Hazel Forrest Bellamy

Hazel Patricia Bellamy (nee Forrest) was a fictional character on the 1970s TV drama series Upstairs Downstairs. The character lived from 1886 to 1918.

Story line

Hazel entered the storyline in 1912 as Richard Bellamy's typist. She became the love interest of Captain James Bellamy, despite his parent's objections. After James's mother, Lady Marjorie, died on the Titanic, Hazel was a comfort to the grieving Bellamys. In the Fall of 1912, James proposed to Hazel and she accepted. The two wed at Southwold and then moved into Eaton Place with Richard, who was still grieving his wife's death. Hazel took Lady Marjorie's place as mistress of the house and James became the master of the house. She suffered a miscarriage in 1914. After that her and James's marriage began to fall into ruin. Before she married James, she had married a postal clerk from Newcastle, named Patrick O'Shell who later turned violent, and she divorced him. She then returned to using her maiden name Forrest, and lived with her parents in Wimbledon. In 1914, the Great War began and James was drafted to the armed forces. While he was away, Hazel took complete control of the household. In 1916 she had an affair with wounded flyingace Jack Dyson. Dyson returned to the war and was killed at the Battle of the Somme in 1916. Upon her father-in-law's enoblement as Viscount Bellamy of Haversham in 1917, she became The Honourable Mrs. James Bellamy. In October 1917, James was reported missing in action was presumed killed. Hazel lost hope, but Richard kept her spirits up. After ten days James turned up in a hospital in France, alive but seriously wounded. He was brought home to recover. In November of 1918, Hazel fell ill with a deadly string of influenza which had become an pandemic. She died on November 8 1918 peacefully in her sleep. The day she was buried, November 11th, was the day the War ended. James got over her death and had a few affairs during the 20's. He became rich in 1928 but lost his wealth in the Crash of 29. Upset and feeling little future for himself he shot himself in a hotel and died. He was buried next to Hazel.

1970s

The 1970s in its most obvious sense refers to the decade between 1970 and 1979. The decade is remembered by many as the 1960s rapidly running out of steam, and the gloom of recession replacing the optimism of the 1960s Flower Power era. The United States, which had become an influential global power, experienced much of the transition. While the sixties saw social activism, society became more self-absorbed in the seventies. Analyst and writer Tom Wolfe epitomized this feeling in 1976, calling the seventies the "Me Decade." Music became at once more introspective with the singer-songwriter movement and more carefree with the rise of disco music. As the decade continued on, the American world view became apprehensive, with continuing inner-city poverty and rising urban crime rates, the Watergate hearings broadcast on television, and the Vietnam War still fresh in the national memory. Network, arguably one of the decade's most representative films, dealt with narcissism and paranoia as violence escalated in the Middle East and America was crippled by the Oil Shock of 1973. As the economy slipped, the use of recreational drugs increased and many began to fear purported cults such as the Children of God. By the end of the decade the feminist movement had helped improve women's working conditions and environmentalism had become a major cause in the United States and Europe. While the United States experienced recession, the economy of Japan rose to claim the top spot on the world stage. The economies of many third world countries continued to bloom in the early 1970s through the green revolution. They might have thrived and become stable in the way that Europe recovered after the war through the Marshall Plan; however, the economic growth was stunted by the oil crisis. In 1973, foreign peacekeepers fled Vietnam, and the war that had lasted for nearly a decade ended with the Paris Peace Accords and communism continuing to spread. In neighboring Cambodia, several million citizens were executed by communist leader Pol Pot. Meanwhile, black South Africans still remained under apartheid following the death of activist Steve Biko.

Worldwide trends in the Seventies

The ethos of the 1970s emerged from a transition of the global social structure. It reflected the transition from the decline of colonial imperialism since the end of World War II to globalization and the rise of a new middle class in the developing world. Globally, the 1970s had several features that were similar and definitive across economic levels and regions. These aspects and essence that make up global essence of the 1970s are the defining points of the 1970s: the Bretton Woods system and its subsequent failure, the impact of the contraceptive pill on social-interactional dynamics, and the oil shock of 1973. The developing nations experienced economic growth that came in the wake of political independence. However, several African economies declined and political states became dictatorial regimes. Many Middle Eastern democracies crumbled into chaotic regimes with pseudo democratic governments. The 1970s ethos in much of the developing world was characterized by:
- the incessant need to redefine social norms to newer socioeconomic systems,
- the sheer pace at which they need to adapt to new social influences along with the need to integrate it to their native cultural context, and
- the constant aspiration for a more egalitarian society in cultures that were long colonised and have an even longer history of hierarchical social structure. The green revolution of the late 1960s brought about self sufficiency in many developing economies. At the same time an increasing number of people began to seek urban prosperity over agrarian life. This consequently saw the duality of transition of diverse interaction across social communities amid increasing information blockade across social class. Other common global ethos of the seventies world include: increasingly flexible and varied gender roles for women. Women could now enter the work force and not just be housewives. However the gender role of men remained as that of a bread-winner. The period also saw unprecedented socioeconomic impact of an ever-increasing number of women entering the non-agrarian economic workforce, and the sweeping cultural-religious impact of the Iranian revolution toward the end of the 1970s. The global experience of the cultural transition of the 1970s and an experience of a global zeitgeist revealed the interdependence of economies since World War II, and showed the huge impact of American economic policies on the world.

Economy of the Seventies

The developed economies of the world, the 1970s adversely distinguished itself from the prosperous postwar period between 1945 and 1969. Then, the world economy was buoyed by the Marshall Plan and the robust American economy. However, the high standing enjoyed by the American economy gradually became discomposed by loose domestic and war spending, particularly the Vietnam war. The oil shock of 1973 added to the existing ailments and conjured high inflation throughout much of the world for the rest of the decade. World leaders, such as James Callaghan of the United Kingdom, and Jimmy Carter of the United States, could not control it, causing their support to dwindle. Although there was no economic depression, the period is known for "stagflation", in which inflation and unemployment steadily increased, therefore leading to lower economic growth rates than previous decades. In Eastern Europe, Soviet-style command economies began showing signs of stagnation, in which successes were persistently dogged by setbacks. The oil shock increased East European, particularly Soviet, exports, but agriculture became a growing annoyance to such economies.

Oil crisis

Jimmy Carter, were common throughout the Western world. Also common were long lines to receive rationed petrol products.]] Economically, the seventies were marked by the energy crisis which peaked in 1973 and 1979 (see 1973 oil crisis and 1979 oil crisis). After the first oil shock in 1973, gasoline was rationed in many countries. Europe particularly depended on the Middle East for oil; the US was also affected even though it had its own oil reserves. Many European countries introduced car-free days. In the US, customers with a license plate ending in an odd number were only allowed to buy gasoline on odd-numbered days, while even-numbered plate-holders could only purchase gasoline on even-numbered days. The experience that oil reserves were not endless and technological development was not sustainable without harming the environment ended the age of modernism. As a result, ecological awareness rose.

Social movements

Environmentalism

The seventies touched off a mainstream affirmation of the environmental issues early activists from the '60s, such as Rachel Carson, warned about. The moon landing that had occurred at the end of the previous decade transmitted back concrete images of the earth as an integrated, life-supporting system and shaped a public willingness to preserve nature. On April 22, 1970, the United States celebrated its first Earth Day in which over two thousand colleges and universities and roughly ten thousand primary and secondary schools participated. Over the course of the decade, in the US a series of environmentally friendly legislation would be passed. Notable actions included the establishment of the Environmental Protection Agency in 1970, the passage of Clean Water Act in 1972, and the enactment of the Endangered Species Act the next year. The takeoff of environmental thought rose parallel to the increased usage of nuclear power over fossil fuels. However, with the increasing expenses of nuclear power the opposition likewise grew. [http://www.globalpublicmedia.com/articles/180] Opposition to nuclear power became widespread in reaction to the partial meltdown of the Three Mile Island nuclear plant on March 28, 1979.

