29, 1849.

Characteristics

The style emphasizes verticality and features almost skeletal stone structures with great expanses of glass, sharply pointed spires, cluster columns, flying buttresses, ribbed vaults, pointed arches using the ogive shape, and inventive sculptural detail. These features are all the consequence of a focus on large stained glass windows that allowed more light to enter than was possible with older styles. To achieve this, flying buttresses were used to enable higher ceilings and slender columns. Many of these features had already appeared, for example in Durham Cathedral, whose construction started in 1093. 1093 Gothic cathedrals could be highly decorated with statues on the outside and painting on the inside. Both usually told Biblical stories, emphasizing visual typological allegories between Old Testament prophecy and the New Testament. Important Gothic churches could also be severely simple. At the Basilica of Mary Magdalene in Saint-Maximin, Provence (illustration, right), the local traditions of a sober massive Romanesque architecture were strong. The basilica, began in the 13th century under the patronage of Charles of Anjou, was laid out on an ambitious scale (it was never completed all the way to the western entrance front) to accommodate pilgrims that came to venerate relics. Building in the Gothic style continued at the basilica until 1532. In Gothic architecture new technology stands behind the new building style. The Gothic cathedral was supposed to be a microcosm representing the world, and each architectural concept, mainly the loftiness and huge dimensions of the structure, were intended to pass a theological message: the great glory of God versus the smallness and insignificance of the mortal being.

Brick Gothic

Main article: Brick Gothic. Brick Gothic] In Northern Germany, Scandinavia and northern Poland, in areas where native stone was unavailable, simplified provincial gothic churches were built of brick. The resultant style is called Backsteingotik in Germany and Poland. The biggest brick gothik building is the Teutonic Knights Castle of Malbork in Poland and the biggest brick gothic church is the St. Mary's Church, Gdańsk in Gdansk. The most famous example in Denmark is Roskilde Cathedral. Brick gothic buildings were associated with the Hanseatic League and the Teutonic Knights. There are over one hundred brick gothic castles in northern Poland, that were built by the Teutonic Knights. Teutonic Knights

Gothic architecture in England

Fewer examples of secular structures in Gothic style survive. The "Old Palace" at Hatfield, 1497, is the entrance wing, with its imposing gatehouse, which gave access to the protected inner court. This is an example of the last phase of Gothic design in England, still untouched by the Renaissance under way in central Italy. Local building traditions produced a vernacular style that was as important as Gothic in the final appearance. The roofs are tiled in the East Anglian vernacular tradition. Substantial roofs enclose essential storage area in the spacious attics. Gothic elements are the paired lancet windows joined under a molding that threw rainwater away from their sills, and the buttresses between each pier and on the angles of the gatehouse tower, with its fortification references.

Sequence of Gothic styles: France

The designations of styles in French Gothic architecture are as follows:
- Early Gothic
- High Gothic
- Rayonnant
- Late Gothic or Flamboyant style These divisions are effective, but debatable. Because Gothic cathedrals were built over several successive periods, each period not necessarily following the wishes of previous periods, the dominant architectural style changes throughout a particular building. Consequently, it is often difficult to declare one building as a member of a certain era of Gothic architecture. It is more useful to use the terms as descriptors for specific elements within a structure, rather than applying it to the building as a whole. buttress Early Gothic:
- The East end of the Abbey Church of St Denis High Gothic:
- Amiens Cathedral
- The main body of Chartres Cathedral
- Notre-Dame of Laon
- Notre Dame de Paris
- Reims Cathedral Rayonnant:
- The nave of the Abbey Church of St Denis Late Gothic:
- The north tower of Chartres Cathedral
- The rose window of Amiens Cathedral
- The west facade of the Rouen Cathedral
- Church of St. Maclou, Rouen.
- The south transept of the Cathédrale Saint-Pierre de Beauvais

