:: wikimiki.org ::
| Svøríki |
Svøríki
Søga
Høvuðsgrein: Svøríkis søga
Politikkur
Høvuðsgrein: Svenskur politikkur
Mentan
Høvuðsgrein: Svensk mentan
Landfrøði
Høvuðsgrein: Svensk landfrøði
Búskapur
Høvuðsgrein: Svenskur búskapur
Hygg eisini at
Útvortis ávísing
Bólkur:EvropaBólkur:Skandinavia!
als:Schweden
fiu-vro:Roodsi
[[got:
Bólkur:EvropaBólkur:Heimspartar
roa-rup:Category:Evropa
zh-min-nan:Category:Au-chiu
ko:분류:유럽
ms:Category:Eropah
ja:Category:ヨーロッパ
th:Category:ทวีปยุโรป
Bólkur:SkandinaviaBólkur:Norðurlond
Bólkur:SvøríkiBólkur:Skandinavia
Bólkur:Evropa
ja:Category:スウェーデン
ko:분류:스웨덴
Faenza MajolicaFaience or faïence is the conventional name in English for fine tin-glazed earthenware on a delicate pale buff body.
History of faience
Prehistory
The term "faience" has been extended to include finely-glazed ceramic beads found in the Indus Valley Civilization. This definition also applies to beads that were made in Predynastic Egypt, circa 4000 BC [http://www.digitalegypt.ucl.ac.uk/faience/predynastic.html].
Use of the term typically describes a type of earthenware that was produced in Italy after the fifteenth century and also Egypt as early as 3500 BC ([http://www.findarticles.com/p/articles/mi_m1026/is_n3_v154/ai_21146424]). Egyptian faience was not made of clay but rather of a ceramic composed primarily of quartz.
Medieval
The name is simply the French name for Faenza, in the Romagna near Ravenna, Italy, where a painted ware on a clean, opaque pure-white ground, called majolica, was produced for export as early as the fifteenth century. A kiln capable of producing high temperatures exceeding 1000° C was required to achieve this result (see pottery).
"Majolica" (pronounced and also spelled "maiolica") is a garbled version of "Maiorica", for the island of Majorca, which was a transshipping point for refined tin-glazed earthenwares shipped to Italy from the kingdom of Aragon in Spain at the close of the Middle Ages. This type of Spanish pottery owed much to its Moorish inheritance.
European faïence
The first northerners to imitate the tin-glazed earthenwares being imported from Italy were the Dutch. Delftware is a kind of faience, made at potteries round Delft in Holland, characteristically decorated in blue on white, in imitation of the blue-and-white porcelain that was imported from China in the early sixteenth century, but it quickly developed its own recognisably Dutch décor.
Dutch potters in northern (and Protestant) Germany established German centres of faience: the first manufactories in Germany were opened at Hanau (1661) and Heusenstamm (1662), soon moved to nearby Frankfurt-am-Main.
In France, centres of faience manufacturing developed from the early eighteenth century led in 1690 by Quimper in Brittany [http://www.faience-de-quimper.com/histquim_en.html], which today possesses an interesting museum devoted to faience, and followed by Rouen and Strasbourg,
The products of faience manufactories, rarely marked, are identified by the usual methods of ceramic connoisseurship: the character of the body, the character and palette of the glaze, and the style of decoration, faïence blanche being left in its undecorated fired white slip. Faïence parlante bears mottoes often on decorate labels or banners. Wares for apothecary use bear the names of their intended contents, generally in Latin and often so abbreviated to be unrecognizable to the untutored eye. Mottoes of fellowships and associations became popular in the 18th century, leading to the Faïence patriotique that was a specialty of the years of the French Revolution.
In the course of the later 18th century, cheap porcelain took over the market for refined faience, and fine stoneware in the early 19th century, fired so hot the unglazed body vitrifies, closed the last of the traditional makers' ateliers even for beer steins. At the low end of the market, local manufactories continued to supply regional markets with coarse and simple wares.
Faïence revival
In the 1870s, the Aesthetic movement, notably in Britain, rediscovered the robust charm of faience, and the large porcelain manufactories marketed revived faience, such as the "Majolica ware" of Minton and of Wedgwood.
Many centres of traditional manufacture are recognized, even some individual ateliers. A partial list follows.
England
- Faience fine (imported into France)
France
- Aprey faience
- Lyon faience
- Lunéville faience
- Marseille faience
- Moustiers faience
- Nevers faience
- Quimper faience
- Saint-Porchaire faience
Germany
- Abtsbessingen faience
- Nürnberg faience
- Öttingen–Schrattenhofen faience
- Schleswig faience
- Stockelsdorf faience
Italy
- Savona faience
- Turin faience
Scandinavia
- Rörstrand faience
- Strålsund faience
On-line bibliographic references
- Dunn Friedman, Florence. [http://www.magazineantiques.com/ Magazine Antiques]
- [http://www.findarticles.com/p/articles/mi_m1026/is_n3_v154/ai_21146424 Ancient Egyptian faience], [http://www.findarticles.com/p/articles/mi_m1026/is_n3_v154 September 1998].
- [http://www.beerstein.net/articles/s9606a.htm German faience beer steins]
Category:Pottery
Category:Egyptian artefact types
teksty programy finanse litera h Nieruchomoci d
|
|
|
| :: RELATED NEWS :: |
Portail:Espagne/Introduction
L'Espagne est une monarchie constitutionnelle située dans le sud-ouest de l'Europe. Pays au relief massif et tourmenté, occupant la majeure partie de la péninsule ibérique, bénéficiant de longues façades maritimes sur l'océan Atlantique avec le Portugal et la
|
Flux pulmonaire et non pulmonaire
En phonétique articulatoire, le flux d'air servant à émettre les sons de la parole peut être divisé en deux types, selon qu'il fait appel ou non aux poumons.
Le flux pulmonaire sert à l'articulation des voyelles. En français, ainsi que dans la grande majorité des langues occidentales, il en va de même des consonnes. Le flux pulmonaire est généralement égressif, c'e
|
Cantal (massif)
Le Cantal est un massif volcanique d'Auvergne. Son point culminant est à 1858 mètres, c'est le Plomb du Cantal. Comme l'ensemble du Massif Central, le Cantal est marqué par l'érosion.
Le Cantal est bordé de plateaux du type planèzes.
Ce massif a donné son nom au département du Cantal.
|
Modèle:Groupe de musique
|
|
Paul de Farcy
de Farcy
Paul de Farcy, (1841, Château-Gontier, 30 octobre 1918, Angers)
Il appartient à une vieille famille de la noblesse angevine. Son père, homme cultivé qui aimait les lettres et les arts et collectionnait les livres et les tableaux donna à son fils le goût de l'
MARCEL Gillis (1897-1972) est un artiste peintre, chansonnier, poete montois.
Marcel Gillis est une des personnalités les plus marquantes de la vie patoisante montoise. Il est véritablement le type du chansonnier. Rien, en ses œuvres, ne blese, si c'est parfois mordant; rien ne choque, si c'est parfois osé; rien n'est vulgaire, si cela semble le paraitre; tout est plaisant. Marcel Gillis rit de tout pour ne pas devois en pleurer; il rit surtout de lui-mêm
|
|