Feminism

Feminism in the United States got its start in the 1960s, but began to take flight starting in 1970, with the fiftieth anniversary of the passage of the Nineteenth Amendment to the United States Constitution (which legalized female suffrage). With the anthology Sisterhood is Powerful and other works being published at the start of the decade, feminism started to reach a larger audience.

Gay rights

The Stonewall riots, which occurred in New York City in June 1969, are generally considered to have ignited the modern gay rights movement, especially in North America (the U.K. had already decriminalised homosexuality in 1967). In the 1970s, in western countries and especially so in major urban centers, gay and lesbian people came out of the closet as never before (even as many others remained closeted) and a vocal and visible gay-rights movement coalesced in an unprecedented way. Considering the profound stigma attached to homosexuality at the dawn of the 1970s, the movement, although still nascent, saw tremendous gains over the course of the decade. The American Psychiatric Association removed homosexuality from its list of psychiatric disorders in 1973. Gay-rights ordinances were passed by several cities (beginning with Ann Arbor, Michigan in 1972), and, for the first time, a few openly gay people were elected to political office in the United States. In 1977 Harvey Milk, a politically active gay man in the emerging gay neighborhood The Castro, was elected to the Board of Supervisors in San Francisco. Milk and liberal San Francisco mayor George Moscone were assassinated the following year; in 1979 their assassin, Dan White, received a sentence of voluntary manslaughter. The anger the gay community felt about the murders and about White's light sentence further galvanized the movement. The increasing visibility of gay people also generated a backlash during the seventies. In perhaps the most discussed anti-gay rights campaign of the decade, singer Anita Bryant led a successful drive in 1977 to repeal a gay-rights ordinance in Dade County, Florida. The new openness about homosexuality proved disconcerting to some heterosexuals who had been accustomed to gay and lesbian people remaining closeted and politically silent. "The love that dare not speak its name," Canadian author Robertson Davies wrote during the decade, referencing the famous Lord Alfred Douglas quote, "has become the love that won't shut up." On October 14, 1979, approximately 100,000 people marched in Washington, D.C., in the largest pro-gay rights demonstration up to that time.

Culture during the Seventies

Emerging social perspectives in the Seventies

In the wake of the 1960s many of the social dimenisions and perspectives towards issues were increasingly seen in liberal perspectives. Universities became more friendly and less authoritative towards students. This was reflected in the corporate culture of the 1970s, where the hierarchy between supervisor and subordinates became increasingly flat. This had influence in social interaction and family relationship as well. The nuclear family rose to prominence in the third world and the role of women in nuclear families took radical shift from those of earlier generations. With the rise of nuclear family and liberal attitudes towards social structure came new perspectives to child rearing and education. The 70s saw a decline in attendance to boarding schools and a rise of local day schools. The role of the nuclear family and the parent was increasingly noticed and given new impetus. Social norms and laws were increasingly framed in favour of women.

The Seventies in music

The seventies were a time when a new generation of young people were exposed to new media and hence newer ideas in almost every field. Elvis was probably the biggest entertainer in the world in the 70´s and in 1973 he held the historic Hawaain concert which was televised worldwide to almost 1.5 billion people from over 40 countries. TV and motion picture brought to varied audiences images, lifestyles and music from diverse regions and peoples. This led to the emergence of a new vocabulary and experimentation in music. After the war the second generation of German musicians began experimenting with music, these included experimental classical music and the tradition of Krautrock or Kraut music, rooted in the experimental classical music. This later influenced both art rock and progressive rock. The main exponents of this genre include Genesis, Yes, Emerson, Lake & Palmer and space rock giants Pink Floyd. The experimental nature of progressive rock is exemplified in songs such as Pink Floyd's Echoes. The seventies is also when many legendary rock bands started, or hit their peak, including The Rolling Stones, Led Zeppelin, Aerosmith, AC/DC,Queen (Band),Black Sabbath]], KISS, The Who, and Van Halen. Another experimentation in European classical music was brought about by composer Philip Glass and Michael Nyman, with what was to be called Minimalist music. This was a break from the intellectual serial music of the tradition of Schoenberg which lasted from the early 1900s to 1960s. Minimalist music sought to appreciate simple music with systematic patterns repeated in complex variations. These experimentations were also used in several movies made in the early 1970s. In world music the musical collaboration of violinists Yehudi Menuhin and L. Subramaniam was appreciated by a large audience. The commercial cinemas around the world tended to imitate nuances of disco beats in their movies to present their movies as western and upbeat. These included the increasingly popular Kung-fu movies in far East Asia and Bollywood movies from India. One of the most successful European groups of the decade was the quartet ABBA. The Swedish group, who are still the most successful group from their country, first found fame when they won the 1974 Eurovision Song Contest. They became one of the most widely known European groups ever, and were the decade's biggest sellers. "Waterloo" and "Dancing Queen" are two of ABBA's most popular songs. To many people, the Seventies will be most remembered for the rise in disco music. First creeping into dance clubs in the mid-seventies (with such hits as "The Hustle" by Van McCoy), songstresses like Donna Summer, Gloria Gaynor, Dalida and Anita Ward popularized the genre and were described in subsequent decades as the "disco divas." The Village People scored a Top Ten hit with "Y.M.C.A." and the Bee Gees had a string of #1s following their collaboration on the Saturday Night Fever soundtrack. As quickly as disco's popularity came, however, it fell out of favor with the new decade, and effectively died in 1981, with the popularity of New Wave bands such as Blondie and Devo, who both formed their respective bands in the seventies. Many of the aforementioned singers who became popular during the disco era found themselves out of tune with the 1980s, and were out of work for many years, until a renewed interest in disco brought many of them back to the forefront. Many songs from the disco era are still very popular dance hits and receive continuous airplay in nightclubs throughout the world. The mid-seventies saw the rise of punk music from its protopunk/garage band roots in the 1960s and early 1970s. The Ramones, the Sex Pistols, and The Clash were some of the earliest acts to make it big in both the United Kingdom and the United States. Groups like the Clash were noted for the experimentation of style, especially that of having strong reggae influences in their music. Punk music has also been heavily associated with a certain punk fashion and absurdist humor which exemplified a genuine suspicion of mainstream culture and values.