Sequence of Gothic styles: England

The designations of styles in English architecture still follows conventions of labels given them by antiquaries in the 18th century:
- Early English (ca 1180 - 1275)
- Decorated (ca 1275 - 1380 )
- Perpendicular (ca 1380 - 1520 ). Early English:
- Salisbury Cathedral
- Wells Cathedral
- Westminster Abbey Decorated or "Flamboyant":
- Exeter Cathedral Perpendicular:
- King's College Chapel, Cambridge

Gothic revival

Main article: Gothic revival architecture Gothic revival architecture, architect]] In England, some discrete Gothic details appeared on new construction at Oxford and Cambridge in the late 17th century, and at the archbishop of Canterbury's residence Lambeth Palace, a Gothic hammerbeam roof was built in 1663 to replace a building that had been sacked during the English Civil War. It is not easy to decide whether these instances were Gothic survival or early appearances of Gothic revival,. In England in the mid-18th century, the Gothic style was more widely revived, first as a decorative, whimsical alternative to Rococo that is still conventionally termed 'Gothick', of which Horace Walpole's Twickenham villa "Strawberry Hill" is the familiar example. Then, especially after the 1830s, Gothic was treated more seriously in a series of Gothic revivals (sometimes termed Victorian Gothic or Neo-Gothic). The Houses of Parliament in London are an example of this Gothic revival style, designed by a major exponent of the early Gothic Revival, Augustus Pugin. Another example is the main building of the University of Glasgow designed by Sir George Gilbert Scott. In France, the towering figure of the Gothic Revival was Eugène Viollet-le-Duc, who outdid historical Gothic constructions to create a Gothic as it ought to have been, notably at the fortified city of Carcassonne in the south of France and in some richly fortified keeps for industrial magnates (illustration, left). Viollet-le-Duc compiled and coordinated an Encyclopédie médiévale that was a rich repertory his contemporaries mined for architectural details but also include armor, costume, tools, furniture, weapons and the like. He effected vigorous restoration of crumbling detail of French cathedrals, famously at Notre Dame, many of whose most "Gothic" gargoyles are Viollet-le-Duc's. But he also taught a generation of reform-Gothic designers and showed how to apply Gothic style to thoroughly modern structural materials, especially cast iron.

Gothic in the 20th Century

cast iron in Chestnut Hill, Massachusetts]] Neo-Gothic continued to be considered appropriate for churches and college buildings well into the 20th century. Charles Donagh Maginnis's early buildings at Boston College helped establish the prevalence of Collegiate Gothic architecture on American university campuses, such as at Chicago, Princeton and Yale. It was also used, perhaps less appropriately, for early steel skyscrapers. Cass Gilbert produced his 1907 90 West Street building and the 1914 Woolworth Building, both in Manhattan, in a neo-Gothic idiom. It was Raymond Hood's neo-Gothic tower that won the 1922 competition for the Chicago Tribune Tower, a late example of the vertical style that has been called "American Perpendicular Gothic." Another Gothic structure of interest is the jailhouse built in DeRidder, Louisiana in 1914. The iron bars in most of the windows give the structure an eerie appearance. The structure includes shallow arches, dormer windows and has a central tower. It is now on the National Register of Historic Places. The National Cathedral is also a neo-Gothic structure. The last prominent Gothic architect in America was probably Ralph Adams Cram, working in the 1910s and 1920s. With partner Bertram Goodhue they produced many good examples, like the sensitive and clever French High Gothic St. Thomas Episcopal Church, New York with its asymmetrical, urban facade in the heart of Manhattan. Working alone, Cram took up the Cathedral of Saint John the Divine, what he meant to be the largest cathedral and largest Gothic struture in the world, again in French High Gothic. It remains unfinished. Both St. Thomas and St. John the Divine are built without steel.