The Seventies in cinema

World cinema

In cinema all over the world, the seventies brought about vigour in adventurous and realistic complex narratives with rich cinematography and elaborate scores. The cultural interaction between aided with TV and visual media and the rise in motion picture technology ushered in a new period of motion picture making. In European cinema, the failure of the Prague Spring brought about nostalgic motion pictures reminiscent of the ones that celebrate the 1970s itself. These movies expressed a yearning and as a premonition to the decade and its dreams. The Hungarian director István Szabó made the motion picture Szerelmesfilm (1970), which is a nostalgic portrayal and a premonition of the fading of the young 1970s ethos of change and a friendlier social structure. The Italian director Bernardo Bertolucci made the motion picture The Conformist (1970). German movies after the war aksed existential questions especially the works of Rainer Fassbinder. The movies of the Swedish director Ingmar Bergman reached a new level of expression in motion pictures like Cries and Whispers (1973). Young German directors made movies that came to be called as the German new wave. It was the voice of a new generation that had grown up after the second world war. These included directors like Wim Wenders, Hans-Jürgen Syberberg and Werner Herzog. Wim wenders made movies that explored psychological states of humans in situations intimate and significant to the characters. He made Die Angst des Tormanns beim Elfmeter (The Goalkeeper's Fear of the Penalty Kick) in 1972. It was based on a novella by Peter Handke. He further explored this realm in the motion picture Alice in den Städten (Alice in the Cities), 1974. Hans-Jürgen Syberberg created a sensation in 1977 with the motion picture Hitler: ein Film aus Deutschland (Hitler a film from Germany). It was a seven hour movie which attempted to investigate hitler under the shadows of wagner art and Nazi nationalism. This was followed by the expressionist movie Woyzeck (1979) by Werner Herzog. Asian cinema of the 1970s catered to the rising middle class fantasies and struggles. In the Bollywood cinema of India this was epitomised by the movies of Bollywood superhero Amitabh Bachchan. These movies portrayed adventurous plots with car chase trying to imitate hollywood movies like The French Connection, presented music with Disco beats and also presented the young middle class man as an "angry young man". The women on the other hand were shown as ones who have adopted western values and outfits especially by heroines like Parveen Babi (who was featured on the cover of TIME for a story on Bollywood's success) and Zeenat Aman. However towards the very end of the 1970s, especially after the steep rise in land prices in urban areas and the decline in employment security, the heroines were seen more often as saree-women striving to have a prosperous middle class family especially heroines like Jayaprada and Hema Malini. In this way the cinema of asian region becomes a sociological statement of the social-economic times of the region and its people. Other movie industry of the region produced fine masterpieces like in Malayalam cinema. Adoor Gopalakrishnan made Swayamvaram in 1972, which got wide critical acclaim. This was followed by the movie Nirmalyam by M.T. Vasudevan Nair in 1973.
Hollywood
The decade opened with Hollywood facing a financial slump, reflecting the monetary woes of the nation as a whole during the first half of the decade. Despite this, the seventies proved to be a benchmark decade in the development of cinema, both as an art form and a business. With young filmmakers taking greater risks and restrictions regarding language and sexuality lifting, Hollywood produced some its most critically acclaimed and financially successful films since its supposed "golden era." Hollywood for his role in the 1972 hit The Godfather. He boycotted the ceremony and sent Native American Sacheen Littlefeather to reject the award on his behalf. Also pictured are Roger Moore and Liv Ullmann.]] In the years previous to 1970, Hollywood had began to cater to the younger generation with films such as The Graduate and Topless Nurses. This proved a folly when anti-war films like R.P.M. and The Strawberry Statement became major box-office flops. Even solid films with bankable stars, like the Pearl Harbor epic Tora! Tora! Tora!, flopped, leaving studios in dire straights financially. Unable to repay financiers, studios began selling off land, furniture, clothing, and sets acquired over years of production. Nostalgic fans bid on merchandise and collectables ranging from Judy Garland's sparkling red shoes to MGM's own back lots. More of the successful films were those based in the harsh truths of war, rather than the excesses of the '60s. Films like Patton, about the World War II general, and M
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- H, about a Korean War field hospital, were major box-office draws in 1970. Honest, old-fashioned films like Five Easy Pieces, Summer of '42, and the Erich Segal adaptation, Love Story, were commercial and critical hits. (Love Story and "Summer" remain, as of 2005, two of the most successful films in Hollywood history. "Summer," costing $1,000,000 USD, brought in $25,000,000 at the box office, while "Love Story," with a budget of $2,200,000, earned $106,400,000). One of the most insightful films of the decade came from the mind of a Hollywood outsider, Czechoslovakian director Milos Forman, whose Taking Off became a bold reflection of life at the beginning of the seventies. The 1971 satirized the American middle class, following a young girl who runs away from home, leaving her parents free to explore life for the first time in years. While the film was never given a wide release in America, it became a major critical achievement both in America and around the world (garnering the film high honors at the Cannes Film Festival and several BAFTA Award nominations). An adaptation of an Arthur Hailey novel would prove to be one of the most notable films of 1970, and would set the stage for a major trend in seventies cinema. The film, Airport, featured a complex plot, characters, and an all-star cast of Hollywood A-listers and legends. Airport followed an airport manager trying to keep a fictional Chicago airport operational during a blizzard, as well as a bomb plot to blow up an airplane. The film was a major critical and financial success, helping pull Universal Studios into the black for the year. The film earned senior actress Helen Hayes an Oscar for Best Supporting Actress and garnered many other nominations in both technical and talent categories. The success of the film launched a slew of disaster-related films, many of which following the same blueprint of major stars, a melodramatic script, and great suspense. disaster Three Airport sequels followed in 1974, 1977, and 1979, each successor making less money than the last. 1972 brought The Poseidon Adventure, which starred a young Gene Hackman leading an all-star cast to safety in a capsized luxury liner. The film earned an Academy Award for visual effects (and Best Original Song for "The Morning After," as well as numerous nominations, including one for its notable supporting star, Shelley Winters. The Towering Inferno teamed Steve McQueen and Paul Newman against a fire in a New York skyscraper. The film cost a whopping $14 million to produce (expensive for its time), and won Academy Awards for Cinematography, Film Editing, and Best Original Song. The same year, the epic Earthquake featured questionable effects (camera shake and models) to achieve a destructive 9.9 earthquake in Los Angeles. Despite this, the film was one of the most successful of its time, earning $80 million at box office. By the late seventies, the novelty had worn off and the disasters had become less exciting. 1977 brought a terrorist targeting a Rollercoaster, a 1978 Swarm of bees, and a less-than-threatening Meteor in 1979. 1971 brought a rebirth of the action film, three years after the influential Bullitt. The French Connection, starring Gene Hackman, brought suspense to new heights with an adrenaline-broiling car chase through the streets of New York City, while Get Carter featured gratuitous nudity and A Clockwork Orange featured much blood and gore to complement its complex story. African American filmmakers also found success in the seventies with such hits as Shaft and Sweet Sweetback's Baadasssss Song, and more questionable films, such as Blacula and Blackenstein. Like other sequels in the seventies, Shaft went on to have two more adventures, each less successful than the last. An adaptation of a Mario Puzo novel, The Godfather, became one of the best-loved and most respected works of cinema upon its release in 1972. The three-hour epic followed a Mafia boss, played by Marlon Brando, through his life of crime. Beyond the violence and drama were themes of love, pride, and greed. The Godfather went on to earn $134 million at American box office, and $245 million throughout the world. It won Academy Awards for Best Picture, Best Actor, and Best Screenplay. Its director Francis Ford Coppola was passed over in favor of Bob Fosse and his musical, Cabaret, which also earned an Oscar for its star, Liza Minnelli. The Godfather: Part II followed in 1974, with roughly the same principal cast and crew, earning Oscars for star Robert De Niro, its director, composer, screenwriters and art directors. The film also earned the Best Picture Oscar for that year. The replacement of Sean Connery, first with George Lazenby and then with Roger Moore, in the James Bond series created a minor bump for the '60s hit in the seventies. While 1973's Live and Let Die was a moderate success, the following films in the series didn't live up to expectations. The highest grossing of the seventies Bond films, 1979's Moonraker, is viewed by many as the weakest of the franchise. Other massively successful films would soon take Bond's place in the seventies. It was at this time that the blockbuster was born. While the 1973 horror classic The Exorcist was among the top five grossing films of the seventies, the first film given the blockbuster distinction was 1975's Jaws. Released on June 20th, the film about a series of horrific deaths related to a massive great white shark was director Steven Spielberg's first big-budget Hollywood production, coming in at a cool $9 million in cost. The film slowly grew in ticket sales and became one of the most profitable films of its time, ending with a $260 million dollar gross in the United States alone. The film won Academy Awards for its skillful editing, chilling score, and sound recording. It was also nominated for Best Picture that year, though it lost to Milos Forman's One Flew Over the Cuckoo's Nest (which also won acting awards for Jack Nicholson and Louise Fletcher). Louise Fletcher The massive success of Jaws was eclipsed just two years later by another legendary blockbuster and film franchise. The George Lucas science-fiction epic, Star Wars Episode IV: A New Hope, hit theater screens in May of 1977, and became a major hit, growing in ticket sales throughout the summer, and the rest of the year. In time earning some $460 million, the good versus evil fantasy set in space was not soon surpassed. The film's breathtaking visual effects won an Academy Award. The film also won for John Williams's uplifting score, as well as art direction, costume design, film editing, and sound. A New Hope effectively removed any specter of studio bankruptcy that had haunted the studios since early in the decade. When a television film, The Star Wars Holiday Special, was released as a spin-off from A New Hope in 1978, it failed to receive the status of the original film, and was deemed a flop. It would be two years until the Star Wars series would be revived with The Empire Strikes Back. Another success in visual effects came the same year as A New Hope, with Spielberg's Close Encounters of the Third Kind, another blockbuster and alien contact set in the wilderness. For the picture, Spielberg received his first Oscar nomination for direction. Throughout the seventies, the horror film developed into a lucrative genre of film. It began in 1973 with the terrifying The Exorcist, directed by William Friedkin and starring the young Linda Blair. The film saw massive success, and the first of several sequels was released in 1977. 1976 brought the equally creepy suspense thriller, Marathon Man, about a man who becomes the target of a former Nazi dentist's torment after his brother dies. The same year, the Devil himself made an appearance in The Omen, about the spawn of Satan. 1978's Halloween was a precursor to the "slasher" films of the eighties and nineties with its psychopathic Michael Myers. Cult horror films were also popular in the seventies, such as Wes Craven's early gore films Last House on the Left and The Hills Have Eyes, as well as Tobe Hooper's The Texas Chainsaw Massacre. In the mid-seventies movies began to reflect the disenfranchisement brought by the excesses of the past twenty years. A deeply unsettling look at alienation and city life, Taxi Driver earned international praise, first at the Cannes Film Festival and then at the Academy Awards, where it was nominated for Best Leading Actor (Robert De Niro), Best Supporting Actress (Jodie Foster), Best Score (Bernard Herrmann), and Best Picture. All the President's Men dealt with the impeachment of Richard Nixon, while Network portrayed greed and narcissism in both American society and television media. The film won Oscars for Best Actor (Peter Finch), Best Actress (Faye Dunaway), Best Supporting Actres (Beatrice Straight), and Best Screenplay (Paddy Chayefsky). Thanks to a stellar cast, experienced director, and a poignant story, Network became one of the largest critical successes of 1976. Another film, Rocky, about an average man turned boxer (played by Sylvester Stallone) won the Best Picture Academy Award that year. The film also became a major commercial success and spawned four sequels through the rest of the seventies and eighties. 1978 brought the successful sequel, Jaws 2, which featured the same cast, but without Steven Spielberg. Another tailor-made blockbuster, Dino de Laurentiis' King Kong was released, but to less than stellar success. King Kong did mark the first time a film was booked to theaters before a release date, a common practice today. King Kong, introduced the "disco lifestyle" to the world.]] The success of Woody Allen's Annie Hall in 1977 stirred a new trend in moviemaking. Annie Hall, a love story about a depressed comedian and a free-spirited woman, was followed with more sentimental films, including Neil Simon's The Goodbye Girl, An Unmarried Woman staring Jill Clayburgh,the autobiographical Lillian Hellman story, Julia, starring Jane Fonda and Vanessa Redgrave, and 1978's Heaven Can Wait and International Velvet. Younger audiences were also beginning to be the focus of cinema, after the huge blockbusters that had attracted them back to the theater. John Travolta became popular in the pop-culture landmark films, Saturday Night Fever, which introduced Disco to middle America, and Grease, which recalled the world of the 1950s. Comedy was also given new life in the irreverent Animal House, set on a college campus during the 1960s. Up in Smoke, starring Cheech and Chong, was another irreverent comedy about marijuana use became popular among teenagers. The new television comedy program, "Saturday Night Live," launched the careers of several of its comedians, such as Chevy Chase, who starred in the 1978 hit Foul Play with rising star Goldie Hawn. Blockbusters like Superman, starring former Love of Life actor Christopher Reeve, were also still popular. The decade closed with two films chronicling the Vietnam War, Michael Cimino's The Deer Hunter and Francis Ford Coppola's Apocalypse Now. Both films focused on the horrors of war and the psychological damaged caused by such horrors. Christopher Walken and director Michael Cimino earned Oscars for their work on the film, which earned a Best Picture Academy Award. Robert De Niro and Meryl Streep were also nominated for their work in The Deer Hunter. Apocalypse Now won for cinematography and sound, and earned nominations for Robert Duvall and Coppola. 1979 saw the poignant Kramer vs. Kramer, the inspiring Norma Rae, and the nuclear thriller, The China Syndrome. Meanwhile, The Onion Field and And Justice for All focused on the failures of the American judicial system. The year ended with Hal Ashby's subtle black comedy Being There and The Muppet Movie, a family film based on the Jim Henson puppet characters.
The Seventies in television

In the United States
Jim Henson At the start of the decade, long-standing trends in American television were finally reaching the end of the road. The Red Skelton Show and The Ed Sullivan Show, long-revered American institutions, were finally canceled after multi-decade spans. The "family sitcom," popularized by the travails of Ozzie and Harriet Nelson in the fifties and sixties, saw its last breath at the start of the new decade with The Brady Bunch, which ran for five seasons. Although the show was never highly rated during its original run, it has been broadcast in syndication continuously since 1974, and many children have grown up with it, causing them to think of the Bradys as the quintessential family—not only in 1970s television, but quite possibly all of American television. In the United States, television in the seventies was transformed by what became termed as "social consciousness" programming, spearheaded by television producer Norman Lear. All in the Family, his adaptation of the British television series Til Death Us Do Part, broke down television barriers. When the series premiered in 1971, Americans heard the words "fag," "nigger," and "spic" on national television programming for the first time. All in the Family was the talk of countless dinner tables throughout the country; Americans hadn't seen anything like it on television before. The show became the highest-rated program on US television schedules in the fall of 1971 and stayed in the top slot until 1976—to date, only one other series has tied All in the Family for such a long stretch at the top of the ratings. All in the Family spawned numerous spin-offs, such as Maude, starring Bea Arthur. Maude was Edith Bunker's cousin and Archie's arch-enemy. She stood for everything liberal and was an outspoken advocate of civil rights and feminism. Maude felt most comfortable, however, hiring a black woman as her housekeeper. Maude's housekeeper, Florida Evans (played by Esther Rolle), became popular in her own right and was given her own television series in 1974, Good Times, which proved to be another hit for Lear's production company. Lear developed two shows in 1975: The Jeffersons, a spinoff of All in the Family in which Archie Bunker's black next-door neighbors moved to a luxury apartment on the Upper East Side of Manhattan, and One Day at a Time, about a single mother raising her two teenage daughters in Indianapolis. Indianapolis With the rise in socially responsible programming, the television western, a very popular genre in the 1960s, slowly died out. The first casualties were The High Chaparral and The Virginian, both NBC staples, in the spring of 1971. Bonanza suffered a blow when actor Dan Blocker died during surgery in 1972, and the show quietly ended its run the next year. CBS's Gunsmoke outlasted them all, and finally ended its run with a star-studded series finale in 1975. Bonanza actor Michael Landon helped popularize a television adaptation of the popular children's book series Little House on the Prairie. Debuting in 1974, the series ran for eight years. Little Houses competitor family drama was CBS's The Waltons, which revolved around family unity but during a different time and place—Virginia during the Great Depression. By the mid-to-late 1970s, viewers tired of socially responsible sitcoms. CBS had aired most of Lear's creations and had led the US television ratings since the mid-1950s; since then the network had received a reputation as being the "Tiffany Network," showcasing the best in television. Former CBS head of programming Fred Silverman defected to struggling ABC, which saw a glimmer of hope in the early 1970s with the #1 hit show Marcus Welby, M.D., but eventually retreated to its traditional third-place spot. Silverman was instrumental in starting a new movement in American television, centered around sexual gratification and bawdy humor and situations. Critics called the new era "jiggle television," exemplified by the crime-fighting television series Charlie's Angels, which starred up-and-coming sex symbols Farrah Fawcett, Jaclyn Smith, and Kate Jackson. Kate Jackson Silverman was responsible for green-lighting more risqué sitcoms such as Three's Company, modeled after the British series Man About the House, in which swinging single-man Jack Tripper pretended to be gay in order to live in an apartment with two single women. Mildly controversial at the time, the show quickly became a Top Ten hit in the ratings. ABC also aired Soap, a sitcom that parodied soap operas, and garnered controversy by writing in one of the first gay characters on U.S. television. Many stations refused to air the series (another storyline consisted of heroine Corinne Tate, played by Diana Canova, lusting after a priest who eventually left the priesthood to marry her). Silverman's legacy also included the "fantasy" genre, which started in 1977 with The Love Boat. The series involved popular movie and television stars in guest roles as passengers on a luxury cruise liner that sailed up and down the Pacific Coast. Silverman followed up in 1978 with Fantasy Island, starring Ricardo Montalban and Hervé Villechaize. Montalban and Villechaize were the owner and sidekick, respectively, of a luxury island resort where peoples' wishes came true. Hervé Villechaize Another popular medium in US television moving into the 1970s was the soap opera, which moved from being a genre watched exclusively by housewives to having a sizable audience of men (who largely watched The Edge of Night) and college students; the latter audience helped All My Children gain a devoted following, as it was on during many universities' traditional "lunch period." In a TIME article written about the g