List of notable Gothic structures

Cathedral of Saint John the Divine
- France
  - Chartres Cathedral
  - Bourges Cathedral
    - [http://www.beloit.edu/~arthist/historyofart/gothic/bourges.htm Bourges Cathedral]
  - Amiens Cathedral
  - Notre-Dame de Laon
  - Our Lady's Cathedral in Paris (the Notre-Dame for many)
  - Reims Cathedral (where all the kings of France were crowned)
  - Abbey Church of Saint-Denis
  - Sainte-Chapelle in Paris (famous for its colorful stained glass windows) For a list of all Early Gothic buildings in the Paris Basin, see [http://www.johnjames.com.au/medievaldatabase-parischurches-A-B.shtml]
- England
  - Westminster Abbey in London
  - Ely Cathedral
  - York Minster
  - Exeter Cathedral
  - Salisbury Cathedral
  - Wells Cathedral
  - King's College Chapel, Cambridge
- Scotland
  - Glasgow Cathedral
  - Rosslyn Chapel Rosslyn Chapel]
- Spain
  - Santa Eulalia de Barcelona, in Barcelona
  - La Seu, in Palma (Majorca)
  - Cathedral of Burgos, in Burgos
  - Cathedral of León, in León
  - Cathedral of Murcia, in Murcia
  - Cathedral of San Salvador, in Oviedo
  - Cathedral of San Salvador, in Zaragoza
- Germany
  - Cologne Cathedral
  - Ulm Münster (features the highest church tower)
  - Freiburg Münster
  - Regensburg Cathedral
  - Lübeck Marienkirche
- Italy
  - Ca' d'Oro, Venice
  - Doge's Palace, Venice
  - Milan Cathedral, The Duomo
  - Siena Cathedral
  - Pisa Cathedral
  - Orvieto Cathedral
- Belgium
  - Bruges City Hall, 1376—1420 Bruges City Hall]]
- The Netherlands
  - Sint Jan's Cathedral in 's-Hertogenbosch, The Netherlands
- Austria
  - Cathedral of Saint Stephan in Vienna
- Poland
  - St Mary's Church in Gdańsk (the largest brick church in the world)
  - St Mary's Church in Kraków (with the famous Veit Stoss altar carved in wood)
  - Wawel Cathedral in Kraków
  - City Hall in Toruń
  - The Castle of the Teutonic Order in Malbork
- Slovakia
  - St. Martin's Cathedral in Bratislava
- Czech Republic
  - Saint Barbara's Church in Kutná Hora (Church of St Barbara picture)
  - Charles Bridge in Prague
  - Old Town Hall in Prague (Old Town Hall picture)
  - St. Vitus Cathedral in Prague
- Croatia
  - Zagreb Cathedral
- Russia
  - Königsberg Cathedral
- Norway
  - Nidaros Cathedral
- Sweden
  - Lund Cathedral

Some famous Neo-Gothic structures

Lund Cathedral
- Albert Memorial, London
- Fonthill Abbey
- Gasson Tower and Bapst Library at Boston College
- Harkness Tower at Yale University; 1917-21, James Gamble Rogers, architect
- Palace of Westminster in London, (the Houses of Parliament)
- Scott Monument. Edinburgh
- Santhome Cathedral, Madras (Chennai), India
- St Pancras Station, London
- St. Patrick's Cathedral in New York City
- Tribune Tower in Chicago, Illinois
- St. James' Cathedral in Toronto
- University of Glasgow
- PPG Place in Pittsburgh, PA

Structures incorporating Gothic elements


- Brooklyn Bridge

See also


- Architectural history
- Architectural style
- Hawaiian Gothic Architecture
- Medieval architecture
- Cathedral architecture
- Gargoyle
- Middle Ages in history
- Polish Gothic ja:ゴシック建築 Category:Medieval architecture Category:Gothic architecture category:Architectural styles Category:Roman Catholic Church art

Renaissance

The Renaissance, also known as "Il Rinascimento" (in Italian), was an influential cultural movement which brought about a period of scientific revolution and artistic transformation, at the dawn of modern European history. It marks the transitional period between the end of the Middle Ages and the start of the Modern Age. The Renaissance is usually considered to have originated in the 14th century in northern Italy and begun in the late 15th century in northern Europe.