Lady Marjorie Bellamy
Lady Marjorie Bellamy (May 6 or July 12 1884 - April 15 1912) was a fictional character on the ITV drama Upstairs Downstairs. Lady Marjorie was born on May 6 1864, or according to another episode July 12 at Southwold, the home of her wealthy parents, the Earl and Countess of Southwold. The Earl is a major influence in the Tory party. Despite parental objections she ended up married the younger son of a country minister, Richard Bellamy and they leased a grand Victorian townhouse from Lady Marjorie's father, 165 Eaton Place in London. They had two children, James Rupert (born 1882) and Elizabeth (born 1884). :For details of the premise and story lines, see the main entry at Upstairs, Downstairs. Lady Marjorie is portrayed as elegant and having the arrogance of women of her age and class but also as basically kind. She maintains social and class distinctions at all times and, unlike her upright husband, is less concerned about absolute moral values than appearances. In 1906, she had an affair with a much younger man, Captain Charles Hammond, a friend of her son's. He asked her run off with him but she refused. They kept in close contact until he was killed during a battle in India in 1909. Later a man returned with love letters she wrote to him and he told her husband Richard Bellamy but he never told her he knew about it. She was always having trouble with her two children. Elizabeth was a wild child and a Socialist. She married in 1908 a man who failed to cosumate their marriage and she had an affair with his publisher. Elizabeth became pregnant and delivered a daughter, Lucy. Her marriage was ended soon after. In 1908, James had an affair with the housemaid Sarah and she ended up expecting. James was sent to India. Sarah was shipped off to Southwold, but returned in May 1909 in labour while the King was dining upstairs. The baby boy was stillborn. On April 15, 1912 Lady Marjorie and her maid ,Maud Roberts, were passengers on the ill-fated voyage of the RMS Titanic. They were both presumed dead but Roberts had survived and later informed the family that she and Lady Marjorie reached a lifeboat after the ice collison but Lady Marjorie left the boat to help a lost child find her mother. She tried to follow Lady Marjorie but the boat was lowered before she could climb out. The next day Maud was resued along with the other survivors and was in a state of shock thus no one knew her idenity and she was listed as dead. Later when she came two in a New York hospital she returned to London. Bellamy, Marjorie

Southwold

Southwold is an ancient town in Suffolk, East Anglia, England, at the mouth of the River Blyth. Southwold was mentioned in the Domesday Book as an important fishing port, and it received a charter from Henry VII in 1489. Over the following centuries, however, a shingle bar built up across the harbour mouth, and ruined any chance of the town becoming a major port. In 1659, a fire devastated most of the town and damaged the Church of St Edmund, whose original structure dated from 12th century. The fire created a number of open spaces within the town which were never rebuilt, and today the various "greens" as they are known give the town a pleasant atmosphere. Southwold Pier was built in 1900, was practically destroyed by a gale in 1934, and had a major refurbishment in 2001. Whilst many English seaside piers are in decline, Southwold Pier is enjoying renewed popularity. The town also contains an unusual amber Museum, and the famous Adnams brewery. brewery Southwold Lighthouse was constructed in 1887 by Trinity House. It stands as a landmark in the centre of the town. It replaced three local lighthouses which were under serious threat from coastal erosion. It started to operate in 1890. It was electrified and de-manned in 1938. Trinity House organises visits to the lighthouse during the summer. In a square just beside the beach, descriptively named Gun Hill, the defensive cannon are still in their places, commemorating the battle of Sole Bay, fought in 1672 between English and French fleets on one side and the Dutch (under Michiel de Ruyter) on the other. The battle was bloody but indecisive, and many bodies were washed ashore. A museum collects mementoes of the event. A narrow-gauge railway ran from Southwold to Halesworth from 24 September 1879 to April 11 1929. There are plans to revive the Southwold Railway, partly on the original trackbed and partly on a new formation. Six eighteen-pounder guns standing on the cliff were captured from the Scots at Culloden and given to the town by the Duke of Cumberland. During World War II, these cannon meant Southwold gained the status of "fortified town". Despite the cannon being filled with concrete and unable to fire, Southwold became the target of many bombing raids by Germany. A further memento of maritime heritage is the 1912 Looe lugger named "Girl Sybil". Southwold harbour, which is on the mouth of the River Blyth, lies south of the town centre, and contains mainly fishing and small pleasure boats. Many huts sell freshly caught fish, and at the upstream end of the harbour the public house "The Harbour Inn" can be found. In summer, towards the mouth of the River Blyth, a rowing boat acts as a ferry across the river to the nearby town of Walberswick. Walberswick The beach is a combination of sand and shingle, and fluctuates between the two over the year. Long shore drift causes the large stones broken off the cliffs to the north to become pebbles along the beach. During the Summer less shingle is brought south along the coast by this effect and thus towards the Summer the beach becomes more sandy. The beach is looked down upon by two rows of brightly painted beach huts. On the first Friday of December, the annual switching-on of the Christmas lights takes place. Thousands of people come to the town to see Santa Claus switch the lights on from the Town Hall balcony.