Historiography

The term Rebirth (Rinascenza), to indicate the flourishing of artistic and scientific activities starting in Italy in the mid-1300's, was first used by the Italian historian Giorgio Vasari in the Vite, published in 1550. The term Renaissance is the French translation, used by French historian Jules Michelet, and expanded upon by Swiss historian Jacob Burckhardt (both in the 1860s). Rebirth is used in two ways. First, it means rediscovery of ancient classical texts and learning and their applications in the arts and sciences. Second, it means that the results of these intellectual activities created a revitalization of European culture in general. Thus it is possible to speak of the Renaissance in two different but meaningful ways: A rebirth of classical learning and knowledge through the rediscovery of ancient texts, and also a rebirth of European culture in general. classical learning and knowledge, an example of the blend of art and science during the Renaissance.]]

Multiple Renaissances

During the last quarter of the 20th century many scholars took the view that the Renaissance was perhaps only one of many such movements. This is in large part due to the work of historians like Charles H. Haskins (1870–1937), who made a convincing case for a "Renaissance of the 12th century", as well as by historians arguing for a "Carolingian Renaissance." Both of these concepts are now widely accepted by the scholarly community at large; as a result, the present trend among historians is to discuss each so-called renaissance in more particular terms, e.g., the Italian Renaissance, the English Renaissance, etc. This terminology is particularly useful because it eliminates the need for fitting "The Renaissance" into a chronology that previously held that it was preceded by the Middle Ages and followed by the Reformation, which many believe to be inaccurate. The entire period is now often replaced by the term "Early Modern". (See periodisation, Lumpers and splitters) Other periods of cultural rebirth have also been termed a "renaissance"; such as the Harlem Renaissance or the San Francisco Renaissance. The other renaissances are not considered further in this article, which will concentrate on the Renaissance as the transition from the Middle Ages to the Modern Age...

Critical views

Since the term was first created in the 19th century, historians have various interpretations on the Renaissance. The traditional view is that the Renaissance of the 15th century in Italy, spreading through the rest of Europe, represented a reconnection of the west with classical antiquity, the absorption of knowledge—particularly mathematics—from Arabic, the return of experimentalism, the focus on the importance of living well in the present (e.g. humanism), an explosion of the dissemination of knowledge brought on by printing and the creation of new techniques in art, poetry and architecture which led to a radical change in the style and substance of the arts and letters. This period, in this view, represents Europe emerging from a long period as a backwater, and the rise of commerce and exploration. The Italian Renaissance is often labelled as the beginning of the "modern" epoch. Marxist historians view the Renaissance as a pseudo-revolution with the changes in art, literature, and philosophy affecting only a tiny minority of the very wealthy and powerful while life for the great mass of the European population was unchanged from the Middle Ages. They thus deny that it is an event of much importance. Today most historians view the Renaissance as largely an intellectual and ideological change, rather than a substantive one. Moreover, many historians now point out that most of the negative social factors popularly associated with the "medieval" period - poverty, ignorance, warfare, religious and political persecution, and so forth - seem to have actually worsened during this age of Machiavelli, the Wars of Religion, the corrupt Borgia Popes, and the intensified witch-hunts of the 16th century. Many of the common people who lived during the "Renaissance" are known to have been concerned by the developments of the era rather than viewing it as the "golden age" imagined by certain 19th century authors. Perhaps the most important factor of the Renaissance is that those involved in the cultural movements in question - the artists, writers, and their patrons - believed they were living in a new era that was a clean break from the Middle Ages, even if much of the rest of the population seems to have viewed the period as an intensification of social maladies. Johan Huizinga (1872–1945) acknowledged the existence of the Renaissance but questioned whether it was a positive change. He argued that the Renaissance was a period of decline from the high Middle Ages, which destroyed much that was important. The Latin language, for instance, had evolved greatly from the classical period and was still used in the church and by others as a living language. However, the Renaissance obsession with classical purity saw Latin revert to its classical form and its natural evolution halted. Robert S. Lopez has contended that it was a period of deep economic recession. Meanwhile George Sarton and Lynn Thorndike have both criticised how the Renaissance affected science, arguing that progress was slowed.