External links

- [http://www.visit-southwold.co.uk/ Visit Southwold]
- [http://www.ukppg.org.uk/southwold-history.html A Short History of the Southwold Railway] Category:English seaside resorts Category:Towns in Suffolk

Wimbledon

Wimbledon may refer to:
- Wimbledon, London, a town in south-west London
- A constituency based around it, Wimbledon (UK Parliament constituency)
- Wimbledon station, a train station
- The Championships, Wimbledon, one of the four Grand Slam tennis tournaments
- Wimbledon (film), a movie based on the tennis championships
- Wimbledon F.C., a former football club now Milton Keynes Dons
- AFC Wimbledon, a semi-professional football club, set up by fans of the old Wimbledon club in protest to the relocation
- Wimbledon, North Dakota, a small town in the United States
- Wimbledon (SEGA) and Wimbledon 2 (SEGA), tennis video games
- Wimbledon Cup, long range shooting competition ja:ウィンブルドン th:วิมเบิลดัน

Great War

, and the use of new, devastating weapons - tanks, aircraft, machine guns, and poison gas.]] World War I, also known as the First World War, the Great War, the War of the Nations and the War to End All Wars, was a world conflict lasting from 1914 to 1919, with the fighting lasting until 1918. The label World War I or First World War did not come into general use until after the outbreak of World War II in 1939, and until then it was known as the Great War or the World War. The war was fought by the Allied Powers on one side, and the Central Powers on the other. No previous conflict had mobilized so many soldiers or involved so many in the field of battle. By its end, the war had become the second bloodiest conflict in recorded history (behind the Taiping Rebellion), though it was surpassed within a generation by World War II. World War I became infamous for trench warfare; this was especially true of the Western Front. The trenches went from the North Sea to the border of Switzerland in Europe. More than 9 million died on the war's battlefields, and nearly that many more on the home fronts because of food shortages, genocide, and ground combat. Among other notable events, the first large-scale bombing from the air was undertaken and some of the century's first large-scale civilian massacres took place, as one of the aspects of modern efficient, non-chivalrous warfare. In the First World War 5% of casualties were civilian. In the Second World War that was 50%. World War I proved to be the decisive break with the old world order, marking the final demise of absolutist monarchy in Europe. Four empires were shattered: the German, the Austro-Hungarian, the Ottoman, and the Russian. Their four dynasties, the Hohenzollerns, the Habsburgs, the Ottomans, and the Romanovs, who had roots of power back to the days of the Crusades, all fell during or after the war. The post-war failure to deal effectively with many of the causes and results of the War would lead to the rise of Fascism in Italy, Nazism in Germany and the outbreak of World War II within a generation. The War was the catalyst for the Bolshevik Russian Revolution, which would inspire later Communist revolutions in countries as diverse as China and Cuba, and would lay the basis for the Cold War standoff between the Soviet Union and the United States. In the east, the demise of the Ottoman Empire paved the way for a modern democratic successor state, Turkey. In Central Europe, new states such as Czechoslovakia and Yugoslavia were born and Poland was re-created. __TOC__

Causes

Poland of Franz Ferdinand. The murder was the igniting torch of World War I.]] :See also: Causes of World War I and Participants in World War I On June 28, 1914, Franz Ferdinand, Archduke of Austria and heir to the Austro-Hungarian throne, was assassinated in Sarajevo by Gavrilo Princip, a Bosnian Serb student. He was part of a group of fifteen assassins, acting with support from the Black Hand, a secret society founded by pan-Serbian nationalists, with links to the Serbian military. The assassination sparked little initial concern in Europe. The Archduke himself was not popular, least of all in the Austro-Hungarian Empire. While there were riots in Sarajevo following the Archduke's death, these were largely aimed at the Serbian minority. Though this assassination has been linked as the direct trigger for World War I, the war's real origins lie further back, in the complex web of alliances and counterbalances that developed between the various European powers after the defeat of France and formation of the German state under the leadership of Otto von Bismarck in 1871.

Reasons & Responsibilities

- See also: Causes of World War I There are many different hypotheses that try to explain who, or what, is to blame for the outbreak of the First World War. Early explanations, prominent in the 1920s and 1930s, stressed the official version of responsibility as described in the Treaty of Versailles and Treaty of Trianon, that Germany and its allies were solely responsible for the war. However, as time progressed, scholars began looking toward the rigidity of both German and Russian military planning, each of which stressed the importance of striking first and executing plans quickly. The fact that for many decades the British had been accustomed to colonial wars which were won relatively easily against much weaker adversaries certainly helped build enthusiasm for the Great war. In addition, the fact that no major political force opposed the war meant that those who did not agree with it had little organisational power to build opposition, though small protests continued throughout the war. Another cause of the war was the building of alliances and arms races. An example of the latter is the launch of HMS Dreadnought, a revolutionary battleship that rendered all previous ships obsolete as "pre-dreadnoughts", in 1906. This weakened Britain's power as a seafaring nation and sparked a major naval arms race in shipbuilding, particularly between Britain and Germany due to new imperialism. Overall, nations in the Triple Entente became fearful of the Triple Alliance and vice versa. The civilian leaders of the European powers also found themselves facing a wave of nationalist zeal that had been building across Europe for years. This left governments with ever fewer options and little room to manoeuvre as the last weeks of July 1914 slipped away. Frantic diplomatic efforts to mediate the Austrian-Serbian quarrel simply became irrelevant, as the automatic military escalations between Germany and Russia reinforced one another. Furthermore, the problem of communications in 1914 should not be underestimated; all nations still used telegraphy and ambassadors as the main form of communication, resulting in delays from hours to even days. There is probably no single concise or conclusive assessment of the exact cause of the First World War.

Outbreak of war

ambassadors are depicted in green, the Central Powers in red, and neutral countries in yellow.]] Austria–Hungary was created in the "Ausgleich of 1867" after Austria was defeated by Prussia. As agreed in 1867, the Habsburgs were the Emperors of the Austrian Empire. With the formation of the Dual Monarchy, Franz Josef became leader of a nation with sixteen ethnic groups and five major religions speaking no fewer than nine languages. In large measure because of the vast disparities that existed within the Empire, Austrians and Hungarians always viewed growing Slavic nationalism with deep suspicion and concern. Thus the Austro-Hungarian government grew worried with the near-doubling in size of neighbouring Serbia's territory as a result of the Balkan Wars of 1912–1913. Serbia, for its part, made no qualms about the fact that it viewed all of Southern Austria–Hungary as part of a future Great South Slavic Union. This view had also garnered considerable support in Russia. Many in the Austrian leadership, not least Habsburg Emperor Franz Joseph, and Conrad von Hötzendorf, worried that Serbian nationalist agitation in the southern provinces of the Empire would lead to further unrest among the Austro-Hungarian Empire's other disparate ethnic groups. The Austro-Hungarian government worried that a nationalist Russia would back Serbia to annex Slavic areas of Austria–Hungary. The feeling was that it was better to destroy Serbia before they were given the opportunity to launch a campaign. After the assassination of Franz Ferdinand by Gavrilo Princip and nearly a month of debate the government of Austria–Hungary sent a 10-point ultimatum to Serbia (July 23, 1914) — the so called July Ultimatum — to be unconditionally accepted within 48 hours. The ultimatum was the first of a series of diplomatic events known as the July Crisis which set off a chain reaction and a general war in Europe. The Serbian government agreed to all but one of the demands in the ultimatum, noting that participation in its judicial proceedings by a foreign power would violate its constitution. Austria–Hungary nonetheless broke off diplomatic relations (July 25) and declared war (July 28) through a telegram sent to the Serbian government. The Russian government, which had pledged in 1909 to uphold Serbian independence in return for Serbia's acceptance of the Bosnia annexation, mobilised its military reserves on 30 July following a breakdown in crucial telegram communications between Kaiser Wilhelm and Tsar Nicholas II (the famous "Willy and Nicky" correspondence), who was under pressure by his military staff to prepare for war. Germany demanded (31 July) that Russia stand down its forces, but the Russian government persisted, as demobilization would have made it impossible to re-activate its military schedule in the short term. Germany declared war against Russia on August 1 and, two days later, against the latter's ally France. The outbreak of the conflict is often attributed to the alliances established over the previous decades — Germany-Austria-Italy vs France-Russia; Britain and Serbia being aligned with the latter. In fact, none of the alliances were activated in the initial outbreak, though Russian general mobilization and Germany's declaration of war against France were motivated by fear of the opposing alliance being brought into play. Britain declared war against Germany on August 4. This was ostensibly provoked by Germany's invasion of Belgium on August 4 1914, whose independence Britain had guaranteed to uphold in the Treaty of London of 1839, and which stood astride the planned German route for invasion of Russia's ally France. Unofficially, it was already generally accepted in government that Britain could not remain neutral, since without the co-operation of France and Russia its colonies in Africa and India would be under threat, while German occupation of the French Atlantic ports would be an even larger threat to British trade as a whole.