Start of the Renaissance

science, Italy. Florence was the capital of the Renaissance]] The Renaissance has no set starting point or place. It happened gradually at different places at different times and there are no defined dates or places for when the Middle Ages ended. The starting place of the Renaissance is almost universally ascribed to Central Italy, especially the city of Florence. One early Renaissance figure is the poet Dante Alighieri (1265–1321), the first writer to embody the spirit of the Renaissance. Petrarch (1304–1374) is another early Renaissance figure. As part of the humanist movement he concluded that the height of human accomplishment had been reached in the Roman Empire and the ages since have been a period of social rot which he labeled the Dark Ages. Petrarch saw history as social, art and literary advancement, and not as a series of set religious events. Re-birth meant the rediscovery of ancient Roman and Greek Latin heritage through ancient manuscripts and the humanist method of learning. These new ideas from the past (called the "new learning" at the time) triggered the coming advancements in art, science and other areas. Another possible starting point is the fall of Constantinople to the Turks in 1453. It was a turning point in warfare as cannon and gunpowder became a central element. In addition, Byzantine-Greek scholars fled west to Rome bringing renewed energy and interest in the Greek and Roman heritage, and it perhaps represented the end of the old religious order in Europe.

Italian Renaissance

gunpowder past with the features of his Renaissance contemporaries. School of Athens (above) is perhaps the most extended study in this.]] The Italian Renaissance was intertwined with the intellectual movement known as Renaissance humanism and with the fiercely independent and combative urban societies of the city-states of central and northern Italy in the 13th to 16th centuries. Italy was the birthplace of the Renaissance for several reasons. The first two or three decades of the 15th century saw the emergence of a rare cultural efflorescence, particularly in Florence. This 'Florentine enlightenment' (Holmes) was a major achievement. It was a classical, classicising culture which sought to live up to the republican ideals of Athens and Rome. Sculptors used Roman models and classical themes. This society had a new relationship with its classical past. It felt it owned it and revived it. Florentines felt akin to 1st century BC republican Rome. Rucellai wrote that he belonged to a great age; Leonardo Bruni's Panegyric to the City of Florence expresses similar sentiments. There was a genuine appreciation of the plastic arts—pagan idols and statuary—with nudity, expressions of human dignity, etc. Leonardo Bruni circa 1494.]] A similar parallel movement was also occurring in the arts in the early 15th century in Florence—an avant-garde, classicising movement. Many of the same people were involved; there was a close community of people involved in both movements. Valla said that, as they revived Latin, so was Latin architecture revived, for example Rucellai's Palazzo built by Leone Battista Alberti. Of Brunelleschi, he felt that he was the greatest architect since Roman times. Sculpture was also revived, in many cases before the other arts. There was a very obvious naturalism about contemporary sculpture, and highly true to life figures were being sculpted. Often biblically-themed sculpture and paintings included recognizable Florentines. This intense classicism was applied to literature and the arts. In most city-republics there was a small clique with a camaraderie and rivalry produced by a very small elite. Alberti felt that he had played a major part, as had Brunelleschi, Masaccio, etc. Even he admitted he had no explanation of why it happened. There are several possible explanations for its occurrence in Florence: 1. The Medici did it—the portrait and solo sculpture emerged, especially under Lorenzo. This is the conventional response:
Renaissance Florence = The Medici = The genius of artisans = The Renaissance
Unfortunately, this fails to fit chronologically. 1410 and 1420 can be said to be the start of the Renaissance, but the Medici came to power later. They were certainly great patrons but much later. If anything, the Medici jumped on an already existing bandwagon. 2. The great man argument. Donatello, Brunelleschi and Michelangelo were just geniuses. This is a circular argument with little explanatory power. Surely it would be better, more human and accessible to understand the circumstances which helped these geniuses to come to fruition. 3. A similar argument is the rise of individualism theory attributable to Burckhardt. This argues for a change from collective neutrality towards the lonely genius. Goldthwaite says it was part of the emergence of the family and the submersion of the clan system. However, the Kents (F.W. and Dale) have argued that this was and remained a society of neighborhood, kin and family. Florentines were very constrained and tied into the system; it was still a very traditional society. Dale, Kraków]] 4. Frederick Antal has argued that the triumph of Masaccio et al. was the triumph of the middle class over the older, more old-fashioned feudal classes, so that the middle class wanted painters to do more bourgeois paintings. This does not make sense. Palla Strozzi commissioned old fashioned paintings whereas Cosimo de' Medici went for new styles in art. 5. Hans Baron's argument is based on the new Florentine view of human nature, a greater value placed on human life and on the power of man, thus leading to civic humanism, which he says was born very quickly in the early 15th century. In 1401 and 1402, he says Visconti was narrowly defeated by republican Florence, which reasserted the importance of republican values. Florence experienced a dramatic crisis of independence which led to civic values and humanism. Against this we can say that Baron is comparing unlike things. In a technical sense, Baron has to prove that all civic humanist work came after 1402, whereas many such works date from the 1380s. This was an ideological battle between a princely state and a republican city-state, even though they varied little in their general philosophy. Any such monocausal argument is very likely to be wrong. Kent says there is plenty of evidence of preconditions for the Renaissance in Florence. In 1300, Florence had a civic culture, with people like Latini who had a sense of classical values, though different from the values of the 15th century. Villani also had a sense of the city as daughter and creature of Rome. Petrarch in the mid-14th century hated civic life but bridged the gap between the 14th and 15th centuries as he began to collect antiquities. The 1380s saw several classicising groups, including monks and citizens. There was a gradual build-up rather than a big bang. Apart from the elites there was already an audience for the Renaissance. Florence was a very literate audience, already self-conscious and aware of its city and place in the political landscape. The crucial people in the 14th and 15th century were
- Manuel Chrysoloras: increased interest in the grammar of ancient architecture (1395)
- Niccoli: a major influence on the perception of the classics. Their teachings reached the upper classes between 1410 and 1420 and this is when the new consciousness emerged. Brucker noticed this new consciousness in council debates around 1410; there are increased classical references. Florence experienced not just one but many crises; Milan, Lucca, the Ciompi. The sense of crisis was over by 1415 and there was a new confidence, a triumphant experience of being a republic. Between 1413-1423 there was an economic boom. The upper class had the financial means to support scholarship. Gombrich says there was a sense of ratifying yourself to the ancient world, leading to a snobbishness and an elite view of education, and a tendency for the rich wanting to proclaim their ascendancy over the poor and over other cities. The early Renaissance was an act of collaboration. Artisans and artists were enmeshed in the networks of their city. Committees were usually responsible for buildings. There were collaborations between patricians and artisans without which the Renaissance could not have occurred. Thus it makes sense to adopt a civic theory of the Renaissance rather than a great man theory.