The spread of war

;1914
- July 23: Austria-Hungary ultimatum to Serbia.
- July 28: Austria-Hungary declares war on Serbia.
- July 31: Russia begins mobilization.
- August 1: Germany declares war on Russia.
- August 2: German troops occupy Luxembourg.
- August 3: Germany declares war on France.
- August 4: Germany invades neutral Belgium; the United Kingdom declares war on Germany in response.
- August 6: Montenegro sides with its traditional ally, Serbia, and declares war on Austria-Hungary.
- August 10: Austria-Hungary declares war on Russia.
- August 12: The United Kingdom and France declare war on Austria-Hungary.
- August 23: Japan declares war on Germany.
- September: Unity Pact signed by France, Britain, and Russia.
- October 9: Belgium falls to German troops at the Siege of Antwerp.
- October 29: The Ottoman Empire enters the war on the side of Germany and Austria-Hungary.
- November 2: Russia declares war on the Ottoman sultanate.
- November 5: France and United Kingdom declare war on the Ottoman sultanate.
- December 25: Christmas Truce in the Trenches. ;1915
- April 25: Gallipoli campaign commences. Turks defeat Allies crushingly.
- April 26: Italy secretly signs the London Pact with the Triple Entente.
- May 23: Italy declares war on Austria-Hungary.
- October 14: Bulgaria declares war on Serbia and enters the war on the side of Germany and Austria-Hungary. ;1916
- March 9: Germany declares war on Portugal (see Portugal in the Great War).
- August 27: Romania declares war on Austria-Hungary.
- August 28: Italy declares war on Germany. ;1917
- January 16: Germany sends the Zimmermann Telegram to Mexico, proposing an alliance against the United States.
- April 6: The United States declares war on Germany.
- June 27: Greece enters the war on the side of the Entente.
- July 6: Arab Revolt troops under Lawrence Of Arabia capture Aqaba, a main sea port for the Ottoman Empire.
- August 14: The Republic of China declares war on Germany.
- October 26: Brazil declares war on Germany.
- November 7: The October Revolution takes place in Russia.
- December 7: United States declares war on Austria-Hungary. ;1918
- January 8: President Woodrow Wilson made his famous Fourteen Points address, introducing the idea of a League of Nations.
- 3 March: Russia and the Central Powers sign the Treaty of Brest-Litovsk, marking Russia's exit from World War I.
- October 30: Mudros/Turkish Armistice signed opening Turkish territory to Entente military operations.
- November 11: Armistice signed, end of World War I. ;1919
- 28 June: Treaty of Versailles, official end to World War I between the Entente and Germany. ;1920
- 4 June: Treaty of Trianon, partition of Austro-Hungarian Empire's Kingdom of Hungary. ;1923
- 24 July: Treaty of Lausanne, peace made with Turkey.
- 29 October: Turkey changes its government to republic.

Opening battles

republic Some of the very first actions of the war occurred far from Europe, in Africa and in the Pacific Ocean. On August 8 1914 a combined French and British Empire force invaded the German protectorate of Togoland. On August 10 German forces based in South-West Africa attacked South Africa. New Zealand occupied German Samoa (30 August 1914) and on September 11 the Australian Naval and Military Expeditionary Force landed on the island of Neu Pommern, which formed part of German New Guinea. Within a few months the Entente forces had accepted the surrender of or driven out German forces in the Pacific. Sporadic and fierce fighting continued in Africa for the remainder of the war. In Europe, Germany and Austria-Hungary suffered from miscommunication regarding each army's intentions. Germany had originally guaranteed to support Austria-Hungary's invasion of Serbia, but the interpretations of this idea differed. Austro-Hungarian leaders thought Germany would cover her northern flank against Russia, but Germany had planned for Austria-Hungary to focus the majority of its troops on Russia while Germany dealt with France on the Western Front. This confusion forced the Austro-Hungarian army to split its troop concentrations from the south in order to meet the Russians in the north. The Serb army, coming up from the south of the country, met the Austrian army at the Battle of Cer on 12 August 1914. The Serbians occupied defensive positions against the Austrians. The first attack came on August 16th, between parts of the 21st Austro–Hungarian division and parts of the Serbian Combined division. In harsh night-time fighting the battle ebbed and flowed, until Stepa Stepanovic rallied the Serbian line. Three days later the Austrians retreated across the Danube, having suffered 21,000 casualties as against 16,000 Serbian. This marked the first major Allied victory of the war. The Austrians had not achieved their main goal of eliminating Serbia, and it became increasingly likely that Germany would have to maintain forces on two fronts. Germany's plan (named the Schlieffen plan) to deal with the Franco-Russian alliance involved delivering a knock-out blow to the French and then turning to deal with the more slowly mobilized Russian army. Rather than invading eastern France directly, German planners deemed it prudent to attack France from the north. To do so, the German army had to march through Belgium. Germany demanded free passage from the Belgian government, promising to treat Belgium as Germany's firm ally if the Belgians agreed. When Belgium refused, Germany invaded and began marching through Belgium anyway, after first invading and securing Luxembourg. It soon encountered resistance before the forts of the Belgian city of Liège, although the army as a whole continued to make rapid progress into France. Britain sent an army to France (the British Expeditionary Force, or BEF), which advanced into Belgium. Initially the Germans had great successes in the Battle of the Frontiers (14–24 August 1914). However, the delays brought about by the resistance of the Belgian, French and British forces; the unexpectedly rapid mobilization of the Russians; and the overly-ambitious objectives upset the German plans. Russia attacked in East Prussia, diverting German forces intended for the Western Front. Germany defeated Russia in a series of battles collectively known as the Second Battle of Tannenberg (17 August – 2 September). This diversion exacerbated problems of insufficient speed of advance from railheads, not allowed for by the German General Staff, and allowed French and British forces to finally halt the German advance on Paris at the First Battle of the Marne (September 1914) as the Entente forced the Central Powers into fighting a war on two fronts. The German army had fought its way into a good defensive position inside France and had permanently incapacitated 230,000 more French and British troops than it had lost itself in the months of August and September. Yet staff incompetence and leadership timidity, as Ludendorff had needlessly transferred troops from the right to protect Sedan, cost Germany the chance for an early knockout.

Early stages: from romanticism to the trenches

Sedan, 1917]] The perception of war in 1914 was romanticized by many people, and its declaration was met with great enthusiasm by these people. The common view was that it would be a short war of manoeuvre with a few sharp actions (to "teach the enemy a lesson") and would end with a victorious entry into the enemy capital, then home for a victory parade or two and back to "normal" life. However, many people regarded the coming war with great pessimism and worry. Many military figures, such as Lord Kitchener and Erich Ludendorff, predicted the war would be a long one. Other political leaders, such as Bethmann Hollweg in Germany, were concerned by the potential social consequences of a war. International bond and financial markets entered severe crises in late July and early August reflecting worry about the financial consequences of war. The perceived excitement of war captured the imagination of many in the warring nations. Spurred on by propaganda and nationalist fervor, many eagerly joined the ranks in search of adventure. Few were prepared for what they actually encountered at the front. See also: Recruitment to the British Army during WW I

Trench warfare begins

:Main article: Western Front (World War I) Advances in military technology meant that defensive firepower out-weighed offensive capabilities, making the war particularly murderous, as tactics had failed to keep up. Barbed wire was a significant hindrance to massed infantry advances; artillery, now vastly more lethal than in the 1870s, coupled with machineguns, made crossing open ground a nightmarish prospect. General Staffs of European armies had uniformly ignored the lessons of the U.S. Civil War and were often indifferent to massive loss of life (General Haig's diaries are particularly striking in this respect). After their initial success on the Marne, Entente and German forces began a series of outflanking manoeuvres to try to force the other to retreat, in the so-called Race to the Sea. Britain and France soon found themselves facing entrenched German positions from Lorraine to Belgium's Flemish coast. Britain and France sought to take the offensive while Germany defended occupied territories. One consequence was that German trenches were much better constructed than those of their enemy: Anglo-French trenches were only intended to be 'temporary' before their forces broke through German defences. Some hoped to break the stalemate by utilizing science and technology. In April 1915, the Germans used mustard gas for the first time, opening a four mile wide hole in the Allied lines when French colonial troops retreated before it. This breach was closed by Canadian soldiers at Ypres, earning German respect. Neither side proved able to deliver a decisive blow for the next four years, though protracted German action at Verdun throughout 1916, and the Entente's failure at the Somme in the summer of 1916 brought the French army to the brink of collapse. Futile attempts at more frontal assaults, at terrible cost to the French poilu (infantry), led to mutinies which threatened the integrity of the front line after the Nivelle Offensive in spring of 1917. News of the Russian Revolution gave a new incentive to socialist sentiments. Red flags were hoisted and the Internationale was sung on several occasions. At the height of the mutiny, 30,000 to 40,000 French soldiers participated. Throughout 1915-17 the British Empire and France suffered many more casualties than Germany, but both sides lost millions of soldiers to injury and disease. Around 800,000 soldiers from the British Empire were on the Western Front at any one time, 1,000 battalions each occupying a sector of the line from Belgium to the Arne and operating a month-long four stage system, unless an offensive was underway. The front contained over 6,000 miles of trenches. Each battalion held its sector for around a week before moving back to support lines and then the reserve lines before a week out-of-line, often in the Poperinge or Amiens areas.

Southern theatres

Entry of the Ottoman Empire

The Ottoman Empire joined the Central Powers in October–November 1914, due to the secret Turko-German Alliance signed on August 2, 1914, threatening Russia's Caucasian territories and Britain's communications with India and the East via the Suez canal. British Empire action opened another front in the South with the Gallipoli (1915) and Mesopotamian campaigns, though initially the Turks were successful in repelling enemy incursion. In Mesopotamia, by contrast, after the disastrous Siege of Kut (1915–16), British Empire forces reorganized and captured Baghdad in March 1917. Further to the west in the Sinai and Palestine Campaign, initial British failures were overcome with Jerusalem being captured in December 1917 and the Egyptian Expeditionary Force under Edmund Allenby going on to break the Ottoman forces at the Battle of Megiddo (September 1918). Russian armies generally had the best of it in the Caucasus. Enver Pasha, supreme commander of the Turkish armed forces, was a very ambitious man, with a dream to conquer central Asia. He was not a practical soldier. He launched an offensive with 100,000 troops against the Russians in the Caucasus in December of 1914. Insisting on a frontal attack against Russian positions in the mountains in the heart of winter, Enver lost 86% of his force. A new Russian commander on the front in the fall of 1915, Grand Duke Nicholas, brought new vigour. A major offensive in 1916 drove the Turks out of much of present-day Armenia, and tragically provided a context for the deportation and genocide against the Armenian population in eastern Armenia. With control of part of the southern Black Sea coast, Nicholas pushed forward the construction of railway lines to bring up supplies. He was ready for an offensive in the spring of 1917. If it had gone ahead, there was a very good chance that Turkey would have been knocked out of the war in the summer of 1917. But, because of the Russian Revolution, Grand Duke Nicholas was recalled and the Russian armies soon fell apart.

Italian participation

:Main article: Italian Campaign (WWI) Italy had been allied to the German and Austro-Hungarian Empires since 1882, but had its own designs against Austrian territory in the Trentino, Istria and Dalmatia, and a secret 1902 understanding with France effectively nullifying its alliance commitments. Italy refused to join Germany and Austria-Hungary at the beginning of the war, because the alliance was defensive, while Austria declared war on Serbia. The Austrian government started negotiations to obtain Italian neutrality in exchange for French territories (Tunisia), but Italy joined the Entente by signing the London Pact in April and declaring war on Austria-Hungary in May 1915; it declared war against Germany fifteen months later. In general, the Italians enjoyed numerical superiority, but were poorly equipped; instead, the Austro-Hungarian defence took advantage of the elevation of their bases in the mostly mountainous terrain, which was anything but suitable for military offensives. For the most part the front remained unchanged during the war, while Austrian Kaiserschützen and Standschützen and Italian Alpini fought bitter close combat battles during summer and tried to survive during winter in the high mountains. Beginning in 1915, the Italians mounted 17 major offensives on the Isonzo front (the part of the border nearest Trieste), all repelled by the Austro-Hungarians, who had the higher ground. The Austro-Hungarians counter-attacked from the Altopiano of Asiago towards Verona and Padua in the spring of 1916 (Strafexpedition), but they also made little progress. In the summer, the Italians took back the initiative, capturing the town of Gorizia. After this minor victory, the front remained practically stable for over one year, despite several Italian offensives, again all on the Isonzo front. In the fall of 1917, thanks to the improving situation on the Eastern front, the Austrians received large reinforcements, including German assault troops. On October 26, they launched a crushing offensive that resulted in the victory of Caporetto: the Italian army was routed, but after retreating more than 100km, it was able to reorganize and hold at the Battle of the Piave River. In 1918 the Austrians repeatedly failed to break the Italian line, and, decisively defeated in the Battle of Vittorio Veneto, surrendered to the Entente powers in November. Throughout the war Austro-Hungarian Chief of Staff, Conrad von Hötzendorf had a deep hatred for the Italians because he had always perceived them to be the greatest threat to his state. Their betrayal in 1915 enraged him even further. His hatred for Italy blinded him in many ways, and he made many foolish tactical and strategic errors during the campaigns in Italy.

The War in the Balkans

After repelling three Austrian invasion