Northern Renaissance

:Main article: Northern Renaissance Northern Renaissance, painted 1434]] Northern Renaissance] The Renaissance spread north out of Italy being adapted and modified as it moved. It first arrived in France, imported by King Charles VIII after his invasion of Italy. Francis I imported Italian art and artists, including Leonardo Da Vinci and at great expense he built ornate palaces. Writers such as Rabelais also borrowed from the spirit of the Italian Renaissance. Italians brought the new style to Poland and Hungary in the late 15th century. The first Italian humanist, who came to Poland in the middle 15th century was Filip Callimachus. Many Italian artists came with Bona Sforza of Milano to Poland, when she maried Zygmunt I of Poland in 1518. The Polish Renaissance is the most Itatian like branch of the Renaissance outside of Italy. From France the spirit of the age spread to the Low Countries and Germany, and finally to England, Scandinavia, and Central Europe by the late 16th century. In these areas the Renaissance became closely linked to the turmoil of the Protestant Reformation and the art and writing of the German Renaissance frequently reflected this dispute. While Renaissance ideas were moving north from Italy, there was a simultaneous spread southward of innovation, particularly in music. The music of the 15th century Burgundian School defined the beginning of the Renaissance in that art; and the polyphony of the Netherlanders, as it moved with the musicians themselves into Italy, formed the core of what was the first true international style in music since the standardization of Gregorian Chant in the 9th century. The culmination of the Netherlandish school was in the music of the Italian composer, Palestrina. At the end of the 16th century Italy again became a center of musical innovation, with the development of the polychoral style of the Venetian School, which spread northward into Germany around 1600. In England, the Elizabethan era marked the beginning of the English Renaissance. It saw writers such as William Shakespeare, Christopher Marlowe, John Milton, and Edmund Spenser, as well as great artists, architects (such as Inigo Jones) and composers such as Thomas Tallis, John Taverner, and William Byrd. In these northern nations the Renaissance would be built upon and supplanted by the thinkers of The Enlightenment in the seventeenth century. The paintings of the Italian Renaissance differed from those of the northern Renaissance in some ways. The Italian Renaissance did not only focus on religious figures but they also produced portraits of well-known figures of the day, and they also put religious figures in Greek or Roman backgrounds. During the Italian Renaissance, artists learned the rules of perspective which shows how far the object is by its size which and made the paintings look three dimensional. The artists also used shading to make objects look round and real. The Italian Renaissance artists studied human anatomy and drew from the models so it would be possible for them to sketch the human body more accurately than before. At first, northern Renaissance artist still focused on religious drawings, like Albrecht Durer who portray the religious upheaval of his age. Later on, Pieter Bruegel’s works influenced later artists to paint scenes of daily life rather than religious or classical themes. During the northern Renaissance van Eycks also invented oil paint. With oil paint, artists could produce strong colors and a hard surface that could survive for centuries; these painters were called Flemish painters.

See also


- List of Renaissance figures
- Humanism
- Renaissance architecture
- Protestant Reformation
- Scientific Revolution

References


- Burckhardt, Jacob (1878), The Civilization of the Renaissance in Italy, trans S.G.C Middlemore (republished in 1990 under ISBN 014044534X)
- Ergang, Robert (1967), The Renaissance(ISBN 0442023197)
- Ferguson, Wallace K. (1962), Europe in Transition, 1300-1500 (ISBN 0049400088)
- Haskins, Charles Homer (1972), The Renaissance of the Twelfth Century (ISBN 0674760751)
- Huizinga, Johan (1924), The Waning of the Middle Ages (republished in 1990 under ISBN 0140137025)
- Jensen, De Lamar (1992), Renaissance Europe (ISBN 0395889472)
- Lopez, Robert S. (1952), Hard Times and Investment in Culture
- Thorndike, Lynn (1943) Renaissance or Prenaissance?

Further reading


- Harold Bayley, [http://fax.libs.uga.edu/CB361xB3/ A New Light on the Renaissance], 1909. (searchable facsimile at the University of Georgia Libraries; DjVu & [http://fax.libs.uga.edu/CB361xB3/1f/new_light_on_renaissance.pdf layered PDF] format)
- Jakob Burckhardt, [http://www.worldwideschool.org/library/books/hst/european/TheCivilizationoftheRenaissanceinItaly/toc.html The Civilization of the Renaissance in Italy]
- Nicolo Machiavelli, The Prince. numerous editions including ISBN 1-85326-306-0

External links


- [http://www.compart-multimedia.com/virtuale/us/florence/florence.htm Florence: Virtual travel in the city of Renaissance] (English/Italian)
- [http://http://www.yoyita.com/renaissance.htm Renaissance style contemporary Art] (English/ Italian/ Spanish/ French/ Chinese/ German) Category:Renaissance ko:르네상스 ja:ルネサンス th:ยุคฟื้นฟูศิลปวัฒนธรรม

Cluny

The town and commune of Cluny or Clugny lies in the modern-day département of Saône-et-Loire in the région of Bourgogne, in east-central France, ne